Conference Programme Friday 7 September 2012

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Conference Programme

Friday 7 September 2012

09:00-10:00	Conference Registration Social Area, 1^st Floor (Block B), O’Rahilly Building

10:00-10:15	Opening Address Professor Nuala Finnegan (Head of the Department of Hispanic Studies, University College Cork)

10:15-11:45	Panel 1A AUTEURS Room: ORB 1.23 Chair: Dr Gwenda Young, UCC “Ragnarök Now: Moving Through the Interstices of Le temps du loup” Aidan Power (University College Cork) “Bridging the Interstice between Coloniser and Colonised ‘in Glorious Technicolor’: Jean Renoir's The River (1951)” Barry Nevin (National University of Ireland, Galway)	Panel 1B EARLY CINEMA AND SOUND Room: ORB 1.56 Chair: Dr Christopher Morris, UCC “Sounds of Silence: A Comparative Study of Sunset Boulevard (1950) and The Artist (2011)” Maria Wojdyło (University College Cork) “From Silent Cinema to a Cinema of Silence” Katherine Waugh (Filmmaker and Writer) “And then the music composer joined the crew” José Sánchez-Sanz (Universidad Europea de Madrid)	Panel 1C TITLES AND SUBTITLES Room: ORB G.41 Chair: Miranda Corcoran, UCC “‘God Hates Fangs’: Southern Stereotypes in the Opening Credits of True Blood” Donna Maria Alexander (University College Cork) “Subtitles, Foreignness and “the problem of universal appeal” of Film” Dionysios Kapsaskis (University of Roehampton, London) “Subtitling the Time-Image” Niall Flynn (University College Cork)

11:45-12:15	Coffee Social Area, 1^st Floor (Block B), O’Rahilly Building

12:15-13:45	Panel 2A DIRECTORS’ VISIONS Room: ORB 1.23 Chair: Dr Barry Monahan, UCC “Aestheticising the Interstice in Pedro Almodóvar’s The Skin I Live in (2011)” Abigail Keating (University College Cork) “Fictional Authenticity: Myth and Music in Gus Van Sant’s Last Days (2005)” Jessica Shine (University College Cork) “An Abject Masculine: Representations of Masculinity in the Films of Nicolas Winding Refn” Aoife O’Connor (National University of Ireland, Galway)	Panel 2B HIGH/LOW CULTURE Room: ORB 1.56 Chair: Ian Murphy, UCC “Gear Change: Nicholas Winding Refn’s Drive (2011) as Interstitial Cinema” Deborah Mellamphy (University College Cork) “Dracula in the Vanguard: The Unstable Spaces of Portabella's Cuadecuc, Vampir” Glenn Ward (University of Brighton) “Adaptation (2002) – In the Interstice of Classical and Modernist Cinema” Steffen Hven (Bauhaus-Universitat)	Panel 2C POPULAR CINEMA Room: ORB 1.01 Chair: Dr Aidan Power, UCC “Spectatorship in the Interstices: Complex Narratives and Inter-textuality in Contemporary Cinema” Frances Pheasant-Kelly (University of Wolverhampton) “From Wildfire to FUIs: The Special Effects of the Control Room, 1971-2011” Cormac Deane (Institute of Art, Design and Technology, Dublin)

13:45-14:45	Lunch Social Area, 1^st Floor (Block B), O’Rahilly Building

14:45-16:30	Panel 3A FICTION/NONFICTION Room: ORB 1.23 Chair: Dr Laura Rascaroli, UCC “Reel Fiction?: An Analysis of the Italian Propaganda Film Camicia Nera (1933)” Pierluigi Ercole (University College Cork) “Interstices between Fiction and Documentary in Contemporary Cinema: En construcción and Foreign Part as a Case Study” Fernando Canet (Polytechnic University of Valencia) “Historical Films in the Interstices of Fiction and Documentary” Claudia Bossay (Queen’s University Belfast) “New Orleans after Katrina: Fiction and Nonfiction” Delphine Letort (University of Le Mans)	Panel 3B NATIONAL AND TRANSNATIONAL Room: ORB 1.56 Chair: Donna Maria Alexander, UCC “Picturing a National Coming-of-Age in Peter Carstairs’ September” Pauline Marsh (University of Tasmania) “Performance and Affective Realism in Contemporary Brazilian Cinema” Ramayana Lira (Universidade do Sul de Santa Catarina Brazil and University of Leeds) “From Here to Nowhere: Passages in Contemporary Brazilian Cinema” Alessandra Brandão (Universidade do Sul de Santa Catarina Brazil and University of Leeds) “Transnational Cinema – Opportunities and Transgressions” Kyle Barrett (University of the West of Scotland)

