Lektüreempfehlungen für den Fachaufsatz Englische Literaturwissenschaft Korb 1: Erzählliteratur ab 1700 bis ca. 1830 Texte

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Lektüreempfehlungen für den Fachaufsatz
Englische Literaturwissenschaft

Korb 1: Erzählliteratur ab 1700 bis ca. 1830


essential: Defoe, Robinson Crusoe (1719), Swift, Gulliver's Travels (1726)

useful: Defoe, Moll Flanders (1722)

essential: Richardson, Pamela (1740), Fielding, Tom Jones (1749)

useful: Fielding, Joseph Andrews (1742), Smollett, Roderick Random (1748), Richardson, Clarissa (1749), Johnson, Rasselas (1759)

additional: Fielding, Shamela (1741), Lennox, Female Quixote (1752)

essential: Walpole, Castle of Otranto (1764), Sterne, Tristram Shandy (1767), Sterne, Sentimental Journey (1768), Smollett, Humphry Clinker (1771)

useful: Burney, Evelina (1778)

additional: Macpherson, Fingal (1762), Beckford, Vathek (1786), Gibbon, Decline and Fall (1788), Wollstonecraft, Mary (1788)

essential: Radcliffe, Udolpho (1794)

useful: Godwin, Caleb Williams (1794), Lewis, Monk (1796)

additional: Holcroft, Anna St Ives (1792) Smith; Old Manor House (1793)

essential: Austen, Pride and Prejudice (1813), Scott, Waverley (1814) Shelley, Frankenstein (1818)

useful: Austen, Emma (1816) Scott, Heart of Midlothian (1818) Hogg, Confessions of a Justified Sinner (1824)

additional: Edgeworth, Absentee (1812), Maturin, Melmoth (1820), Scott, Ivanhoe (1820)

Forschung (Korb 1)

Adams, Percy, G.: Travel Literature and the Evolution of the Novel. Lexington: U of Kentucky P, 1983.

Bartolomeo, Joseph E. A New Species of Criticism: Eighteenth-Century Discourse on the Novel. Newark: U of Delaware P, 1994.

Battestin, Martin C. The Moral Basis of Fielding's Art: A Study of Joseph Andrews. Middletown, Wesleyan UP, 1959.

The Cambridge Companion to the Eighteenth-Century Novel. Ed. John Richetti. Cambridge: Cambridge UP, 1996.

Clery, E. J. The Rise of Supernatural Fiction, 1762-1800. Cambridge: Cambridge UP, 1995.

Davis, Lennard J. Factual Fictions: The Origins of the English Novel. New York: Columbia UP, 1983.

Fludernik, Monika. "Vorformen und Vorläufer des englischen Romans: Die Entstehung des Romans aus begriffsgeschichtlicher, ideologiekritischer und erzähltheoretischer Sicht." Eine andere Geschichte der englischen Literatur: Epochen, Gattungen und Teilgebiete im Überblick. Ed. Ansgar Nünning. Trier: WVT,1996. 61-76.

Garrett, John. "Ending in Infinity: William Beckford's Arabian Tale" Eighteenth-Century Fiction 5 (1992): 15-34.

Lynch, Deirdre. The Economy of Character: Novels, Market Culture, and The Business of Inner Meaning. Chicago: U of Chicago P, 1998.

McKeon, Michael. The Origins of the English Novel 1600-1740. Baltimore: Johns Hopkins, 1987.

Mengel, Ewald. Geschichtsbild und Romankonzeption: Drei Typen des Geschichtsverste­hens im Reflex der Form des englischen historischen Romans. Heidelberg: Winter, 1986.

Nünning, Ansgar. "Der englische Roman des 18. Jahrhunderts aus kulturwissenschaftlicher Sicht: Themenselektion, Erzählformen, Romangenres und Mentalitäten". Eine andere Geschichte der englischen Literatur. Ed. Ansgar Nünning. Trier: WVT, 1996. 77-106.

Pfister, Manfred. Laurence Sterne. Tavistock: Northcote, 2001.

Ray, William. Story and History: Narrative Authority and Social Identity in the Eighteenth-Century French and English Novel. Oxford: Blackwell, 1990.

