Catalogue of the Maharajah Fatesingh Museum Baroda, Baroda, 1981.
Guha-Thakurta, T., ‘Westernization and Tradition in South Indian Painting in the 19th century: The Case of Raja Ravi Varma’, Studies in History vol.2, no.2, 1986.
Kapur, G., ‘Ravi Varma: Representational Dilemmas of a Nineteenth Century Indian Painter, Journal of Arts & Ideas, nos 17/18, June 1989.
Sharma, R.C. & Chala, R., Raja Ravi Varma: New perspectives, New Delhi, National Museum, 1993.
Venniyoor, E.M.J., Raja Ravi Varma, Trivandrum, Government of Kerala,1981.
20-f Fine Art Societies
Gandy, Kekoo, informal interview with John Clark, Calcutta, 9.12.1991.
Sarkar, K., ‘Fifty years of the Academy of Fine Arts’, in Moitra, D., ed.,The Academy of Fine Arts Golden Jubilee: A Commemoration, 1933- 1983, Calcutta, The Academy of Fine Arts, n.d. 
Sadwelkar, B., Story of a Hundred Years: The Bombay Art Society, 1888-1988, Bombay, The Bombay Art Society, 1989.
Sanyal, B.C., ‘Contemporary Indian Art: A Survey', in Dhamija, 1988.
20-g Neo-traditional Painting
Appasamy, J, Abandindranath Tagore and the Art of His Times, New Delhi,Lalit Kala Akademi, 1968.
Aronson,A., Rabindranath through Western Eyes, Allahabad, 1943.
Aurobindo, Sri, The Significance of Indian Art, [with ‘Western and Eastern Misunderstandings’, 1918-21], Pondicherry, Sri Aurobindo Press, 1947.
Bartholomew R., ed., Nalandal Bose: A Collection of Essays, Centenary Volume, New Delhi, Lalit Kala Akademi, 1983.
Chattopadhyay, R., ‘Nationalism and form in Indian Painting: A Study of the Bengal School’, Journal of Arts & Ideas, 14/15, Jul-Dec 1987.
Chopra, S. ‘The Folk in Modern Art’, India International Centre Quarterly, vol.17, no.2, Monsoon 1990.
Chandhury,P.J., Tagore on Literature and Aesthetics, Calcutta, 1965
Dey, Bishnu, ‘The pioneers of art in modern India’, Lalit Kala Contemporary, no.1.
Elmhirst,L.K., Poet and Plowman, Calcutta [?], Visva-Bharati, 1975.
Ganguli, K.K., Drawings and Paintings of Dhirendranath Brahma, Calcutta, Birla Academy of Art and Culture, 1990.
Griffith,John, The Paintings in the Buddhist Cave-Temples of Ajanta , reprint, Delhi, Caxton Publications, 1983.
Guha-Thakurta, T., The making of a new ‘Indian' art: Artists, aesthetics and nationalism in Bengal, c.1850-1920, Cambridge, Cambridge University Press, 1992.
Havell, E.B., Indian Sculpture and Painting, London, John Murray, 1908,[reprints as Chapter IV his ‘The Future of Indian Art']
Hay, S.N., Asian Ideas of East and West: Tagore and his critics in Japan, China, and India, Harvard, 1970.
Herringham, C.J., et al, Ajanta Frescoes, London, The India Society, 1915.
Kamboj, B.P., Asit Kumar Haldar, New Delhi, Lalit Kala Akademi, 1990.
Kawakita Michiaki, et al, Ajia Kindaikaiga no Yoaketen, Tôkyô, Mainichi Shinbun, 1985.
Kripalani,K., Rabindranath Tagore: A Biography, Oxford, 1962.
Lago, M. ed., Imperfect Encounter: Letters of William Rothenstein and Rabindranath Tagore, Harvard, 1972.
Lipsey, R., Coomaraswamy: 3: His Life and Work, Princeton, Princeton University Press, 1977.
Mittal, J., ‘Graphic art of the Bengal School’, Lalit Kala Contemporary, no.1.
Mitra,A., Four Painters [includes, ‘The forces behind the modern movement'], Calcutta/New Delhi, New Age, 1965.
Mookerjee,A., Modern Art In India, Calcutta, Oxford Book and Stationery Co., 1956.
Monk, R., Robinson, A., Rabindranath Tagore: A Celebration of His life and Work, Oxford, Museum of Modern Art & Rabindranath Tagore Festival, 1986.
Mukherjee, B., ‘A Chronology of Abanindranath's Paintings’, Visva-Bharati Quarterly, May-October, 1942.
............., ‘Abanindranath and his Tradition’, Lalit Kala Contemporary, no.1.
Mukherji,P.K., Life of Tagore, Indian Book Co., 1975
Mukhophadhyay, A., Asit Kumar Haldar, New Delhi, Lalit Kala Akademi, 1991.
’Nalandal [Bose] Number’, The Visvabharati Quareterly, nos. 1,2,3,4 combined, May 1968-April 1969.
Nandi, S.K., ‘The Aesthetics of Abanindranath Tagore' in Simla.., 1968.
Neogy,P. ed., Rabindranath Tagore on Art and Aesthetics, New Delhi, 1961.
......,Drawings and Paintings of Rabindranath Tagore, New Delhi, Lalit Kala Akademi, 1961.
Parimoo, R., ‘The Chronology of the Paintings of Gaganendranath Tagore’,in Krishna, A., ed, Chhavi, Banaras, Bharat Kala Bhavan, 1971.
..........The Paintings of the Three Tagores: Abanindranath, Gaganendranath, Rabanindranath, Baroda, M.S. University of Baroda, 1973.
........., ‘Revivalism and After’, in Simla.., 1968
........., Studies in Modern Indian art, New Delhi, Kanak, 1975.
.........., ‘Revival of Indigenous Values and their Influences on Modern Indian Art’, Journal of the M.S.University of Baroda vol.XXXIII-XXXIV, no.1, 1984-5.
Rabindranath Tagore, 1861-1961, A Centenary Volume, New Delhi, Sahitya Akademi, 1961, reprint 1986, [includes essays and recollections on all aspects of his life, the most detailed chronology and bibliography]
Roy, A., Paintings of Mahindra Bhusan Gupta, Calcutta, Birla Academy of Art and Culture, 1987.
Sarkar, Benoy Kumar, ‘The Aesthetics of Young India’, Rupam, 9, January 1922, [same issue has, Agastya, ‘A Rejoinder'; see also Kramrisch, S., ‘"The Aesthetics of Young India", A Rejoinder’, Rupam, 10, April 1922.]
................, ‘Social Philosophy in Aesthetics’, Rupam, 15-16, July-December 1923.
................, ‘Tendencies of Modern Indian Art’, Rupam, 1926.
Subramanyam, K.G., ‘The Drawings of Nalandal Bose’, Art Heritage, no.2, 1979.
................, ‘Benode Bihari Mukherjee’, Lalit Kala Contemporary, no.10.
‘Tagore centenary Number’, The Visvabharati Quarterly, vol.26, nos 3 & 4, May 1962.