16:30-17:00	Coffee Social Area, 1^st Floor (Block B), O’Rahilly Building

17:00-18:30	Keynote Address 1 Room: Boole 1 Chair: Dr Laura Rascaroli, UCC “The Film Spectator: A Special Memory” Raymond Bellour (Director of Research Emeritus, CNRS)

19:00	Alphaville Reception and Buffet at La Dolce Vita

Saturday 8 September 2012

10:00-11:30	Panel 4A DIGITAL MEDIA Room: ORB 1.23 Chair: Dr Deborah Mellamphy, UCC “*Cinema's Most Recent 'Transitional Era' and Peter Kubelka’s Was ist Film?* Project” Daniel Fitzpatrick (National University of Ireland, Galway) “Interactive Spectatorship: Interactive-image and the Cinema Space” Sarah Arnold (University College Falmouth) “Interactive Spectatorships: Incorporating Twitter as a Tool of Film Studies Pedagogy” Dario Llinares (University College Falmouth)**	Panel 4B IMAGE AND INTERVAL Room: ORB 1.56 Chair: Jessica Shine, UCC “Benjamin’s Optical Unconscious: The Motion in Photography as the Interstice of Cinematic Time” Linda Bertelli (IMT Institute for Advanced Studies, Lucca) “*Coming into Focus: The Vanishing Subject and the Revivifying Camera in The Strange Case of Angelica”* Laura Sava (University of Warwick) “From Vacuity to Motion Pictures: The Cinematic Intervals” Nawel Sebih (Université Paris Est)	Panel 4C INTERTEXTUALITY Room: ORB 1.01 Chair: Dr Pierluigi Ercole, UCC “The Go-Between: Modernist Theatre meets the Post-war Screen in the Filmmaking of Joseph Losey” Peter Jameson (Queen’s University Belfast) “Juha in the Interstices - Intermediality and Intertextuality of Aki Kaurimäki's Film Juha” Zuzanna Kurlikowska (University of Jyväskylä, Finland, and Warsaw University)

11:30-12:00	Coffee Social Area, 1^st Floor (Block B), O’Rahilly Building

12:00-13:45	Panel 5A ESSAY FILM Room: ORB 1.23 Chair: Dr Paula Blair, QUB “Essayistic Thinking at the Junctures of Images: Arnaud des Pallières’s Drancy Avenir” Laura Rascaroli (University College Cork) “Notes on Two Interstitial Images: Depictions of Christ by Manet and Cézanne in Histoire(s) du cinéma” Jill Murphy (University College Cork) “Tracing the Past – Interstices between Past and Present in Henri-François Imberts’ No pasarán, album souvenir” Veronika Schweigl (University of Vienna) “On Image Mixing Machines: The Relations between Parts and Whole in a Sequence of Films taken out of Histoire(s)du cinéma” Inês Sapeta Dias (Universidade Nova de Lisboa)	Panel 5B PRACTICE Room: ORB 1.56 Chair: Dr Deborah Mellamphy, UCC “Everything is Everyday” Patrick Tarrant (London South Bank University) “Interactive Narratives: Extending Narrative Perspectives” Kelly McErlean (New Media Technology College, Dublin) “Adapting the Orphans: New Interpretations and Interventions of Archival Public Information Films” Jo Clements (University of Salford) “Audiovisual Glitch as Interstitial Practice” Ruth Alexandra Moran (Trinity College Dublin)