Spacks, Patricia M. Desire and Truth: Functions of Plot in Eighteenth-Century English Novels. Chicago: U of Chicago P, 1990.

Tanner, Tony. Jane Austen. London: Macmillan, 1986.

Tavor, Eve. Scepticism, Society and the Eighteenth-Century Novel. London: Macmillan, 1987.

Tippett, Brian. 'Gulliver's Travels'. London: Macmillan, 1989.

Waldron, Mary. Jane Austen and the Fiction of Her Time. Cambridge: Cambridge UP, 1999.

Watt, Ian. The Rise of the Novel: Studies in Defoe, Richardson, and Fielding. Berkeley: U of California P, 1957.

Korb 2: Erzählliteratur von ca. 1800 bis ca. 1914


essential: Austen, Pride and Prejudice (1813), Scott, Waverley (1814) Shelley, Frankenstein (1818)

useful: Austen, Emma (1816) Scott, Heart of Midlothian (1818) Hogg, Confessions of a Justified Sinner (1824)

additional: Edgeworth, Absentee (1812), Maturin, Melmoth (1820), Scott, Ivanhoe (1820)

essential: Bronte, Jane Eyre (1847), Bronte, Wuthering Heights (1847), Thackeray, Vanity Fair (1848)

useful: Disraeli, Sybil (1845)

additional: Bulwer-Lytton, The Last of the Barons (1843), Bronte, Agnes Grey (1847)

essential: Dickens, Hard Times (1854), Eliot, Adam Bede (1859), Eliot, Middlemarch (1872)

useful: Gaskell, North and South (1855), Meredith, Diana of the Crossways (1855), Collins, The Woman in White (1860), Eliot, Felix Holt (1866)

additional: Trollope, Barchester Towers (1857), Braddon, Lady Audley's Secret (1862), Eliot, Romola (1863), Gaskell, Wives and Daughters (1866)

essential: Stevenson, Dr Jekyll and Mr Hyde (1886), Hardy, Tess (1891), Hardy, Jude the Obscure (1895), Kipling, Kim (1901), Conrad, Heart of Darkness (1902)

useful: Stevenson, Treasure Island (1883), Stoker, Dracula (1897), Butler, The Way of All Flesh (1903)

additional: Butler, Erewhon (1872), Pater, Marius the Epicurean (1885), Ward, Robert Elsmere (1888), Wells, The Time Machine (1895)

essential: Conrad, Lord Jim (1900), Bennett, The Old Wives' Tale (1908), Wells, Howards End (1910), Forster, A Passage to India (1924)

useful: Forster, A Room With a View (1908), Conrad, The Secret Agent (1907), Conrad, The Secret Sharer (1909)

additional: Wells, Tono Bungay (1909)

Forschung (Korb 2)

Arata, Stephen. Fictions of Loss in the Victorian Fin de Siècle. Cambridge: Cambridge UP, 1996.

Beer, Gillian. Darwin's Plots: Evolutionary Narrative in Darwin, George Eliot and Nineteenth-Century Fiction. London: Routledge, 1983.

Butler, Marilyn. Jane Austen and the War of Ideas. Oxford: Clarendon, 1975.

Carroll, David. George Eliot and the Conflict of Interpretations. Cambridge: Cambridge UP, 1992.

The Cambridge Companion to the Victorian Novel. Ed. Deirdre Davis. Cambridge: Cambridge UP, 2001.

A Concise Companion to the Victorian Novel. Ed. Francis O'Gorman. Oxford: Blackwell, 2005.

Davis, Philip. The Victorians. The Oxford Literary History 8. Oxford: Oxford UP, 2002.

Gallagher, Catherine. The Industrial Reformation of English Fiction: Social Discourse and Narrative Form 1832-1867. Chicago: U of Chicago P, 1985.

Gilbert, Sandra M. and Susan Gubar. The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination. 1979. 2nd ed. New Haven: Yale UP, 2000.

Flint, Kate. Dickens. Brighton: Harvester, 1986.

Kelly Gary. Fiction of the Romantic Period. London: Longman, 1981.

