It’s a rude awakening for Carmen, who until now has not really worried about the fact that she and Alfredo are both overweight. After overhearing gossip about their bodies at a company party, she decides that it is time to swap donuts for salads, and urges Alfredo to join her in a weight-loss program. But when only one of them actually starts to slim down, a rift emerges in their relationship. Portrayed with undeniable charm by newcomer Daniela Rincon and well-known Andres Alameida, Paradise touches upon issues of body image, self-confidence and happiness with candor and humor. The film is executive-produced by Diego Luna and Gael García Bernal.
Pablo Larraín / Chile, Mexico, Germany / 98 min / 2012 / Spanish with English subtitles
Pablo Larraín first broke onto the international film scene when Tony Manero premiered at the Cannes Directors´ Fortnight. This Chilean director has now followed up with visceral Post Mortem. Mario Cornejo is going about his daily business of writing autopsy reports at the military hospital in Santiago, when the Pinochet coup d´état shakes this heretofore apolitical character out of his state of apathy. Post Mortem is neither a reconstruction of the Pinochet days, nor an angry denunciation of the period. Instead, Larraín offers a borderline-surreal –Lynchian–black comedy to show, among other things, how easy it is for ordinary people to sleepwalk into a climate of atrocity, either as victims, collaborators, or as both. As in his first film, Larraín invests his characters with metaphoric undertones, suffusing the city of Santiago with a surreal visual texture that evokes the nightmarish landscape it was rapidly becoming.