13:45-15:00	Lunch Social Area, 1^st Floor (Block B), O’Rahilly Building

15:00-16:30	Panel 6A OPERA: NOW PLAYING AT A CINEMA NEAR YOU Room: ORB 1.23 Chair: Dr Danijela Kulezic-Wilson, UCC “Applauding the Screen: Opera, Spectatorship and Liveness in the Cinema” Christopher Morris (University College Cork) “A Night at the Opera … oh really?” Paul Everett (University College Cork) “The Met: Live in HD and the New Spectatorship: A Pedagogical Perspective” Estelle Murphy (University College Cork)	Panel 6B FILMMAKING IN IRELAND Room: ORB 1.56 Chair: Dr Conn Holohan, NUIG “Formal Hybridity and Representations of Emotion in the Recent Irish Cinema” Jennie Carlsten (Queen’s University Belfast) “Section 481: Is film relief torn between culture and economics and feeling like a fool?” Maria O’Brien (Trinity College Dublin) “Filming Ek Tha Tiger in Dublin: Bollywood, Community and Locality” Giovanna Rampazzo (Dublin Institute of Technology)	Panel 6C INTERMEDIALITY Room: ORB 1.01 Chair: Michael Waldron, UCC “‘Some Disturbance, Something Shifted, Revealed’: The Art Gallery as Interstice” Paula Blair (Queen’s University Belfast) “Sitting, Walking, Touching, Flying: Constantin Brâncuşiʼs Fluid Sculpture and his voie vers l’infini as viewed by Cristian Amza” Jana Gavriliu (University of Bucharest) “A Museum of Ekstasis: Film and the Experience of Transition” Fay Hoolahan (Camberwell College of Arts, University of the Arts London)

16:30-17:00	Coffee Social Area, 1^st Floor (Block B), O’Rahilly Building

17:00-18:30	Keynote Address 2 Room: Boole 1 Chair: Dr Gwenda Young, UCC “Film Theory and Children: Truffaut and Erice” Professor Angela Dalle Vacche (Georgia Institute of Technology)

18:30	Alphaville Wine Reception Social Area, 1^st Floor (Block B), O’Rahilly Building

Sunday 9 September 2012

10:00-11:30	Panel 7A TRANSMEDIA Room: ORB 1.23 Chair: Abigail Keating, UCC “Between the Gaps and Across the Crevices: *Classical Hollywood, Superman, and the Historical Origins of* Transmedia Storytelling” Matthew Freeman (University of Nottingham) “*Exploiting Intermedia: Film, TV, and Tabloid in Santiago Segura’s Torrente 4 Lethal Crisis* (2011)” Luis Guadano (Old Dominion University)**	Panel 7B CINEMATIC EXPERIENCE Room: ORB 1.56 Chair: Jill Murphy, UCC “*Eyes that Touch: Haptic Form and Mimetic Contact in Claire Denis’ Vendredi soir”* Ian Murphy (University College Cork) “The Moving Image and the Impossible Presence of Life” Gert Jan Harkema (University of Groningen)

11:30-12:00	Coffee Social Area, 1^st Floor (Block B), O’Rahilly Building

12:00-13:30	Panel 8A ANIMATION Room: ORB 1.23 Chair: Jessica Shine, UCC “The Rebel of the Chinese School: Modernist Expression in A Da’s Animations” Chen Yuanyuan (University College Cork) “In-between between Software and Image” Aylish Wood (University of Kent) “Changing Faces of Monkey King: Animated Images and Political Ghosts” Wang Keyue (Communication University of China, Beijing)	Panel 8B SPACE AND PLACE Room: ORB 1.56 Chair: Dr Barry Monahan, UCC “Chantal Akerman’s From The Other Side (De l’autre côté, 2002): Interstitial Spaces In Geography and Genre” Evgenia Giannouri (University of Lille 3) “Fragile Utopia: Between a Rock and No-place in Ursula Meier's Home” Conn Holohan (National University of Ireland, Galway) “Interstitial Narration in Eija-Liisa Ahtila’s Where is Where? (2008)” Maria Walsh (Chelsea College of Art & Design)

13:30-14:45	Lunch and Conference Closing Social Area, 1^st Floor (Block B), O’Rahilly Building

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