GENERAL WORKS
Clark, J., ‘Modernity in Japanese Painting’, Art History, vol.9, no.2, June 1986, pp.213-231.
........, ‘Some Models in Japanese Art History’, The Burlington Magazine, vol.CXXVIII, no.1005,
December 1986.
Kawakita, M., Modern Currents in Japanese Art, Tôkyô, Weatherhill, 1974
Miyagawa, T., Modern Japanese Painting, Tôkyô, Kôdansha, 1967.
Munsterberg, H., The Art of Modern Japan, 1868-1968, New York, Hacker, 1978
Genshoku Gendai Nihon no Bijutsu [Modern Japanese Art in Natural Colours, text in Japanese only
but large full colour plates have a clear English index. You can borrow these from East Asian
Section at EA 6048 volumes 1-18. Get them out by asking in the East Asian section, Floor Seven
of Fisher Library, for the key to the special room where the Japanese and Chinese art books are
kept]
Takumi, H. et al, Japanische Malerei im Westlichen Stil, Köln, Museum für Orientalische Kunst,
1985.
EUROPEANS IN MEIJI JAPAN
Adams, A., Travels of a Naturalist in Japan and Manchuria, 1872
Alcock, R., The Capital of the Tycoon, 1863
Anderson, W., ‘A History of Japanese Art’, Transactions of the Asiatic Society of Japan, 7, 1879
............, The Pictorial Arts of Japan, 1886
Antony, D.W., Healey, G.H., The Itinerary of the Iwakura Embassy to Britain, Sheffield University,
Centre of Japanese Studies, 1987
Arnold, E.A., Japonica, 1892
Baelz, Erwin, The Awakening of Japan, 1932
Barr, P., The Coming of the Barbarians, London, Readers Union, 1967
Berg, A. et al. Die Preussische Expedition Nach Ost-+Asien,Bd. I, mit XII Illustrationen und II Karte,
1864;Bd. II, mit XII Illustrationen, 1866;Bd. III, mit I Karte, 1873;Bd. IV, mit XXIV Illustrationen
und I Karte, 1873;
Black, J.R., Young Japan, 1880-81
Blakeney, W., On the Coasts of Cathay and Cipango Forty Years Ago, 1902, (Ill. by Frederick le Breton
Bedwell)
Blum, R.F., ‘An Artist in Japan’, Scribner's Magazine, 4-1893
von Brandt, M., Dreiunddreissig Jahre in Ost-Asien, 3 Banden, Leipzig, 1901
Clark, E.W., Life and Adventure in Japan, American Tract Society, 1878
Clark, J., Japanese-British Exchanges in Art, 1850s-1930s, mimeo, 1989, [for lists and details of
artists who went to Japan and of many 19th century Japanese artists].
Conder, J., Flower Art of Japan and the Art of Floral Arrangement, 1891
............, Landscape Gardening in Japan, 1893
............, Paintings and Studies by Kawanabe Kyosai, 1911
Cortazzi, H., Mitford's Japan, 1985
............, Victorians in Japan, London, Athlone Press, 1987
Cutler, T.W., A Grammar of Japanese Ornament, 1880
Dickson, W.G., Japan, being a sketch of the History, Government and Officers of the Empire, 1869
............, Gleanings from Japan, 1889
Dixon, J.H., ‘On Some Japanese Artists of Today’, Transactions Japan Society of London, no.63
(address of 10-12-1902).