Levine, George. The Realistic Imagination: English Fiction From Frankenstein to Lady Chatterley. Chicago: U of Chicago P, 1981.

Lothe, Jakob. Conrad's Narrative Method. Oxford: Clarendon, 1989.

The Nineteenth-Century Novel: Critical Essays and Documents. Ed. Arnold Kettle. rev. ed. London: Heineman, 1981.

The Nineteenth-Century Novel: Realisms. Ed. Delia da Sousa Correa. London: Routlede, 2000.

Palgrave Advances in Thomas Hardy Studies. Ed. Phillip Mallett. London: Palgrave Macmillan, 2004.

Pordzik, Ralph. Der englische Roman im 19. Jahrhundert. Berlin: Schmidt, 2001.

Reilly, Jim. Shadowtime: History and Representation in Hardy, Conrad and George Eliot. London: Routledge, 1993.

Schwarz, Daniel R. The Transformation of the English Novel 1890-1930. London: Macmillan, 1989.

Shaw, Harry E. Narrating Reality: Austen, Scott, Eliot. Ithaca: Cornell UP, 1999.

Tillotson, Kathleen. Novels of the Eighteen-Forties. Oxford: Oxford UP, 1956.

Wheeler, Michael. English Fiction of the Victorian Period, 1830-1890. London: Macmillan, 1985.

Korb 3: Erzählliteratur seit dem Ende des 19. Jh.s


essential: Conrad, Lord Jim (1900), Bennett, The Old Wives' Tale (1908), Wells, Howards End (1910), Forster, A Passage to India (1924)

useful: Forster, A Room With a View (1908), Conrad, The Secret Agent (1907), Conrad, The Secret Sharer (1909)

additional: Wells, Tono Bungay (1909)

essential: Lawrence, Women in Love (1920), Joyce, Ulysses (1922), Woolf, Mrs. Dalloway (1925), Waugh, Brideshead Revisited (1945)

useful: Joyce, Dubliners (1914), Lawrence, The Rainbow (1915), Strachey, Eminent Victorians (1918), Mansfield, Bliss, and Other Stories (1922), Woolf, To the Lighthouse (1927), Huxley, Brave New World (1932), Waugh, A Handful of Dust (1934), Orwell, The Road to Wigan Pier (1937), Bowen, The Death of the Heart (1938), Compton-Burnett, Parents and Children (1941)

additional: Richardson, Pilgrimage (1915-38), Maughan, Of Human Bondage (1915), Joyce, Portrait of the Artist as a Young Man (1916), Huxley, Point Counter Point (1928), Gibbon, A Scots Quair (1932-34), Greene, Brighton Rock (1938), Green, Party Going (1939), Lawrence, Lady Chatterley's Lover (1960)

essential: Orwell, Ninety Eighty-four (1949), K. Amis, Lucky Jim (1954), Golding, Lord of the Flies (1954), Durrell, Balthazar (1958)

useful: Greene, The Heart of the Matter (1948), Spark, The Comforters (1957), Murdoch, The Bell (1958), Beckett, The Unnameable (1959)

additional: Bowen, The Heat of the Day (1949), Powell, A Question of Upbringing (1951), Wilson, Anglo-Saxon Attitudes (1956)

essential: Lessing, The Golden Notebook (1962), Burgess, A Clockwork Orange (1962), Fowles, The French Lieutenant's Woman (1969), Murdoch, The Sea, The Sea (1978), McEwan, The Cement Garden (1978)

useful: Rhys, Wide Sargasso Sea (1966), Fowles, The Magus (1966), Carter, The Magic Toyshop (1967), Spark, The Driver's Seat (1970), Murdoch, The Black Prince (1973), Drabble, The Ice Age (1977), Golding, Rights of Passage (1980)

additional: Golding, The Spire (1964), Pym, Quartet in Autumn (1978)

essential: Rushdie, Midnight's Children (1981), Carter, Nights at the Circus (1984), Barnes, Flaubert's Parrot (1984), Ackroyd, Hawksmoor (1985)

useful: Gray, Lanark (1981), Swift, Waterland (1983), Lodge, Nice Work (1988), Ishiguro, The Remains of the Day (1989), Byatt, Possession (1990), McEwan, Atonement (2001)

additional: M. Amis, London Fields (1989), Brooke-Rose, Textermination (1991)

Forschung (Korb 3)

Bergonzi, Bernard. Wartime and Aftermath: English Literature and Its Background 1939-1960. Oxford: Oxford UP, 1993.

