Curriculum Vitae Douglass Seaton December 04, 2015 General Information



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Curriculum Vitae
Douglass Seaton
December 04, 2015

General Information
University address: College of Music
Florida State University
Tallahassee, Florida 32306-1180
Phone: 850 644 6545; Fax: 850 644 2033

E-mail address: dseaton@fsu.edu



Professional Preparation
1977 Ph.D., Columbia University. Major: Historical Musicology.
1974 M.Phil., Columbia University. Major: Historical Musicology.
1973 Master of Arts, Columbia University. Major: Historical Musicology.
1971 Bachelor of Music, The College of Wooster. Major: Piano Performance.

Professional Experience
1978–present Warren D. Allen Professor of Music, College of Music, Florida State University.
2000–2002 Acting Assistant Dean for Academic Affairs/Director of Graduate Studies, Florida State University.
1990–1996 Coordinator, Music History/Musicology, Florida State University.
1992 Professor, Florida State University.
1983–1992 Associate Professor (tenure), Florida State University.
1972–1977 Preceptor, Columbia University.
1974 Collegium musicum director, Columbia University.
1968–1973 Piano teacher, Self-employed.

Visiting Professorship(s)
2011 Orpheus Instituut, Ghent, Belgium.
1977–1978 Yeshiva University.

Honors, Awards, and Prizes
Named Professorship, The Florida State University (2002).

Honorary Member, Phi Mu Alpha Sinfonia, Epsilon Chapter (1997).

University Teaching Award for Excellence in Undergraduate Teaching (1997).

Teaching Incentive Program Award, The Florida State University (1994).



Current Membership in Professional Organizations
American Musicological Society

International Musicological Society

Lyrica Society for Word-Music Relations

The College Music Society



Teaching
Courses Taught
Advanced Seminar in Musicology I (MUH6687)

Music HistoryGraduate Survey (MUH5219)

Survey of Music Literature (MUL2110)

History of Music: Classical (MUH5355)

Honors Seminar: Writing/s about Music (IFS2067)

History of Music: Nineteenth Century (MUH5365)

History of Music: Renaissance (MUH5335)

Seminar in Historical Musicology (MUH5686)

Special Topics in Music: Music HIstory Pedagogy (MUS5939)

History of Music: Nineteenth Century (MUH4361)

Introduction to Historical Musicology (MUH5685)

History of Music: Baroque (MUH4341)

History of Music: Baroque (MUH5345)

Humanities Honors Seminar (HUM2937)

Honors Study (MUS4904)

Graduate Tutorial in Music (MUS5937)

Music in Western Culture, 19th and 20th Centuries (MUH2012)

Survey of Music History-Antiquity to 1750 (MUH3211)

Introduction to Historical Musicology (MUH4680)

Senior Seminar in Music History (MUH4681)

Seminar in Musicology (MUH4681)

Music in the Humanities (MUH5380)



Doctoral Committee Chair
Casamassina, T. L., graduate. (2015). Music in the Paintbox: Art and Music in the Düsseldorf Malkasten Society.

Church, L. C., graduate. (2015). Music, Morality, and the Great War: How World War I Molded American Musical Ethics.

Luongo, P. G., graduate. (2010). Setting the Stage: Theodore Thomas's Programming in the First Nationwide Orchestral Tours.

Garvin, R. W., graduate. (2008). Romantic Irony in the String Quartets of Felix Mendelssohn Bartholdy and Robert Schumann.

Moulton, P., graduate. (2008). Of Bards and Harps: The Influence of Ossian on Musical Style.

Olander, D., graduate. (2008). Illness Narratives in Nineteenth-Century German Instrumental Music.

Adams, S. B., graduate. (2008). The Development of Alban Berg's Compositional Style: A Study of His Jugendlieder (1901-1908).

Cimarusti, T., graduate. (2007). The Songs of Luigi Gordigiani (1806-1860), "Lo Schuberto italiano".

Deal, B. L., graduate. (2005). The origin and performance history of Carl Maria von Weber's Das Waldmädchen.

Grymes, J. A., graduate. (2002). A Critical Edition of Ernst von Dohnányi's Symphonic Cantata Cantus vitae, op. 38.

Oates, J. L., graduate. (2001). Opera tradition and Scottish nationalism : Hamish MacCunn's Jeanie Deans (1894).

Faucett, B. F., graduate. (1992). The symphonic works of George Whitefield Chadwick.

Gilbert, S. M., doctoral candidate.

Talley, J., doctoral candidate.

