Celebrating the New Wave of Ibero American Cinema


THE CANDIDATE (El candidato)



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THE CANDIDATE (El candidato)

Daniel Hendler / Argentina, Uruguay / 84 min / 2017 / Spanish with English subtitles

In this wry and timely political comedy of manners, Martín Marchand, the son of a wealthy



businessman, retreats to his lavish, secluded family estate with his most trusted confidants to start prepping his candidacy for office. In order to distance himself from the reputation of his father, he decides to form a new party that speaks for the common man, and hires a team of PR hotshots to craft his new image. Soon after their arrival, however, the creatives assigned to form his media presence begin to elicit Martín’s suspicion, and paranoia slowly takes hold.
THE CINEMA HOLD UP (Asalto al cine)

Iria Gómez Concheiro / Mexico / 124 min / 2011 / Spanish with English subtitles

The Cinema Hold Up is a vibrant, authentic, and wonderfully observed portrait of the tempo and texture of today’s Mexican youth culture. First-time feature director Iria Gómez Concheiro draws pitch-perfect performances from the talented ensemble cast and registers a strong and original voice in Mexican cinema. Negus, Chale, Sapo and Chata are teenagers who grew up in the same rundown district of Mexico City. They spend their days listening to hip-hop, smoking marihuana and fantasizing about the opposite sex. One day they have the bright idea of robbing a movie theater, jeopardizing the one sure thing they have in life – their friendship.
THE CLUB (El club)
Pablo Larraín / Chile / 97 Min / 2015 / Spanish with English subtitles 

The Club is acclaimed director Pablo Larraín’s taut, blackly comic commentary on individual responsibility, organized religion and the combustible combination of the two. In a secluded house in a small seaside town live four unrelated men and the woman who tends to the house and their needs. All former priests, they have been sent to this quiet exile to purge the sins of their pasts, the separation from their communities being the worst form of punishment by the Church. They keep to a strict daily schedule devoid of all temptation and spontaneity, each moment a deliberate effort to atone for their wrongdoings. Their fragile stability is disrupted by the arrival of an emissary from the Vatican who seeks to understand the effects of their isolation, and a newly disgraced housemate. Both bring with them the outside world from which the men have long been removed, and the secrets they had thought deeply buried.


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