Conference Programme Friday 7 September 2012
Date 03.05.2017 Size 187.11 Kb. #18946
Friday 7 September 2012
09:00-10:00
Conference Registration
Social Area, 1st Floor (Block B), O’Rahilly Building
10:00-10:15
Opening Address
Professor Nuala Finnegan (Head of the Department of Hispanic Studies, University College Cork)
10:15-11:45
Panel 1A
AUTEURS
Room: ORB 1.23
Chair: Dr Gwenda Young, UCC
“Ragnarök Now: Moving Through the Interstices of Le temps du loup ”
Aidan Power (University College Cork)
“Bridging the Interstice between Coloniser and Colonised ‘in Glorious Technicolor’: Jean Renoir's The River (1951)”
Barry Nevin (National University of Ireland, Galway)
Panel 1B
EARLY CINEMA AND SOUND
Room: ORB 1.56
Chair: Dr Christopher Morris, UCC
“Sounds of Silence: A Comparative Study of Sunset Boulevard (1950) and The Artist (2011)”
Maria Wojdyło (University College Cork)
“From Silent Cinema to a Cinema of Silence”
Katherine Waugh (Filmmaker and Writer)
“And then the music composer joined the crew”
José Sánchez-Sanz (Universidad Europea de Madrid)
Panel 1C
TITLES AND SUBTITLES
Room: ORB G.41
Chair: Miranda Corcoran, UCC
“‘God Hates Fangs’: Southern Stereotypes in the Opening Credits of True Blood ”
Donna Maria Alexander (University College Cork)
“Subtitles, Foreignness and “the problem of universal appeal” of Film”
Dionysios Kapsaskis (University of Roehampton, London)
“Subtitling the Time-Image”
Niall Flynn (University College Cork)
11:45-12:15
Coffee
Social Area, 1st Floor (Block B), O’Rahilly Building
12:15-13:45
Panel 2A
DIRECTORS’ VISIONS
Room: ORB 1.23
Chair: Dr Barry Monahan , UCC
“Aestheticising the Interstice in Pedro Almodóvar’s The Skin I Live in (2011)”
Abigail Keating (University College Cork)
“Fictional Authenticity: Myth and Music in Gus Van Sant’s Last Days (2005)”
Jessica Shine (University College Cork)
“An Abject Masculine: Representations of Masculinity in the Films of Nicolas Winding Refn”
Aoife O’Connor (National University of Ireland, Galway)
Panel 2B
HIGH/LOW CULTURE
Room: ORB 1.56
Chair: Ian Murphy, UCC
“Gear Change: Nicholas Winding Refn’s Drive (2011) as Interstitial Cinema”
Deborah Mellamphy (University College Cork)
“Dracula in the Vanguard: The Unstable Spaces of Portabella's Cuadecuc, Vampir ”
Glenn Ward (University of Brighton)
“Adaptation (2002) – In the Interstice of Classical and Modernist Cinema”
Steffen Hven (Bauhaus-Universitat)
Panel 2C
POPULAR CINEMA
Room: ORB 1.01
Chair: Dr Aidan Power, UCC
“Spectatorship in the Interstices: Complex Narratives and Inter-textuality in Contemporary Cinema”
Frances Pheasant-Kelly (University of Wolverhampton)
“From Wildfire to FUIs: The Special Effects of the Control Room, 1971-2011”
Cormac Deane (Institute of Art, Design and Technology, Dublin)
13:45-14:45
Lunch
Social Area, 1st Floor (Block B), O’Rahilly Building
14:45-16:30
Panel 3A
FICTION/NONFICTION
Room: ORB 1.23
Chair: Dr Laura Rascaroli, UCC
“Reel Fiction?: An Analysis of the Italian Propaganda Film Camicia Nera (1933)”
Pierluigi Ercole (University College Cork)
“Interstices between Fiction and Documentary in Contemporary Cinema: En construcción and Foreign Part as a Case Study”
Fernando Canet (Polytechnic University of Valencia)
“Historical Films in the Interstices of Fiction and Documentary”
Claudia Bossay (Queen’s University Belfast)
“New Orleans after Katrina: Fiction and Nonfiction”
Delphine Letort (University of Le Mans)
Panel 3B
NATIONAL AND TRANSNATIONAL
Room: ORB 1.56
Chair: Donna Maria Alexander, UCC
“Picturing a National Coming-of-Age in Peter Carstairs’ September ”
Pauline Marsh (University of Tasmania)
