Publications for Laura Fisher 2017



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Publications for Laura Fisher

Publications for Laura Fisher

2017

Fisher, L. (2017). Ecologies of land and sea and the rural/urban divide in Australia: Sugar vs the Reef? and The Yeomans Project. Culture and Dialogue, 5(1), 98-130. [More Information]

Fisher, L., Ihlein, L. (2017). Futurelands 2 Newspaper. Futurelands 2, (pp. 1 - 52). Sydney, Australia: Kandos School of Cultural Adaptation.

Fisher, L., Kuchelmeister, V. (2017). The Veloscape Project: Cyclists Sensing the City. In David Curtis (Eds.), Building Sustainability with the Arts. Cambridge: Cambridge Scholars Publishing.

Fisher, L. (2017). Wild food mapping as global cultural maintenance. Artlink: contemporary art magazine in Australia, 1(37), 64-67.

2016

Fisher, L. (2016). Aboriginal Art and Australian Society: Hope and Disenchantment. London: Anthem Press.

Fisher, L. (2016). Archstoyanie, Land, and the Art of Elsewhere. Strelka Magazine.

Fisher, L. (2016). Cementa in the mix: socially engaged art in inland NSW. Crossroads in Cultural Studies Conference, Sydney: The University of Sydney.

Fisher, L. (2016). Ecologies of land and sea: the aesthetics of permeability. Art, Science, Oceans Colloquium, University of Sydney.

Fisher, L., McDonald, G. (2016). From fluent to Culture Warriors: Curatorial trajectories for Indigenous Australian art overseas. Media International Australia, 158(1), 69-79. [More Information]

Fisher, L. (2016). Futurelands 2. Kandos, Australia: Kandos School of Cultural Adaptation.

Fisher, L. (2016). Kandos School of Cultural Adaptation: Blog. Futurelands 2, Australia: Kandos School of Cultural Adaptation.

Fisher, L. (2016). Land, labour and food: Art and the recovery of ecological livelihoods. Axon: Creative Explorations, 6(2), 1-19. [More Information]

Fisher, L., McDonald, G. (2016). Morning Star/Evening Star: bilateral curatorship between Melbourne and Glasgow. Crossroads in Cultural Studies Conference, Sydney: The University of Sydney.

Fisher, L. (2016). Oddities and Detritus: Dusan Marek: Art/Film Post 1960, Sydney University Art Gallery. Arena Magazine, 142.

Fisher, L. (2016). Seeing Human Formations. Joe Frost: Human Formations, (pp. 4 - 7). Sydney, Australia: Watters Gallery.

Fisher, L. (2016). The bicycle as dissident object: Laura Fisher on the bicycle in contemporary art. Artlink, 36(1), 20-25. [More Information]

Fisher, L. (2016). The Extraordinary Ordinary at the Echigo-Tsumari Art Triennale. Unlikely: Journal for Creative Arts, 2(Field Work), 1-12. [More Information]

Tello, V., Fisher, L. (2016). The Fiction of Aftermath: Public Art, Public Imagination and the Aesthetics of Anthropogenic Crisis. Australian Humanities Review, 60(2), 1-19. [More Information]

Fisher, L., Kuchelmeister, V. (2016). The Veloscape Project: Cyclists Sense of the City. Ecoarts Australis Conference, Australia: Unpublished.



2015

Fisher, L. (2015). Cementa and the Yeomans Project: the aesthetics of social engagement in rural Australia. In Dialogue: Culture and the Environment Forum, Tokamachi, Japan: Echigo-Tsumari Art Field.

Fisher, L., McDonald, G. (2015). Emily Kame Kngwarreye in Japan. Artlink, 35(2), 50-53.

Aceti, L., Thomas, P., Fisher, L. (2015). Proceedings of the Third International Conference on Transdisciplinary Imaging at the Intersections of Art, Science and Culture - Cloud and Molecular Aesthetics [Forthcoming]. The Third International Conference on Transdisciplinary Imaging at the Intersections of Art, Science and Culture - Cloud and Molecular Aesthetics, Plymoth, United Kingdom: Transdisciplinary Imaging Conference 2014.

Fisher, L. (2015). Some reflections on Aboriginal Art's Relationship with Money. In Peter Stupples (Eds.), Art and Money, (pp. 35-57). Newcastle upon Tyne: Cambridge Scholars Publishing.