Dresser, C., Japan: Its Architecture and Art Manufactures, 1882
East, A., Landscape Painting in Oil Colour, 1906
............, Brush and Pencil Notes in Landscape, 1914
Fenollosa, E.F., Epochs of Chinese and Japanese Art, 1912
de Fonblanque, E.B., Niphon and Pe-che-li, 1862
Fortune, R., Yedo and Peking, 1863
Fox, G., Britain and Japan 1858-1883, Oxford UP, 1969
Fraser, Mrs., A Diplomatist's Wife in Japan, 1899
Griffis, W.E., A Maker of the New Orient: Samuel Robbins Brown, 1902
Guimet, E. (ill. Régamey), Promenades Japonaises, 1878
Hawks, F.L., Narrative of the Expedition of an American Squadron to the China Seas, 3v., 1856, 1859
Heine, P.B.W., Japan: Beiträge zur Kentniss des Landes und Seiner Bewöhner, 1873, Dresden, 1880
Hoare, J.E., The Japanese Treaty Ports 1868-1899: A Study of the Foreign Settlements, PhD Thesis,
University of London, 1971
............, ‘The "Bankoku Shimbun" Affair: Foreigners, the Japanese Press and Extraterritoriality in Early Meiji Japan’, Modern Asian Studies, 9, 3, 1975
............, ‘Extraterritoriality in Japan, 1858-1899’, Transactions of the Asiatic Society of Japan,
XVII, 1983
Humbert, A., (ill. Roussin, Wirgman, Beato), Le Japon Illustré}, 1870
Hurd, D., The Arrow War, 1967
Jephson, R.M., Elmhirst, E.P., Our Life in Japan, 1869
Lafarge, J., Considerations on Painting, New York Metropolitan Museum of Art, 1895
............, An Artist's Letter from Japan, 1897
Leach, B., Beyond East and West, 1978
Lindau, Rudolphe, Voyage autour du Japon, 1864
....................., Erzählungen und Novellen, 1878, [includes the story ‘Robert G. Cooper, Jnr’]
....................., Aus China und Japan, 1896
Menpes, M., Japan, A Record in Colour, 1901
............, Whistler as I knew Him, 1904
Mitford, A.B., Memories, 1915
............, The Bamboo Garden, 1896, (ill. Parsons)
Norman, C.B., Battle Honours of the British Army, 1911
Oliphant, L., Narrative of the Earl of Elgin's Mission to China and Japan in the Years 1857, '58, '59,
2 vols., 1859
Oliver, S.P., On and Off Duty, 1881
Osborn, S., A Cruise in Japanese Waters, 1859
............, Japanese Fragments, 1861
Pantzer, P., Japan und Osterreich-Ungarn, Beiträge zur Japanologie, Bd.11, Wien 1973
Parsons, A., Notes in Japan, 1896
Piggott, F., (ill. East), The Garden of Japan, 1892
Poynts, W.H., Per mare per Terram, 1892
Pumpelly, R., Across America and Asia, 1870
Régamey, F., Okoma, 1883
..............., Le Japon Pratique, 1891
..............., Le Cahier Rose de Madame Crysanthème, 1894
..............., Le Dessin et son enseignement dans les Écoles de Tokio, 1902
..............., Japon, 1903
..............., Le Japon en Images, 1904
Satow, E., A Diplomat in Japan, 1921, reprint Oxford UP, 1968
............, Private Diaries, London, Public Record Office, PRO30/33
............, Letters, (chiefly to Aston and Dickins), PRO30/33
de Saumarez, R., Girard, P.J., Lord De Saumarez abroad and at Home, La Société Guernésiase, 1975
Savage Landor, A.M., Everywhere, 1924
Scidmore, E., Jinriksha Days in Japan, 1898, [Illustrations by or after Beato, ‘Kurz’, Florian and ‘S.P.']
Sieffert, R., Le Japon et La France, Publications Orientalistes de France, 1974
Silver, J.M.W., Sketches of Japanese Manners and Customs, 1867
Simpson, W., Meeting the Sun, 1874
............, Autobiography, 1903
Sladen, D.B.W., The Japs at Home, 1892
............, Twenty Years of My Life, 1915
............, My Long Life, 1939
S(medley), A.M., Nara Hodu, Paramatta and Sydney, 1884
Smith, G., Ten Weeks in Japan, 1861
Taylor, B., A Visit to India, China and Japan, 1859
............, Japan in Our Day, 1881, rev. ed. 1892
Williams, H.S., Naito, H., The Kamakura Murders of 1864, private publication, 1973.