Joanna Pepple, doctoral candidate.

Doctoral Committee Member
Heather Paudler, graduate. (2015).

Kahre, S. E., graduate. (2015).

Etheridge, K. D., graduate. (2014).

MacInnis, J. C., graduate. (2014).

Gertsch, E., graduate. (2013).

McCoy, J. T., graduate. (2013).

Matthew McAllister, graduate. (2012).

Morin, M. M., graduate. (2012).

Hobratschk, J. P., graduate. (2011).

Kafumbe, D., graduate. (2011).

Knop, K. E., graduate. (2011).

Sarver, S., graduate. (2010).

Theisen, A. J., graduate. (2010).

Spilker, J. D., graduate. (2010).

Stallings, S., graduate. (2009).

Thursby, S., graduate. (2009).

Mueller, C., graduate. (2008). The Music of the Goth subculture: Postmodernism and Aesthetics.

O'Connor, M., graduate. (2006).

Dunning, A. L., doctoral candidate.

Weber, E., doctoral candidate.

Wilcoxon, B., doctoral candidate.

Woods, L. M., doctoral candidate.

Phillpott, C., doctoral student.

Weissenberger, R., doctoral student.



Doctoral Committee University Representative
Gertsch, E. S., graduate. (2013).

Sarver, S. K., graduate. (2010).

Robinson, J. P., doctoral student.

Master's Committee Chair
Christopher Rorke, graduate. (2015).

Milici, M., graduate. (2015).

Henderson, A., graduate. (2013).

Robinson, N., graduate. (2013).

Gilbert, S., graduate. (2013).

Lindsey Macchiarella, graduate. (2012).

Canting, L. C., graduate. (2011).

Church, L. C., graduate. (2011).

Harrison, L. E., graduate. (2010).

Sun, Shih-Ni, graduate. (2009).

Luongo, P., graduate. (2006).

Hennemann, M., graduate. (1992).

Cooper, J. M., graduate. (1988).

Adelson, D. M., graduate. (1982).

Whittington, R., student.

Master's Committee Member
Cieri, V., graduate. (2015).

Bishop, M., graduate. (2013).



Olander, D. M., graduate. (2002).

Research and Original Creative Work
Publications
Invited Journal Articles
Seaton, S. D. (2015). "Reconsidering Undergraduate Music History: Some Introductory Remarks.". Journal of Music History Pedagogy, 5, 53-56. Retrieved from http://ams-net.org/ojs/index.php/jmhp/
Seaton, D. (2014). "Some Thoughts about Teaching Music History: A Conversation with Douglass Seaton". Journal of Music History Pedagogy, 4/3, 193-211.
Seaton, D. (2009). "But I dont like it": Observations and Reflections on the Two Finales of Elijah. Choral Journal, 50, 34-41.

Refereed Journal Articles
Seaton, D. (2010). Mendelssohn in 1825: A 'Snapshot' with Two Canons. Journal of Musicological Research, 29(2), 159-70.

Invited Books
Seaton, D. (2010). Ideas and Styles in the Western Musical Tradition, 3rd ed. New York: Oxford University Press.
Seaton, D. (2001). The Mendelssohn Companion. Westport, Connecticut: Greenwood.
Seaton, D. (1987). The Art Song: A Research and Information Guide. New York: Garland.

Refereed Books
Seaton, D. (2010). Ideas and Styles in the Western Musical Tradition, 3rd ed. New York: Oxford University Press.

Edited Books
Seaton, D. (Ed.). (2009). Felix Mendelssohn Bartholdy. Elias/Elijah [Scholarly Edition]. Kassel: Bärenreiter.