Bloom, Clive. Bestsellers: Popular Fiction Since 1900. Basingstoke: Palgrave Macmillan, 2002.

The Cambridge Companion to James Joyce. Ed. Derek Attridge. 2nd ed. Cambridge: Cambridge UP, 2004.

Craig, Cairns. The Modern Scottish Novel: Narrative and the National Imagination. Edinburgh: Edinburgh UP, 1999.

Eysteinsson, Astradur. The Concept of Modernism. Ithaca: Cornell UP, 1990.

Hawthorn, Jeremy. Joseph Conrad: Narrative Technique and Ideological Commitment. London. Arnold, 1990.

Head, Dominic. The Cambridge Introduction to Modern British Fiction, 1950-2000. Cambridge: Cambridge UP, 2002.

Hutcheon, Linda. A Poetics of Postmodernism: History, Theory, Fiction. 1988. London. Routledge, 1995.

An Introduction to Contemporary Fiction. Ed. Rod Mengham. Cambridge: Polity, 1999.

Levenson, Michael H. Modernism and the Fate of Individuality: Character and Novelistic Form from Conrad to Woolf. Cambridge: Cambridge UP, 1991.

Mergenthal, Silvia. A Fast-Forward Version of England: Constructions of Englishness in Contemporary Fiction. Heidelberg: Winter, 2003.

Middeke, Martin. Die Kunst der gelebten Zeit: Zur Phänomenologie literarischer Subjektivität im englischen Roman des ausgehenden 19. Jahrhunderts.. Würzburg: Königshausen & Neumann, 2004.

The Novel Today: Contemporary Writers on Modern Fiction. Ed. Malcolm Bradbury. London. Fontana, 1990.

Nünning, Ansgar. "Zwischen der realistischen Erzähltradition und der experimentellen Poetik des Postmodernismus". Eine andere Geschichte der englischen Literatur. Ed. Ansgar Nünning. Trier: WVT, 1996. 213-240.

Radikalität und Mäßigung: Der englische Roman seit 1960. Ed. Annegret Maack und Rüdiger Imhof. Darmstadt: Wiss. Buchgesellschaft, 1993.

Sage, Lorna. Women in the House of Fiction: Post-War Women Novelists. Basingstoke: Macmillan, 1992.

Schwarz, Daniel R. The Transformation of the English Novel 1890-1930. 2nd ed. Basingstoke: Macmillan, 1995.

Sinfield, Alan. Literature, Politics and Culture in Postwar Britain. Oxford: Blackwell, 1989.

Stevenson, Randall. A Reader's Guide to the Twentieth-Century Novel in Britain. New York: Harvester, 1993.

Waugh, Patricia. Harvest of the Sixties: English Literature and its Background, 1960 to 1990. Oxford: Oxford UP, 1995.

Literatur zur Vorbereitung auf den Fachaufsatz:

Zur Analyse narrativer Literatur:

Abbott, H. Porter. The Cambridge Introduction to Narrative. Cambridge: Cambridge UP, 2002.

Bal, Mieke. Narratology: Introduction to the Theory of Narrative. Toronto: U of Toronto P, 1985.

Booth, Wayne C. The Rhetoric of Fiction. Chicago: University of Chicago P, 1961.

Chatman, Seymour. Story and Discourse: Narrative Structure in Fiction and Film. 1978. Ithaca: Cornell UP, 1993.

Hawthorn, Jeremy. Studying the Novel: An Introduction. London: Arnold, 1985.

Kahrmann, Cordula, Gunter Reis und Manfred Schluchter. Erzähltextanalyse: Eine Einführung in Grundlagen und Verfahren. 2 Bde. 1977. Kronberg: Athenäum, 1993.