Wirgman, A.T., Storm and Sunshine in South Africa, 1922
JAPONISME
Baty, T., ‘The Literary Introduction of Japan to Europe’, Monumenta Nipponica, VII, 24-39;VIII, 15-46; IX, 62-82; X, 65-80
Brooks, Van Wyck, Fenollosa: the Far East and American Culture, Yale UP, 1962
Conant, E.P., ‘The French Connection: Émile Guimet's Mission to Japan, A Cultural Context of
Japonisme’, in Conroy, H. et al, Japan in Transition: Thought and Action in the Meiji Era, Farleigh
Dickson University Press, 1984
Evett, Elisa, Critical Reception of Japanese Art in late 19th century Europe, UMI Research Press, 1982
Huish, Marcus B., ‘England's appreciation of Japanese Art’, Transactions of the Japan Society, no.81,
of 12-4-1909
............, ‘Is Japanese Art Extinct?’, The Nineteenth Century, 3-1888, [Huish was director of The Fine
Art Society around 1875-1906, and for a time Secretary of the Japan Society of London]
Horioka, Yasuko, The Life of Kakuzo, Hokuseido Press, 1963
Impey, O., Chinoiserie, Oxford UP, 1977
............, ‘Japanese Export Art of the Edo Period and its Influence on European Art’, Modern Asian
Studies, 18, 4, 1984
............, ‘Japanese Export Lacquer in the 17th Century’, in Watson, ed. Lacquer Work in Asia and
Beyond, School of Oriental and African Studies, 1981
Ives, Colta, F., The Great Wave, Metropolitan Museum of Art NY, 1974
Japan und Europa 1543-1929, Berlin, Berliner Festspiel/ARGON, 1993.
Lach, D.F., Asia in the making of Europe, 3 vols., Chicago UP, 1970, 1994
Miner, E., The Japanese Tradition in British and American Literature, Princeton UP, 1959
Myer, P.R., ‘Images and Influences of Oriental Art’, Art Journal, XX, 4, 1961
Pantzer, P., Wieninger, J., Verborgene Impressionen/ Hidden Impressions, Wien, Österreiches Museum
für Angewandte Kunst, 1990.
Shionoya, K., Cyrano et les samourai: le théâtre japonais en France et l'effet de retour, Publications
Orientalistes de France, 1986
Takashina, S., Lacambre, G., Mabuchi, A., Mathieu, C., Le Japonisme, 1988, Éditions de la Réunion
des musées nationaux (large bibliography)
Watanabe, Toshio, ‘The Western Image of Japanese Art in the Late Edo Period’, Modern Asian Studies, 18, no.4, 1984
............, ‘Eishi Prints in Whistler's Studio’, The Burlington Magazine, December, 1986.
............, High Victorian Japonisme, Bern, Swiss Asian Studies vol.10,1991.
............, Sato, T., Japan and Britain: An Aesthetic Dialogue 1850-1930, London, Barbixcan Art
Gallery, 1991.
Weisberg, G., et al, Japonisme: Japanese Influences on French Art 1854-1882, Cleveland, 1975
Wevver, L., Japanese Woodblock Prints: The Reciprocal Influence between East and West, Utah,
Brigham Young UP, 1979
Whitford, F., Japanese Prints and Western Painters, Studio Vista, 1977
Wichmann, S., Japonisme, Thames & Hudson, 1981
............, ed., Weltkulturen und moderne Kunst, Verlag Bruckmann, Munchen, 1972
Yamada, C., ed. Dialogue in Art, Japan and the West, Thames & Hudson, 1976
Yokoyama, Toshi, Japan in the Victorian Mind, Oxford, 1987
PHOTOGRAPHY
[Japanese-langauge listings below are some of those commonly available]
Asahigraph, ed. Japan:A Pictorial Interpretation, Tôkyô, Asahi Shimbun, 1932, 1934
Bennet, T.B., Early Japanese Images, Tokyo, Tuttle, 1996.
................, ‘Early photographic images of Japan’, The PhotoHistorian, no.112, June 1996.
................, Cortazzi, H., Japan: Caught in Time, Reading, Garnet Publishing, 1995.
................, ‘The Eartly Photographers Photographing Japan’, Japan Digest, Jan., Apr., July, Oct.,
1991.