“Performance and Affective Realism in Contemporary Brazilian Cinema”
Ramayana Lira (Universidade do Sul de Santa Catarina Brazil and University of Leeds)
“From Here to Nowhere: Passages in Contemporary Brazilian Cinema”
Alessandra Brandão (Universidade do Sul de Santa Catarina Brazil and University of Leeds)
“Transnational Cinema – Opportunities and Transgressions”
Kyle Barrett (University of the West of Scotland)
16:30-17:00
Coffee
Social Area, 1st Floor (Block B), O’Rahilly Building
17:00-18:30
Keynote Address 1
Room: Boole 1
Chair: Dr Laura Rascaroli, UCC
“The Film Spectator: A Special Memory”
Raymond Bellour (Director of Research Emeritus, CNRS)
19:00
Alphaville Reception and Buffet at La Dolce Vita
Saturday 8 September 2012
10:00-11:30
Panel 4A
DIGITAL MEDIA
Room: ORB 1.23
Chair: Dr Deborah Mellamphy, UCC
“Cinema's Most Recent 'Transitional Era' and Peter Kubelka’s Was ist Film? Project”
Daniel Fitzpatrick (National University of Ireland, Galway)
“Interactive Spectatorship: Interactive-image and the Cinema Space”
Sarah Arnold (University College Falmouth)
“Interactive Spectatorships: Incorporating Twitter as a Tool of Film Studies Pedagogy”
Dario Llinares (University College Falmouth)
Panel 4B
IMAGE AND INTERVAL
Room: ORB 1.56
Chair: Jessica Shine, UCC
“Benjamin’s Optical Unconscious: The Motion in Photography as the Interstice of Cinematic Time”
Linda Bertelli (IMT Institute for Advanced Studies, Lucca)
“Coming into Focus: The Vanishing Subject and the Revivifying Camera in The Strange Case of Angelica ”
Laura Sava (University of Warwick)
“From Vacuity to Motion Pictures: The Cinematic Intervals”
Nawel Sebih (Université Paris Est)
Panel 4C
INTERTEXTUALITY
Room: ORB 1.01
Chair: Dr Pierluigi Ercole, UCC
“The Go-Between: Modernist Theatre meets the Post-war Screen in the Filmmaking of Joseph Losey”
Peter Jameson (Queen’s University Belfast)
“Juha in the Interstices - Intermediality and Intertextuality of Aki Kaurimäki's Film Juha ”
Zuzanna Kurlikowska (University of Jyväskylä, Finland, and Warsaw University)
11:30-12:00
Coffee
Social Area, 1st Floor (Block B), O’Rahilly Building
12:00-13:45
Panel 5A
ESSAY FILM
Room: ORB 1.23
Chair: Dr Paula Blair, QUB
“Essayistic Thinking at the Junctures of Images: Arnaud des Pallières’s Drancy Avenir ”
Laura Rascaroli (University College Cork)
“Notes on Two Interstitial Images: Depictions of Christ by Manet and Cézanne in Histoire(s) du cinéma ”
Jill Murphy (University College Cork)
“Tracing the Past – Interstices between Past and Present in Henri-François Imberts’ No pasarán, album souvenir ”
Veronika Schweigl (University of Vienna)
“On Image Mixing Machines: The Relations between Parts
and Whole in a Sequence of Films taken out of Histoire(s)du cinéma ”
Inês Sapeta Dias (Universidade Nova de Lisboa)
Panel 5B
PRACTICE
Room: ORB 1.56
Chair: Dr Deborah Mellamphy, UCC
“Everything is Everyday ”
Patrick Tarrant (London South Bank University)
“Interactive Narratives: Extending Narrative Perspectives”
Kelly McErlean (New Media Technology College, Dublin)
“Adapting the Orphans: New Interpretations and Interventions of Archival Public Information Films”
Jo Clements (University of Salford)
“Audiovisual Glitch as Interstitial Practice”
Ruth Alexandra Moran (Trinity College Dublin)
13:45-15:00
Lunch
Social Area, 1st Floor (Block B), O’Rahilly Building
15:00-16:30
Panel 6A
OPERA: NOW PLAYING AT A CINEMA NEAR YOU
Room: ORB 1.23
Chair: Dr Danijela Kulezic-Wilson, UCC
“Applauding the Screen: Opera, Spectatorship and Liveness in the Cinema”
Christopher Morris (University College Cork)
“A Night at the Opera … oh really?”