Martinez, Matia und Michael Scheffel. Einführung in die Erzähltheorie. 1999. München: Beck, 2000.

Nünning, Vera und Ansgar. Grundkurs anglistisch-amerikanistische Literaturwissenschaft. Stuttgart: Klett, 2001. 104-133.

Phelan, James. Reading People, Reading Plots: Character, Progression, and the Interpretation of Narrative. Chicago: U of Chicago P. 1989.

Prince, Gerald. Narratology: The Form and Functioning of Narrative. Berlin: Mouton, 1982.

Rimmon-Kenan, Shlomith. Narrative Fiction: Contemporary Poetics. 1983. 2nd ed. London. Routledge, 2002.

Scholes, Robert. Textual Power: Literary Theory and the Teaching of English. New Haven: Yale UP, 1985.

Scholes, Robert und Robert Kellog. The Nature of Narrative. Oxford: Oxford UP, 1966.

Stanzel, Franz K. Theorie des Erzählens. Göttingen: Vandenhoeck & Ruprecht, 1979.

Sturgess, Philip J. M. Narrativity: Theory and Practice. Oxford: Oxford UP, 1992-

Korb 4: Shakespeare (Forschung)

Zur Sozial-/Kulturgeschichte des elisabethanischen Zeitalters:

Bruster, Douglas. Shakespeare and the Question of Culture: Early Modern Literature and the Cultural Turn. Basingstoke: Palgrave Macmillan, 2003.

The Culture of Capital: Property, Cities, and Knowledge in Early Modern England. Ed. Henry S. Turner. London: Routledge, 2002.

Greenblatt, Stephen. Shakespearean Negotiations: The Circulation of Social Energy in Renaissance England. Berkeley: U of California P, 1988.

Pye, Christopher. The Vanishing: Shakespeare, the Subject, and Early Modern Culture. Durham/NC: Duke UP, 2000.

Tillyard, E. M. W. The Elizabethan World Picture. New York: Macmillan, 1944.

Zum Theater der Shakespeare-Zeit:

Gurr, Andrew. The Shakespearean Stage 1574-1642. 1979. 3rd ed. Cambridge: Cambridge UP, 1992.

Thomson, Peter. Shakespeare's Theatre. 1983. 2nd ed. London: Routledge, 1992.

Grundlegende Informationen zu Shakespeare:

The Cambridge Companion to Shakespeare Studies. Ed. Stanley Wells. Cambridge: Cambridge UP, 1986.

Marcus, Leah S. Puzzling Shakespeare: Local Reading and its Discontents. Berkeley: U of California P, 1988.

Ryan, Kiernan. Shakespeare. 1989. 3rd ed. Basingstoke: Palgrave, 2002.

Schoenbaum, S. William Shakespeare: A Compact Documentary Life. Oxford: Oxford UP, 1977.

Shakespeare-Handbuch. Ed. Ina Schabert. 4th ed. Stuttgart: Kröner, 2000.

Zu den 'Untergattungen':

Bradley, A. C. Shakespearean Tragedy. London: Macmillan, 1904.

The Cambridge Companion to English Renaissance Drama. Ed. A. R. Braunmuller and Michael Hattaway. 1990. Cambridge: Cambridge UP, 2003.

Mangan, Michael. A Preface to Shakespeare's Comedies: 1594-1603. London: Longman, 1996.

Rackin, Phyllis. Stages of History: Shakespeare's English Chronicles. Ithaca: Cornell UP, 1990.

Tennenhouse, Leonard. Power on Display: The Politics of Shakespeare's Genres. London: Methuen, 1986.