Dower, J. intr., A Century of Japanese Photography, London, Hutchinson, 1981
Bürer, Catherine, ed., Kirei - Plakate aus Japan, Zürich, Edition Stemmle & Museum für Gestaltung
Zürich, 1993.
Edel, C. tr., Once upon a time: Visions of Old Japan from the photos of Beato and Stiullfried and
the words of Pierre Loti, New York, Friendly Press, 1986.
Fuji, H., Matsumoto, T., Kondo, Y., Photography in Contemporary Art, Tôkyô, National Museum
of Modern Art,1983
Gartlan, Luke, ‘Chronology of Baron Raimund von Stillfried und Ratenicz’, in his University of
Melbourne, BAS Honours Thesis 1997.
Goto & Matsumoto, Yomigaeru Bakumatsu, Tôkyô, Asahi Shimbun, 1987
Japanische Photographie 1860-1929, Berlin, Berliner Festspiele, 1993.
King, E.J., ‘The Beginnings of Photography in Japan’, The British Journal of Photography, 24-10-
1979, 2-11-1979, 9-11-1979, 18-11-1979, 24-11-1979; ‘The Middle Years’, ibid, 8-8-1980, 15-8-
1980.
Lufty, Janet, [recent] ‘Japanese Photography’, Art in America, May 1997.
Negretti, P.A., ‘Henry Negretti - gentleman and photographic pieoneer’, The Photographic Collector,
vol.1, 1984
Osman, C., Clark,J., Fraser,J., ‘Chronology of Felice Beato' in Clark, J.,Japanese -British Exchanges
in Art, 1850s-1930s, mimeo, London, 1989; re edition of chronology: Sydney 1997.
Osman, C., ‘New Light on the Beato Brothers’, The British Journal of Photography, 16-10-1987.
Osman,C., ‘The Later Years of Felice Beato’, The Photographic Journal,November, 1988
Ozawa, T., ‘The history of early photography in Japan’, History of Photography, vol.5, no.4, 1989.
Rosenberg,G., Willhelm Burger-Ein Welt- und Forschungsreisender mit der Kamera, 1844 bis 1920,
Wien/München, Edition Brandstätter, 1984.
Saito Takio, ‘Photography in Yokohama and W. Saunders’, The PhotoHistorian, no.86, 1989.
Seigert, P. et al, Felice Beato in Japan, Heidelberg, Edition Braus, 1991.
White, Stephen, ‘Felix Beato and the First Korean War, 1971’, The Photographic Collector, vol.3,
no.1, Spring 1983.
..................., ‘The Far East’, Image, vol.34, nos 1-2, 1991.
Worswick, C., Japan, Photographs, 1854-1905, New York, Alfred A.Knopf, 1979
................., ‘The disappearence of Uchida Kyuichi and the discovery of nineteenth century Asian
photography’, Image, vol.36, nos 1-2, 1993.
Yokohama Archives of History, ed., F. Beato Bakumatsu Nihon Shashinshû,Yokohama, Yokohama
Kaikô Shiryôkan, 1987.
Zannier, I. Felici e Antonio Beato, Milano, Editophoto, 1978.
MEIJI ART AND INTERACTION WITH THE ‘WEST’
Clark, John, ‘Artist and the State: The Image of China in Japanese Painting, 1890s - 1940s’, in Elise
Tipton, ed., Society and the State in Interwar Japan, London, Routledge, 1997.
Clark, John, ‘Modernities, Histories; The Japanese Case’, in Harry Belleter, ed., Face à l’Histoire ,
Paris, Centre Georges Pompidou, 1996.
Aoki Shigeru and the late Victorian Art, Tôkyô, Tôkyô Shimbun, 1983
Baekeland, F., Imperial Japan:The Art of the Meiji Era, Cornell, Herbert F. Johnson Museum of Art,
1980
Beretta, Lia, ‘ Edoardo Chiossone’, Transactions of the Asiatic Society of Japan, fourth series, volume
10, 1995.
Georges Bigot: Il y a cent ans un artiste francais au Japon, Tôkyô,Yomiuri Shimbun, 1987
Clark,J., Japanese-British Exchanges in Art, 1850s-1930s, London, privately published, 1989 [includes
biographical data on many Meiji artists]
Conant, E.P., ‘Principles and Pragmatism: The Yatoi in the Field of Art’, in Beauchamp, E.R. & Iriye,
eds., Foreign Employees in Nineteenth Century Japan, Boulder & London, Westview Press, 1990.
