Theorist Theory

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Primary source

Augusto Boal

Boal, A. 2000. Theater of the Oppressed. London, UK. Pluto Press.

Anne Bogart

  • Viewpoints

Bogart, A and Landau, T. 2004. The Viewpoints Book: A Practical Guide to Viewpoints and Composition. New York, USA. Theatre Communications Group.

Edward Bond

  • Accidental time

Bond, E. 2000. The Hidden Plot: Notes on Theatre and the State. London, UK. Bloomsbury Methuen Drama.

Bertolt Brecht

  • Gestus

Brecht, B and Willet, J (eds). 1964. Brecht on Theatre: The Development of an Aesthetic. New York, USA. Hill and Wang.

Joseph Chaikin

Chaikin, J. 1993. The Presence of the Actor. New York, USA. The Theatre Communications Group.

Tim Etchells

  • Performance writing

Etchells, T. 1999. Certain Fragments: Contemporary Performance and Forced Entertainment. Oxon, UK. Routledge.

Jerzy Grotowski

  • The chamber theatre

Grotowski, J. 1968. Towards a Poor Theatre. New York. USA. Simon and Schuster.

Pamela Howard

  • Composition

Howard, P. 2009. What is Scenography? Oxon, UK. Routledge.

Keith Johnstone

Johnstone, K. 1989. Impro: Improvisation and the Theatre. London, UK. Methuen.

Tadeusz Kantor

  • Theatre of death

Kantor, T. 1993. A Journey Through Other Spaces: Essays and Manifestos, 1944–1990. Kobialka, M (trans and ed). California, USA. University of California Press.

Jacques Lecoq

  • Creating physical characters

Lecoq, J. 2009. The Moving Body (Le Corps Poétique): Teaching Creative Theatre. London, UK. Methuen.

Vsevolod Meyerhold

  • Biomechanics

Meyerhold, V and Braun, E. 1998. Meyerhold on Theatre. London, UK. Methuen.

Kazuo Ohno

  • Transformation

Ohno, K and Ohno, Y. 2004. Kazuo Ohno's World: From Without and Within. Connecticut, USA: Wesleyan University Press.

Erwin Piscator

Piscator, E. 1980. The Political Theatre. Hugh Rorrison (trans). London, UK. Methuen.

Harold Prince

  • The concept musical

Prince, H. 1974. Contradictions: Notes on Twenty-Six Years in the Theatre. New York, USA. Dodd, Mead & Co.

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