Korb 5: Drama seit Ende des 19. Jh.s


essential: Shaw, Widowers' Houses (1892), Wilde, The Importance of Being Earnest (1895), Shaw, Man and Superman (1903), Synge, The Playboy of the Western World (1907)

useful: Pinero, The Second Mrs Tanqueray (1893), Shaw, Arms and the Man (1894), Wilde, An Ideal Husband (1895), Shaw, Pygmalion (1914)

additional: Shaw, Candida (1897), Maugham, A Man of Honour (1903), Yeats, On Baile's Strand (1904), Shaw, Caesar and Cleopatra (1906), Shaw, Heartbreak House (1919)

essential: O'Casey, The Shadow of a Gunman (1923), O'Casey, The Plough and the Stars (1926), Coward, Cavalcade (1931)

useful: Maugham, The Circle (1921), O'Casey, Juno and the Paycock (1924), Coward, Private Lives (1930)

additional: Coward, The Vortex (1924), Travers, Plunder (1928), Eliot, Murder in the Cathedral (1935), Priestley, Time and the Conways (1937),

essential: Beckett, Waiting for Godot (1955), Osborne, Look Back in Anger (1956), Pinter, The Birthday Party (1958)

useful: Osborne, The Entertainer (1957), Wesker, Roots (1959), Arden, Serjeant Musgrave's Dance (1959), Pinter, The Caretaker (1960), Beckett, Happy Days (1961)

additional: Rattigan, The Winslow Boy (1946), Fry, The Lady's Not For Burning (1948), Wesker, The Kitchen (1959), Bolt, A Man for All Seasons (1960)

essential: Bond, Saved (1965), Stoppard, Rosencrantz and Guildenstern are Dead (1966), Bond, Lear (1971), Hare, Plenty (1978)

useful: Orton, What the Butler Saw (1969), Ayckbourn, Absurd Person Singular (1972), Stoppard, Jumpers (1972), Shaffer, Equus (1973), Bond, Bingo (1974), Brenton, Weapons of Happiness (1976), Bond, The Woman (1978), Barnes, Laughter (1978)

additional: Osborne, Luther (1961), Arden, The Hero Rises Up (1968), Barnes, The Ruling Class (1968), Stoppard, Travesties (1974), Wesker, The Merchant (1976), Edgar, Destiny (1976), Gems, Queen Christina (1977)

essential: Churchill, Top Girls (1982), Barker, The Castle (1985), Friel, Making History (1988)

useful: Frayn, Noises Off (1982), Brenton, Bloody Poetry (1984), Hare, Pravda (1985), Pinter, Mountain Language (1988)

additional: Nicols, Poppy (1983), Hampton, Tales from Hollywood (1983), Churchill, Mad Forest (1990)

Forschung (Korb 5)

Aston, Elaine. An Introduction to Feminism and Theatre. London: Routledge, 1994.

Beyer, Manfred. Das englische Drama des 20. Jahrhunderts: Eine motiv- und bildgeschichtliche Untersuchung. Tübingen: Francke, 1996.

Bull, John. Stage Right: Crisis and Recovery in British Contemporary Mainstream Theatre. London: Macmillan, 1994.

Chambers, Colin and Mike Prior. Playwright's Progress: Patterns of Postwar British Drama. Oxford: Lane, 1987.

Englisches Theater der Gegenwart: Geschichte(n) und Strukturen. Ed. Klaus Peter Müller. Tübingen: Narr, 1993.

Goetsch, Paul. Bauformen des modernen englischen und amerikanischen Dramas. Darmstadt: Wiss. Buchgesch., 1977.

Innes, Christopher. Modern British Drama 1890-1990. Cambridge: Cambridge UP, 1992.

Itzin, Catherine. Stages in the Revolution: Political Theatre in Britain Since 1968. London: Methuen, 1980.

Patterson, Michael. Strategies of Political Theatre: Post-War British Playwrights. Cambridge: Cambridge UP, 2004.

Raab, Michael: Erfahrungsräume: Das englische Drama der neunziger Jahre. Trier: Wissenschaftlicher Verlag Trier, 1999.

Schnierer, Peter Paul. Modernes englisches Drama und Theater seit 1945: Eine Einführung. Tübingen: Narr, 1997.

Shepherd, Simon and Peter Womack. English Drama: A Cultural History. Oxford: Blackwell, 1996.

Trussler, Simon. The Cambridge Illustrated History of British Theatre. Cambridge: Cambridge UP, 1995.

Wu, Duncan. Six Contemporary Dramatists: Beckett, Pinter, Gray, Brenton, Hare, Ayckbourn. London: Macmillan, 1995.