Conroy H., et al, Japan in Transition: Thought and Action in the Meiji Era, Farleigh Dickson University
Press, 1984
Development of Western Realism in Japan, I, Tôkyô, National Museum of Modern Art, 1985
Fontanesi, Ragusa e l'arte giapponese nel primo periodo Meiji, Tôkyô, National Museum of Modern Art, 1977
Guiterrez,F., ‘Artistic trends of the Meiji Period’, in Skrypczak, E. Japan's Modern Century, Tôkyô,
Tuttle, 1968
Guth, C.,M.,E., ‘Japan 1868-1945: art, architecture, and national identity’, Art Journal, vol.55, no.3,
Fall 1996.
Haga, T., ‘The Formation of Realism in Meiji Painting: The Career of Takahashi Yûichi’, in Shively, D.,
Tradition and Modernization in Japanese Culture, Princeton, Princeton University Press, 1971
Harada, M., Meiji Western Painting, Tôkyô, Weatherhill, 1974
Inaga, Shigemi, ‘Théodore Duret et Japon’, Revue de l ’Art, no.79, 1988.
......................., ‘La réinterpretation de la perspective linéaire au Japon (1740-1830) et son retour en
France (1860-1910)’, Actes de la Recherche en sciences sociales, no.49, septembre 1983.
.................., ‘L’orientalisme en peinture: representation de l’autre et ses limites’, in Hignonnet,
Margaret R., Jones, Sumie, eds. Visions of the Other, Tokyo, Proceedings of the International
Comparative Literature Association, 1991.
.................., ‘De l’artisan à l’artiste au seuil de la modernité japonaise, ou l’implantation de la notion
des Beaux-Arts au Japan’, Sociologie de l’Art, no.8, 1995.
Khalili, Nasser, D. et al, Meiji no Takara: Treasures of Imperial Japan,[I: Selected Essays; II: Metalwork; III:Enamels; IV: Lacquer; V: Ceramics] London, The Kibo Foundation, 1995.
Kawakita,M., ‘Western Influence on Japanese Painting and Sculpture' inYamada, C., ed. Dialogue in
Art:Japan and the West, Tôkyô, Kôdansha, 1976
Kornicki, P.F., ‘Public display and changing values: early Meiji exhibitions and their precursors’,
Monumenta Nipponica, vol.49, no.2, 1994.
Modern Japanese Art and The West, International Symposium, Tokyo November 28-30, 1988, Meiji
Bijutsu Gakkai, 1992, [largely in Japanese but with essays on Kunisada (Timothy Clark), Kyoto
Painting (Ellen Conant), Japonisme (Christine Shimizu), and Art Criticism (Thomas Rimer) in English:
Fisher East Asian: 6047]
Realistic Representation III: Painting in Japan 1884-1907, Tôkyô, National Museum of Modern Art,
1988
Rosenfield, J., ‘Western Style Painting in the Early Meiji Period and its Critics’, see Haga this section.
Uyeno, N., Japanese Arts and Crafts in the Meiji Era, Tôkyô, Tôyô Bunko, 1958
NIHONGA: NEO-TRADITIONALIST PAINTING SINCE MEIJI
Brooks, Van Wyck, Fenollosa and His Circle, New York, Dutton, 1962
Chisholm, L.W., Fenollosa: the Far East and American Culture, New Haven, Yale University Press, 1962.
Clark, J., ‘Modernism and Traditional Japanese-Style Painting’, Semiotica, vol.74-1/2, 1989, pp.43-60
Cohen, Warren I., East Asian Art and American Culture, New York, Columbia University Press, 1992.
Conant, Ellen, Nihonga: Transcending the Past, Japanese Style Painting 1868-1968, St.Louis, The St. Louis Art Museum, 1995.
Croissant, Doris, ‘Fenollosas "Wahre Theorie der Kunst" und ihre Wirkung in der Meiji-Zeit (1869-1912)’, Saeculum, XXXVIII, Heft 1, 1987.