2014

Fisher, L. (2014). 'Aboriginal mass culture': a critical history. Visual Studies, 29(3), 232-248. [More Information]

Fisher, L. (2014). Bill Brown: a prisoner of the passage. Art Monthly Australia, (234), 36-38.

Fisher, L. (2014). Bill Brown: Wanderlust. Artist Profile, (26), 108-110.

Fisher, L., McDonald, G. (2014). Building Cross-Cultural Connections: The Warburton Art Project & the 2011 Chinese Tour of Tu Di Shen-Ti - Our Land Our Body. Journal of Artistic and Creative Education, 7(1), 66-82.

Kuchelmeister, V., Fisher, L., Bennett, J. (2014). Veloscape v.5. In: Feral Experimental | Veloscape v5. UNSW Galleries, Sydney, Australia.

Fisher, L. (2014). Veloscape: Exploring Sensory Cartographies with Sydney Cyclists. Feral Experimental: New Design Thinking, Sydney: University of New South Wales, National Institute for Experimental Arts (NIEA).

Fisher, L. (2014). Wanderlust - the essay. Bill Brown: Wanderlust, (pp. 7 - 50). Sydney, Australia: 10 group pty Ltd.



2013

Fisher, L., McDonald, G. (2013). Building cross-cultural connections. Inter-discipline: Art Association of Australia & New Zealand Annual Conference (AAANZ) 2013, Sydney: Art Association of Australia and New Zealand (AAANZ).

Fisher, L. (2013). Chopstick. In UNSW, NIEA (Eds.), Curating Cities: A database of eco-public art. Sydney: University of New South Wales, National Institute for Experimental Arts (NIEA).

Fisher, L. (2013). Conflicting economies in the Aboriginal art world. Art and Money Symposium and Exhibition 2013, Dunedin: University of Otago.

Fisher, L. (2013). Del Aire Fruit Park. In UNSW, NIEA (Eds.), Curating cities: a database of eco-public art. Sydney: University of New South Wales, National Institute for Experimental Arts (NIEA).

Fisher, L. (2013). Halo. In UNSW, NIEA (Eds.), Curating cities: a database of eco-public art. Sydney: University of New South Wales, National Institute for Experimental Arts (NIEA).

Fisher, L., Bolton, O. (2013). Human made Object. Object made Human. In: Coding the Future / Plato's rave / Human made object. Object made human. /Immaterial Material. Gaffa Glallery, Sydney, Australia.

Fisher, L. (2013). Not a Cornfield. In UNSW, NIEA (Eds.), Curating Cities: A database of eco-public art. Sydney: University of New South Wales, National Institute for Experimental Arts (NIEA).

Cleland, K., Fisher, L., Harley, R. (2013). Proceedings of the 19th International Symposium of Electronic Art, ISEA2013, Sydney. 19th International Symposium on Electronic Art (ISEA 2013), Sydney: ISEA International, the Australian Network for Art & Technology, and the University of Sydney.

Fisher, L. (2013). The Virginia B. Fairbanks Art & Nature Park: 11 Acres. In UNSW (Eds.), Curating cities: A database of eco-public art. Sydney: University of New South Wales, National Institute for Experimental Arts (NIEA).



2012

Fisher, L. (2012). The Art/Ethnography Binary: Post-Colonial Tensions within the Field of Australian Aboriginal Art. Cultural Sociology, 6(2), 251-270. [More Information]



2011

Fisher, L. (2011). Michael Riley. Design and Art Australia Online. Sydney: DAAO.

Fisher, L. (2011). Romantic Landscapes. Artlink: contemporary art magazine in Australia, 31(2), 86-89.

2010

Fisher, L. (2010). A moral investment. Artist Profile, (12), 96-98.

Fisher, L. (2010). Looking Both Ways: Shepherding 'Fine' Australian Aboriginal Art. The Fifth International Conference on Arts in Society, Sydney: International Conference on the Arts in Society.

2009

Johnson, V., Allas, T., Fisher, L. (2009). This Side of the Frontier: Storylines Full Report.



2008

Fisher, L. (2008). Judy Watson. Design and Art Australia Online. Sydney: DAAO.

Fisher, L. (2008). What's good for the Art isn't always good for the artist. International Forum on Sociology, Spain: International Sociological Association.

2007

Fisher, L. (2007). Ricky Maynard. Design and Art Australia Online. Sydney: DAAO.



Fisher, L. (2007). Thanakupi. Design and Art Australia Online. Sydney: DAAO.


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