Invited Book Chapters
Seaton, D. (2014). "Plot and Narrative in Mendelssohn's Chamber Music for Strings and Piano.". In William Brooks (Ed.), Ohne Worte: Vocality and Instrumentality in 19th-Century Music. Leuven, Belgium: Leuven University Press.
Seaton, D. (2012). One More Time: The Case for the Second-Part Repetition in Classic Sonata Form. In Allen Scott (Ed.), "Hands-On" Musicology: Essays in Honor of Jeffery Kite-Powell (pp. 318-29). Ann Arbor, MI: Steglein.
Seaton, D. (2011). Mit Worten: Mendelssohns Lieder. In Dominik Sackmann (Ed.), Mendelssohn-Interpretationen – Der unbekannte Mendelssohn: Das Liedschaffen (pp. 11-52). Bern: Peter Lang.
Seaton, D. (2011). Topos as Aesthetic Basis in Mendelssohnian Song. In Dominik Sackmann (Ed.), In Mendelssohn-Interpretationen – Der unbekannte Mendelssohn: Das Liedschaffen (pp. 125-39). Bern: Peter Lang.
Seaton, D. (2010). Teaching Music History: Principles, Problems, and Proposals. In James R. Briscoe (Ed.), Vitalizing Music History Teaching (pp. 59-71). Hillsdale, NY: Pendragon.
Seaton, D. (2009). Narrativity and the Performance of Beethoven's Tempest Sonata. In Pieter Bergé, Jeroen D'hoe (co-editor), & William Caplin (co-editor) (Eds.), Beethoven's Tempest Sonata: Perspectives of Analysis and Performance (pp. 273-92). Leuven: Peeters.
Seaton, D. (2008). Back from B-A-C-H: Schumann's C-Major Symphony. In Gregory Butler, Mary Green, & George Stauffer (Eds.), About Bach (pp. 191-206). Champaign, IL: University of Illinois Press.
Seaton, D. (2008). Mendelssohn's Audience. In Siegwart Reichwald (Ed.), Mendelssohn Performance Studies (pp. 1-18). Bloomington: Indiana University Press.

Invited Monograph Chapters
Seaton, D. (2011). Mit Worten: Mendelssohns Lieder. In Dominik Sackmann (Ed.), Mendelssohn-Interpretationen – Der unbekannte Mendelssohn: Das Liedschaffen [Monograph]. Zürcher Musikstudien, 7, 11-52.
Seaton, D. (2011). Topos as Aesthetic Basis in Mendelssohnian Song. In Dominik Sackmann (Ed.), Mendelssohn-Interpretationen – Der unbekannte Mendelssohn: Das Liedschaffen [Monograph]. Zürcher Musikstudien, 7, 125-39.

Invited Reviews
Seaton, S. D. (2015). Felix Mendelssohn Bartholdy, Organ Works: Preludes and Fugues Op. 35 & 37, Adam Lenart org. Organ arrangement of Op. 35 by Adam Lenart. MDG 906, 2013. Nineteenth-Century Music Review, 12, 173-76. Retrieved from http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=9787794&fulltextType=PR&fileId=S1479409815000099
Seaton, D. (2013). Review of Mendelssohn Perspectives, edited by Nicole Grimes and Angela Mace (Farnham, Surrey, UK: Ashgate, 2012); and Benedict Taylor, Mendelssohn, Time and Memory: The Romantic Conception of Cyclic Form (Cambridge, UK: Cambridge University Press, 2011). Nineteenth-Century Music Review, 10 (2), 327-32. Retrieved from http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=9136655&fulltextType=BR&fileId=S1479409813000293
Seaton, D. (2013). Review of Robert Tallant Laudon, The Dramatic Symphony: Issues and Explorations from Berlioz to Liszt, Franz Liszt Studies Series No. 12 (Hillsdale, NY: Pendragon, 2012). Journal of Musicological Research, 32 (4), 353-58.

Refereed Reviews
Seaton, D. (2011). Byron Almén, A Theory of Musical Narrative. Journal of Musicological Research, 30/1, 72.
Seaton, D. (2006). Review Essay on Richard Taruskin, The Oxford History of Western Music. Music Library Association NOTES, 62(3), 685-99.
Seaton, D. (2005). Review of Robert Schumann, Symphony No. 2 in C major Op. 61, Symphony No. 4 in D minor Op. 120, Orchestre des Champs Elysees, Philippe Herreweght cond, Harmonia mundi (Musique d'abord) HMA1951848. Nineteenth-Century Music Review, 2(2).
Seaton, D. (2004). Review of Peter Kivy, Introduction to a Philosophy of Music. Journal of Musicological Research, 23(2), 227-32.
Seaton, D. (2002). Review of Jim Samson, ed., The Cambridge History of Nineteenth-Century Music. Journal of Musicological Research, 21(3), 364-69.

Nonrefereed Proceedings
Seaton, D. (2012). Core Music Curriculum Components II: History and Repertory – A Survey and Some Questions. In National Associations of Schools of Music Proceedings: The 87th Annual Meeting 2011 (pp. 23-26). Reston, VA: National Association of Schools of Music.