Paul Everett (University College Cork)
“The Met: Live in HD and the New Spectatorship: A Pedagogical Perspective”
Estelle Murphy (University College Cork)
Panel 6B
FILMMAKING IN IRELAND
Room: ORB 1.56
Chair: Dr Conn Holohan, NUIG
“Formal Hybridity and Representations of Emotion in the Recent Irish Cinema”
Jennie Carlsten (Queen’s University Belfast)
“Section 481: Is film relief torn between culture and economics and feeling like a fool?”
Maria O’Brien (Trinity College Dublin)
“Filming Ek Tha Tiger in Dublin: Bollywood, Community and Locality”
Giovanna Rampazzo (Dublin Institute of Technology)
Panel 6C
INTERMEDIALITY
Room: ORB 1.01
Chair: Michael Waldron, UCC
“‘Some Disturbance, Something Shifted, Revealed’: The Art Gallery as Interstice”
Paula Blair (Queen’s University Belfast)
“Sitting, Walking, Touching, Flying: Constantin Brâncuşiʼs Fluid Sculpture and his voie vers l’infini as viewed by Cristian Amza”
Jana Gavriliu (University of Bucharest)
“A Museum of Ekstasis: Film and the Experience of Transition”
Fay Hoolahan (Camberwell College of Arts , University of the Arts London)
16:30-17:00
Coffee
Social Area, 1st Floor (Block B), O’Rahilly Building
17:00-18:30
Keynote Address 2
Room: Boole 1
Chair: Dr Gwenda Young, UCC
“Film Theory and Children: Truffaut and Erice”
Professor Angela Dalle Vacche (Georgia Institute of Technology)
18:30
Alphaville Wine Reception
Social Area, 1st Floor (Block B), O’Rahilly Building
Sunday 9 September 2012
10:00-11:30
Panel 7A
TRANSMEDIA
Room: ORB 1.23
Chair: Abigail Keating, UCC
“Between the Gaps and Across the Crevices:
Classical Hollywood, Superman , and the Historical Origins of
Transmedia Storytelling”
Matthew Freeman (University of Nottingham)
“Exploiting Intermedia: Film, TV, and Tabloid in Santiago Segura’s Torrente 4 Lethal Crisis (2011)”
Luis Guadano (Old Dominion University)
Panel 7B
CINEMATIC EXPERIENCE
Room: ORB 1.56
Chair: Jill Murphy, UCC
“Eyes that Touch: Haptic Form and Mimetic Contact in Claire Denis’ Vendredi soir ”
Ian Murphy (University College Cork)
“The Moving Image and the Impossible Presence of Life”
Gert Jan Harkema (University of Groningen)
11:30-12:00
Coffee
Social Area, 1st Floor (Block B), O’Rahilly Building
12:00-13:30
Panel 8A
ANIMATION
Room: ORB 1.23
Chair: Jessica Shine, UCC
“The Rebel of the Chinese School: Modernist Expression in A Da’s Animations”
Chen Yuanyuan (University College Cork)
“In-between between Software and Image ”
Aylish Wood (University of Kent)
“Changing Faces of Monkey King: Animated I mages and Political Ghosts ”
Wang Keyue (Communication University of China, Beijing )
Panel 8B
SPACE AND PLACE
Room: ORB 1.56
Chair: Dr Barry Monahan, UCC
“Chantal Akerman’s From The Other Side (De l’autre côté , 2002): Interstitial Spaces In Geography and Genre”
Evgenia Giannouri (University of Lille 3)
“Fragile Utopia: Between a Rock and No-place in Ursula Meier's Home ”
Conn Holohan (National University of Ireland, Galway)
“Interstitial Narration in Eija-Liisa Ahtila’s Where is Where? (2008)”
Maria Walsh (Chelsea College of Art & Design)
13:30-14:45
Lunch and Conference Closing
Social Area, 1st Floor (Block B), O’Rahilly Building
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