Art of modern asia a bibliography

Clark, J., ‘Modernity in Japanese Painting’, Art History, vol.9, no.2, June 1986, pp.213-231.

........, ‘Some Models in Japanese Art History’, The Burlington Magazine, vol.CXXVIII, no.1005,

December 1986.

Kawakita, M., Modern Currents in Japanese Art, Tôkyô, Weatherhill, 1974

Miyagawa, T., Modern Japanese Painting, Tôkyô, Kôdansha, 1967.

Munsterberg, H., The Art of Modern Japan, 1868-1968, New York, Hacker, 1978

Genshoku Gendai Nihon no Bijutsu [Modern Japanese Art in Natural Colours, text in Japanese only

but large full colour plates have a clear English index. You can borrow these from East Asian

Section at EA 6048 volumes 1-18. Get them out by asking in the East Asian section, Floor Seven

of Fisher Library, for the key to the special room where the Japanese and Chinese art books are

kept]

Takumi, H. et al, Japanische Malerei im Westlichen Stil, Köln, Museum für Orientalische Kunst,

1985.
EUROPEANS IN MEIJI JAPAN

Adams, A., Travels of a Naturalist in Japan and Manchuria, 1872

Alcock, R., The Capital of the Tycoon, 1863

Anderson, W., ‘A History of Japanese Art’, Transactions of the Asiatic Society of Japan, 7, 1879

............, The Pictorial Arts of Japan, 1886

Antony, D.W., Healey, G.H., The Itinerary of the Iwakura Embassy to Britain, Sheffield University,

Centre of Japanese Studies, 1987

Arnold, E.A., Japonica, 1892

Baelz, Erwin, The Awakening of Japan, 1932

Barr, P., The Coming of the Barbarians, London, Readers Union, 1967

Berg, A. et al. Die Preussische Expedition Nach Ost-+Asien,Bd. I, mit XII Illustrationen und II Karte,

1864;Bd. II, mit XII Illustrationen, 1866;Bd. III, mit I Karte, 1873;Bd. IV, mit XXIV Illustrationen

und I Karte, 1873;

Black, J.R., Young Japan, 1880-81

Blakeney, W., On the Coasts of Cathay and Cipango Forty Years Ago, 1902, (Ill. by Frederick le Breton

Bedwell)

von Brandt, M., Dreiunddreissig Jahre in Ost-Asien, 3 Banden, Leipzig, 1901

Clark, E.W., Life and Adventure in Japan, American Tract Society, 1878

Clark, J., Japanese-British Exchanges in Art, 1850s-1930s, mimeo, 1989, [for lists and details of

artists who went to Japan and of many 19th century Japanese artists].

Conder, J., Flower Art of Japan and the Art of Floral Arrangement, 1891

............, Landscape Gardening in Japan, 1893

............, Paintings and Studies by Kawanabe Kyosai, 1911

Cortazzi, H., Mitford's Japan, 1985

............, Victorians in Japan, London, Athlone Press, 1987

Cutler, T.W., A Grammar of Japanese Ornament, 1880

Dickson, W.G., Japan, being a sketch of the History, Government and Officers of the Empire, 1869

............, Gleanings from Japan, 1889

Dixon, J.H., ‘On Some Japanese Artists of Today’, Transactions Japan Society of London, no.63

(address of 10-12-1902).

Dresser, C., Japan: Its Architecture and Art Manufactures, 1882

East, A., Landscape Painting in Oil Colour, 1906

............, Brush and Pencil Notes in Landscape, 1914

Fenollosa, E.F., Epochs of Chinese and Japanese Art, 1912

de Fonblanque, E.B., Niphon and Pe-che-li, 1862

Fortune, R., Yedo and Peking, 1863

Fox, G., Britain and Japan 1858-1883, Oxford UP, 1969

Fraser, Mrs., A Diplomatist's Wife in Japan, 1899

Griffis, W.E., A Maker of the New Orient: Samuel Robbins Brown, 1902

Guimet, E. (ill. Régamey), Promenades Japonaises, 1878

Hawks, F.L., Narrative of the Expedition of an American Squadron to the China Seas, 3v., 1856, 1859

Heine, P.B.W., Japan: Beiträge zur Kentniss des Landes und Seiner Bewöhner, 1873, Dresden, 1880

Hoare, J.E., The Japanese Treaty Ports 1868-1899: A Study of the Foreign Settlements, PhD Thesis,

University of London, 1971

............, ‘The "Bankoku Shimbun" Affair: Foreigners, the Japanese Press and Extraterritoriality in Early Meiji Japan’, Modern Asian Studies, 9, 3, 1975

............, ‘Extraterritoriality in Japan, 1858-1899’, Transactions of the Asiatic Society of Japan,

XVII, 1983

Humbert, A., (ill. Roussin, Wirgman, Beato), Le Japon Illustré}, 1870

Hurd, D., The Arrow War, 1967

Jephson, R.M., Elmhirst, E.P., Our Life in Japan, 1869

Lafarge, J., Considerations on Painting, New York Metropolitan Museum of Art, 1895

............, An Artist's Letter from Japan, 1897

Leach, B., Beyond East and West, 1978

Lindau, Rudolphe, Voyage autour du Japon, 1864

....................., Erzählungen und Novellen, 1878, [includes the story ‘Robert G. Cooper, Jnr’]