Zapf, Hubert. Das Drama in der abstrakten Gesellschaft: Zur Theorie und Struktur des modernen englischen Dramas. Tübingen: Niemeyer, 1988.

Literatur zur Vorbereitung auf den Fachaufsatz:

Aston, E. und Savona G. Theatre as Sign System. London: Routledge, 1991.

Elam, Keir. The Semiotics of Theatre and Drama. 1980. 2nd ed. London: Routledge, 2002.

Fortier, Mark. Theory / Theatre: An Introduction. 2nd ed. London: Routledge, 2002.

Guiraud, Pierre. Semiology. 1971. London: Routledge, 1975.

McGrath, John. A Good Night Out. London: Methuen, 1981.

Pfister, Manfred. Das Drama. UTB 580. München: Fink, 1977.

Korb 6: Versdichtung: Elisabethanische Dichtung bis zur Mitte des 18. Jh.s

Erste Gedichtauswahl:

British and American Classical Poems. Ed. Horst Meller und Rudolf Sühnel. Braunschweig: Westermann, 1966.

English Poetry: Eine Anthologie für das Studium. Ed. Arno Löffler und Eberhard Späth. Wiesbaden: Quelle & Meyer, 1976.


Battestin, Martin C. The Providence of Wit: Aspects of Form in Augustan Literature and the Arts. Charlottesville: UP of Virginia, 1989.

Brown, Marshall. Preromanticism. Stanford: Stanford UP, 1991.

Colley, Linda. Britons: Forging the Nation, 1707-1837. New Haven: Yale UP, 1993.

Engell, James. The Creative Imagination: Enlightenment to Romanticism. Cambridge: Harvard UP, 1981.

Ferry, Anne. The 'Inward' Language: Sonnets of Wyatt, Sidney, Shakespeare, Donne. Chicago: U of Chicago P, 1983.

Hagstrum, Jean H. The Sister Arts: The Tradition of Literary Pictorialism and English Poetry from Dryden to Gray. Chicago: U of Chicago P, 1958.

Korshin, Paul J. Typologies in England, 1650-1820. Princeton: Princeton UP, 1982,

Lewalski, Barbara K. Protestant Poetics and the Seventeenth-Century Lyric. Princeton: Princeton UP, 1979.

Post, Jonathan F. S. English Lyric Poetry: The Early Seventeenth Century. London: Routledge, 1999.

Rawson, Claude. Satire and Sentiment 1660-1830: Stress Points in the English Augustan Tradition. New Haven: Yale UP, 1994.

Reid, David. The Metaphysical Poets. Edinburgh, Pearson Education, 2000.

Roston, Murray. Changing Perspectives in Literature and the Visual Arts, 1650-1820. Princeton, Princeton UP, 1990.

Soliciting Interpretation: Literary Theory and Seventeenth-Century English Poetry. Ed. Elizabeth D. Harvey and Katherine E. Maus. Chicago: U of Chicago P, 1990.

The Sublime: A Reader in British Eighteenth-Century Aesthetic Theory. Ed. Andrew Ashfield and Peter de Bolla. Cambridge: Cambridge UP, 1996.

Weiskel, Thomas. The Romantic Sublime: Studies in the Structure and Psychology of Transcendence. Baltimore: Johns Hopkins UP, 1976.

Weiß, Wolfgang. Die elisabethanische Lyrik. Darmstadt: Wiss. Buchgesellschaft, 1976.

Wenzel, Peter. "Be Prepared: Das Sonett". anglistik & englischunterricht 53 (1994): 153-67.

Korb 7: Versdichtung: Von der Mitte des 18. Jh.s bis zur Gegenwart

Armstrong, Isobel. Victorian Poetry: Poetry, Poetics and Politics. London: Routledge, 1993.

Berman, Marshall. All That Is Solid Melts Into Air: The Experience of Modernity. London. Verso, 1983.

Bertens, Hans. The Idea of the Postmodern. London: Routledge, 1995.

British Poetry Since 1970: A Critical Survey. Ed. Peter Jones and Michael Schmidt. Manchester: Carcanet, 1968.