..............., ‘Das Geheimnis des Hibo Kannon’, Asiatische Studien, 2.1990.
Dower, J., Junkerman, J., ed., The Hiroshima Murals: Maruki Iri and Toshi, Tôkyô, Kôdansha,
1985.
Horioka, Y., The Life of Kakuzô, Tôkyô, Hokuseido Press, 1963.
Nakamura, T., Contemporary Japanese Style Painting, New York, Tudor, 1969
Notehelfer, Fred, ‘On idealism and realism in the thought of Okakura Tenshin’, Journal of Japanese
Studies, vol.16, no.2, Summer 1990.
Nute, Kevin, ‘Ernest Fenollosa and the Universal implications of Japanese art’, Japan Forum, vol.7,
no.1, April, 1995.
Nute, Kevin, ‘Frank Lloyd Wright and Okakura Tenshin; on the Social and Aesthetic “Ideals of the
East” ’, Chanoyu Quarterly, no.79, 1995.
Ogura Yuki, Tôkyô, Kôdansha, 1987.
Okakura, Kakuzo, Okakura Kakuzo,Collected English Writings, 3 volumes, Tokyo, Heibonsha,
1984.
.............., The Ideals of the East, London, John Murray, 1903
.............., ‘Notes on Contemporary Japanese Art’, International Studio,16, April 1902, 126-30.
Wattles, M., ‘The 1909 Ryûtô and the aesthetics of affectivity’, Art Journal, vol.55, no.3, Fall 1996.
Yokoyama, Taikan, ‘The spirit of Japanese Art' [Address to visiting Hitler Jugend], Cultural Nippon,
vol.3, November 1938.
PRINTS SINCE MEIJI
Clark, J., Japanese Nineteenth Century Copperplate Prints, London, British Museum, 1993.
Goodall-Christante, H; Brown, K.H. Shin-Hanga: New Prints in Modern Japan, Los Angeles: Los
Angeles County Museum, 1996.
Kawakita, M., Contemporary Japanese Prints, Tôkyô, Kôdansha, 1967.
Keene, D., Konishi, S., Impressions of the Front, Philadelphia Museum, 1983.
Kuwabara, Setsuko, Emil Orlik und Japan, Heidelberger Schriften zur Ostasienkunde, Frankfurt am
Main, Haag + Herchen, 1987.
Kuwayama,G., Contemporary Japanese Prints, Los Angeles County Museum of Art, 1972
Merritt, H., Modern Japanese Woodblock Prints, Honolulu, University of Hawaii Press, 1990.
................., Yamada H., Guide toModern Japanese Prints, Honolulu, University of Hawaii Press,
1992.
Munakata Shikô 1903-1975, Sydney, Art Gallery of New South Wales, 1987
......................., Tôkyô, National Museum of Modern Art, 1985
Pekarkik, J.M., The World of The Meiji Print, New York, Weatherhill, 1986.
Smith, L.H.R., The Japanese Print since 1900, London, British Museum, 1983.
.................., Contemporary Japanese Prints, London, British Museum, 1985.
.................., Modern Japanese Prints, London, British Museum, 1994
.................., Japanese Prints during the Allied Occupation, London, British Museum, 1996.
Statler, O., Modern Japanese Prints, Tôkyô, Tuttle, 1959.
Stephens, Amy Reigle, editor, The New Wave: Twentieth-century Japanese Prints from the Robert O.
Muller Collection, London, Bamboo Publishing & Leiden, Hotei - Japanese Prints, 1993.
ART 1910S TO 1940S
Hirayama, M., ‘Ishii Hakutei and the future of Japanese Painting’, Art Journal, vol.55, no.3, Fall 1996.
Abstract painting in Japan, Hokkaidôritsu Kindai Bijutsukan, 1992.[plates and abstracts in English:
Fisher East Asian 6013]
Barlow, Tani, (ed.) Formations of Colonial Modernity in East Asia, Durham, Duke University Press, 1997.
Bolas, G., Rimer, J., Takashina,S., McCallum, D., Paris in Japan, St.Louis, Washington University,
1987.