Presentations
Invited Papers at Conferences
Seaton, D. (presented 2010). Plot and Narrative in Mendelssohn's Chamber Music for Strings and Piano I and II. Paper presented at International Orpheus Academy, International Orpheus Instituut, Ghent, Belgium. (International)
Seaton, D. (presented 2009, August). The Autograph Piano Score of Elias and a New Source: Observations on the Evolution of the Oratorio. Paper presented at Felix Mendelssohn Bartholdy: Kompositorisches Werk und künstleriches Wirken, International Musicological Congress, Leipzig. (International)

Invited Papers at Symposia
Seaton, D. (presented 2009, May). Topos as Aesthetic Basis in Mendelssohnian Song. In Der "unbekannte Mendelssohn": Das Liedschaffen von Felix Mendelssohn Bartholdy. Symposium conducted at the meeting of Institute for Music Studies of the Zürich Hochschule der Künste. (International)

Refereed Papers at Conferences
Seaton, S. D. (presented 2014, November). The End of the Undergraduate Music History Sequence? Paper presented at National Conference, American Musicological Society, Milwaukee WI. (National)
Seaton, D. (presented 2007, July). Plot and Persona: The First Movement of Chopin's B-Minor Sonata. Paper presented at International Musicological Society 18th quinquennial meeting, International Musicological Society, Zürich, Switzerland. (International)

Invited Keynote and Plenary Presentations at Conferences
Seaton, D. (presented 2008, September). Harold in Italy, or Childe Harold's Vacation: Some Observations on Narrativity. Keynote presentation at American Musicological Society Southeastern Chapter, Appalachian State University, Boone, North Carolina. (Regional)

Refereed Presentations at Conferences
Seaton, D. (presented 2014, November). "The End of the Undergraduate Music History Sequence?" Introductory Remarks. Presentation at 2014 National Meeting, American Musicological Society, Milwaukee, Wisconsin. (National)

Invited Lectures and Readings of Original Work
Seaton, S. D. (2015, October). "Hearing Voices: A Termino-Methodological Prolegomenon.". Delivered at Department of Music, Princeton University, Princeton University, Princeton NJ. (Local)
Seaton, D. (2009, November). Elijah at the Keyboard. Delivered at American Guild of Organists meeting, Tallahassee, Florida. (Local)

Edited Original Works
Edited Musical Compositions
Seaton, D. (Ed.). (2009). Felix Mendelssohn Bartholdy, Elias/Elijah [Oratorio]. Wiesbaden: Bärenreiter.

Reviews of My Research and Original Creative Work by Other Authors
Reviews Appearing in Journals
Mariani, A. (2010). Douglass Seaton, Ideas and Styles in the Western Musical Tradition, 3rd ed. Journal of Music History Pedagogy, 1(1), 71-73. Retrieved from http://www.ams-net.org/ojs/index.php/jmhp/article/view/10

Interview
Seaton, S. D., & Watkins, T. D. (2014). Some Thoughts about Teaching Music History: A Conversation with Douglass Seaton. Journal of Music History Pedagogy.

Service
Florida State University
FSU University Service
member, Honors Policy Committee (2009–present).
member, Council on Research and Creativity (1997–present).
Member, Faculty Senate (1992–2006).

FSU College Service
member, Honors and Citations Committee (1979–present).
Coordinator, Music History/Musicology (2008–2012).

FSU Department Service
Committee Member, Program Review Committee, M.A. in German, Italian, Russian (2005–2006).

The Profession
Editor for Refereed Journals
Reviews Editor, Journal of Music History Pedagogy (2013–present).
Editor-in-Chief, Current Musicology (1977–1978).
Associate Editor, Current Musicology (1973–1977).

Editorial Board Membership(s)
Nineteenth-Century Music Review (2014–present).
Journal of Music History Pedagogy (2012–present).

Guest Reviewer for Refereed Journals
Journal of the Royal Musical Association (2010).
Publications of the English Goethe Society (2010).

Service to Professional Associations
Board of Directors, The CMS Fund, The College Music Society (2003–present).
member, Nineteenth-Century Studies Association (2001–present).
Member, US Governing Board, RILM (Répértoire Internationale de la Littérature Musicale) (2001–present).
member, Lyrica Society for Word-Music Relations (1981–present).
Liaison to National Association of Schools of Music, American Musicological Society (2007–2011).
Forums and Dialogues Committee Chair, The College Music Society (2007–2010).
Regional Chapter Board member, Program Chair for 1996 Southeast Regional Chapter meeting, American Society for Eighteenth-Century Studies (1993–1996).

Service to Other Universities
Promotion/Tenure Committee, Blair School of Music, Vanderbilt University (2011).

Consultation
University of Rochester Press. Peer reviewer (2011).

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