A Companion to Romanticism. Ed. Duncan Wu. Oxford: Blackwell, 1998.

Contemporary British Poetry: Essays in Theory and Criticism. Ed. James Acheson and Romana Huk. New York: State U of New York P, 1996.

Corcoran, Neil. English Poetry Since 1940. London: Longman, 1993.

Dawson, P. M. S. "Poetry in an Age of Revolution". The Cambridge Companion to British Romanticism. Ed. Stuart Curran. Cambridge: Cambridge UP, 1993. 48-73.

Gregson, Ian. Contemporary Poetry and Postmodernism. Basingstoke: Macmillan, 1996.

Howe, Irving. "The Culture of Modernism". Decline of the New. New York: Harcourt, Brace, 1978.

Kennedy, David. New Relations: The Refashioning of British Poetry 1980-1994. Bridgend: Seren, 1996.

Leighton, Angela. Victorian Women Poets: Writing Against the Heart. Charlottesville: UP of Virginia, 1992.

McGann, Jerome J. The Romantic Ideology: A Critical Investigation. Chicago: U of Chicago P, 1983.

Mellor, Anne K. Romanticism and Gender. London: Routledge, 1993.

Menand, Louis. Discovering Modernism: T. S. Eliot and His Context. New York: Oxford UP, 1987.

Nänny, Max. Ezra Pound: Poetics for an Electric Age. Bern: Francke, 1973.

O'Neill, Michael and Gareth Reeves. Auden, MacNeice, Spender: The Thirties Poetry. Basingstoke: Macmillan, 1992.

Perkins, David. A History of Modern Poetry: Modernism and After. 2 Bde. Cambridge, Mass.: Harvard UP, 1987.

Poetry Now: Contemporary British and Irish Poetry in the Making. Ed. Holger Klein, Sabine Coelsch-Foisner und Wolfgang Görtschacher. Tübingen: Stauffenburg, 1999.

Siskin, Clifford. The Historicity of Romantic Discourse. London: New York UP, 1988.

The Broadview Anthology of Victorian Poetry and Poetic Theory. Ed. Thomas J. Collins and Vivienne J. Rundle. Ontario: Broadview P, 1999.

The Cambridge Companion to Modernism. Ed. Michael Levenson. Cambridge: Cambridge UP, 1999.

Thwaite, Anthony. Poetry Today: A Critical Guide to British Poetry 1960-1995. London: Longman, 1996.

Literatur zur Vorbereitung auf den Fachaufsatz:
Lyrik und Gedichtanalyse

Bode, Christoph. Einführung in die Lyrikanalyse. Trier: Wissenschaftlicher Verlag Trier, 2001.

Burdorf, Dieter. Einführung in die Gedichtanalyse. 1995. 2. Aufl. Stuttgart: Metzler, 1997.

Hühn, Peter. Geschichte der englischen Lyrik. 2 Bde. Tübingen: Francke, 1995.

Jakobson, Roman. "Closing Statement: Linguistics and Poetics". Style in Language. Ed. Thomas A. Sebeok. Cambridge, Mass.: MIT P, 1960. 353-57. dt. in R. J. Poetik: Ausgewählte Aufsätze 1921-1971. Frankfurt: Suhrkamp, 1979.

Lexikon lyrischer Formen. Ed. Otto Knörrich. Stuttgart: Kröner, 1992 (Einleitung!).

Ludwig, Hans-Werner. Arbeitsbuch Lyrikanalyse. 1979. Tübingen: Narr, 1994.

Müller-Zettelmann, Eva. Lyrik und Metalyrik: Theorie einer Gattung und ihrer Selbstbespiegelung anhand von Beispielen aus der englisch- und deutschsprachigen Dichtkunst. Heidelberg- Winter, 2000.

Pfister, Manfred. "Strukturalistische Gedichtanalyse im Englischunterricht am Beispiel von John Wains 'Poem Without a Main Verb'". anglistik & englischunterricht 9 (1979): 43-59.

Sacks, Peter M. The English Elegy: Studies in the Genre from Spenser to Yeats. Baltimore: Johns Hopkins UP, 1985.
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