Bonnefoy,J., Vatte,G., Takashina,S., Japon des Avant Gardes, Paris, Éditions du Centre Pompidou,
1986.
Clark, J., ‘Surrealism in Japan’, in Ades, D., Lloyd, M., ed., Surrealism: Revolution by Night,
Canberra, National Gallery of Australia, 1993.
........., ‘Artistic Subjectvitiy in the Taisho and Early Showa Avant Garde' in Munro, A. Scream Against
the Sky, New York, Abrams, 1994
........., 'Asian Modernisms' Humanities Research 2: 1999
Foster, S. L. (ed.) Choreographing History, Bloomington, Indiana University Press, 1995.
Hommage à Léonard Foujita, Tôkyô, Asahi Shimbun, 1968.
Garon, Sheldon, Molding Japanese Minds: The State in Everyday Life, Princeton, Princeton University Press, 1997
Goodall, D.B. et al, Yasuo Kuniyoshi, University of Texas at Austin, 1975
Hatcher, Erica, Murayama Kaita (1896-1919): a study of his life, artworks and poetry, BA
Honours thesis, School of Asian Studies, University of Sydney, 1995.
Hynes, Victoria. ‘Tradition Through Modernity.’ [review of Mobo/Moga] Asian Art News 8:6 November/December 1998
Inaga, Shigemi, ‘De l’artisan à l’artiste au seuil de la modernite japonaise, ou l’implanatation de la notion
de Beaux-Arts au Japon’, Sociologie de l’Art, no.8, 1995.
Lamme J-C et M., ‘Le futurisme russe et l'art d'avant-garde japonais’, Cahiers du monde russe et
soviétique, vol.25, no.4, Oct.-Dec. 1984.
Linhartová, V., Dada et Surréalisme au Japon, Paris, Publications Orientalistes de France, 1987.
Low, Morris, 'Japan, modernity and the Tokyo Olympics.' Humanities Research 2: 1999
Okada, Shimoda and Tsutaka:3 Pioneers of Abstract Painting in 20th Century Japan, Washington,
Phillips Collection, 1979.
Omuka, T., ‘David Burliuk and the Japanese Avant-Garde’, Canadian-American Slavic Studies,V,
vol.20, nos 1-2 Spring-Summer 1986.
................., ‘Vavara Bubnova’, in Rimer J.Thomas, A Hidden Fire: Russian and Japanese Cultural
Encounters, 1868-1926, Palo Alto, Stanford University Press, 1995.
The Reorganization of the Imperial Academy of Fine Arts in 1935, Western-Style painting of the Era in
Japan, Korea and Taiwan, Tokyo Metropolitan Teien Museum, 1992 [plates list and short essays in
English: Fisher East Asian 6013].
Robertson, Jennifer, Takarazuka, Berkeley, University of California Press, 1998.
Rhapsody in Paris; Yasushi Tanaka and his contemporaries, Saitama, Museum of Modern Art, 1988.
Sandler, M. H., ‘Matsumoto Shunsuke’s reply to the state’, Art Journal, vol.55, no.3, Fall 1996.
Selz. J., Foujita, J., Naefels, Bonfini Press, 1981
Shigeno Kae. ‘Mobo Moga Modernity in Japanese Art 1910-1935.’ [review article] Art AsiaPacific issue 21 1999
Taku, H.,et al, Paris vu par les Artistes Japonais, Paris, Musée Carnavalet, 1986.
Vlasos, Stephen, (ed.) Mirror of Modernity: Invented Traditions of Modern Japan, Berkeley, University of California Press, 1998.
Weisenfeld, G., ‘Mavo’s conscious constructivism: art, individualism, and daily life in interwar Japan’,
Art Journal, vol.55, no.3, Fall 1996.
Winter-Tamaki, B., ‘Embodiment/Disembodiment: Japanese Painting during the Fiteen-Year War’,
Monument Nipponica, vol. 52, no. 2, Summer 1997.
Wolf, Tom Yasuo Kuniyoshi’s Women, San Francisco, Pomegranate Art Books, 1993.
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