....................., Aus China und Japan, 1896

Menpes, M., Japan, A Record in Colour, 1901

............, Whistler as I knew Him, 1904

Mitford, A.B., Memories, 1915

............, The Bamboo Garden, 1896, (ill. Parsons)

Norman, C.B., Battle Honours of the British Army, 1911

Oliphant, L., Narrative of the Earl of Elgin's Mission to China and Japan in the Years 1857, '58, '59,

2 vols., 1859

Oliver, S.P., On and Off Duty, 1881

Osborn, S., A Cruise in Japanese Waters, 1859

............, Japanese Fragments, 1861

Pantzer, P., Japan und Osterreich-Ungarn, Beiträge zur Japanologie, Bd.11, Wien 1973

Parsons, A., Notes in Japan, 1896

Piggott, F., (ill. East), The Garden of Japan, 1892

Poynts, W.H., Per mare per Terram, 1892

Pumpelly, R., Across America and Asia, 1870

Régamey, F., Okoma, 1883

..............., Le Japon Pratique, 1891

..............., Le Cahier Rose de Madame Crysanthème, 1894

..............., Le Dessin et son enseignement dans les Écoles de Tokio, 1902

..............., Japon, 1903

..............., Le Japon en Images, 1904

Satow, E., A Diplomat in Japan, 1921, reprint Oxford UP, 1968

............, Private Diaries, London, Public Record Office, PRO30/33

............, Letters, (chiefly to Aston and Dickins), PRO30/33

de Saumarez, R., Girard, P.J., Lord De Saumarez abroad and at Home, La Société Guernésiase, 1975

Savage Landor, A.M., Everywhere, 1924

Scidmore, E., Jinriksha Days in Japan, 1898, [Illustrations by or after Beato, ‘Kurz’, Florian and ‘S.P.']

Sieffert, R., Le Japon et La France, Publications Orientalistes de France, 1974

Silver, J.M.W., Sketches of Japanese Manners and Customs, 1867

Simpson, W., Meeting the Sun, 1874

............, Autobiography, 1903

Sladen, D.B.W., The Japs at Home, 1892

............, Twenty Years of My Life, 1915

............, My Long Life, 1939

S(medley), A.M., Nara Hodu, Paramatta and Sydney, 1884

Smith, G., Ten Weeks in Japan, 1861

Taylor, B., A Visit to India, China and Japan, 1859

............, Japan in Our Day, 1881, rev. ed. 1892

Williams, H.S., Naito, H., The Kamakura Murders of 1864, private publication, 1973.

Wirgman, A.T., Storm and Sunshine in South Africa, 1922
JAPONISME

Baty, T., ‘The Literary Introduction of Japan to Europe’, Monumenta Nipponica, VII, 24-39;VIII, 15-46; IX, 62-82; X, 65-80

Brooks, Van Wyck, Fenollosa: the Far East and American Culture, Yale UP, 1962

Conant, E.P., ‘The French Connection: Émile Guimet's Mission to Japan, A Cultural Context of

Japonisme’, in Conroy, H. et al, Japan in Transition: Thought and Action in the Meiji Era, Farleigh

Dickson University Press, 1984

Evett, Elisa, Critical Reception of Japanese Art in late 19th century Europe, UMI Research Press, 1982

Huish, Marcus B., ‘England's appreciation of Japanese Art’, Transactions of the Japan Society, no.81,

of 12-4-1909

............, ‘Is Japanese Art Extinct?’, The Nineteenth Century, 3-1888, [Huish was director of The Fine

Art Society around 1875-1906, and for a time Secretary of the Japan Society of London]

Horioka, Yasuko, The Life of Kakuzo, Hokuseido Press, 1963

Impey, O., Chinoiserie, Oxford UP, 1977

............, ‘Japanese Export Art of the Edo Period and its Influence on European Art’, Modern Asian

............, ‘Japanese Export Lacquer in the 17th Century’, in Watson, ed. Lacquer Work in Asia and

Ives, Colta, F., The Great Wave, Metropolitan Museum of Art NY, 1974

Lach, D.F., Asia in the making of Europe, 3 vols., Chicago UP, 1970, 1994

Miner, E., The Japanese Tradition in British and American Literature, Princeton UP, 1959

Myer, P.R., ‘Images and Influences of Oriental Art’, Art Journal, XX, 4, 1961

Pantzer, P., Wieninger, J., Verborgene Impressionen/ Hidden Impressions, Wien, Österreiches Museum

für Angewandte Kunst, 1990.

Shionoya, K., Cyrano et les samourai: le théâtre japonais en France et l'effet de retour, Publications

Orientalistes de France, 1986

Takashina, S., Lacambre, G., Mabuchi, A., Mathieu, C., Le Japonisme, 1988, Éditions de la Réunion

des musées nationaux (large bibliography)

Watanabe, Toshio, ‘The Western Image of Japanese Art in the Late Edo Period’, Modern Asian Studies, 18, no.4, 1984

............, ‘Eishi Prints in Whistler's Studio’, The Burlington Magazine, December, 1986.

............, High Victorian Japonisme, Bern, Swiss Asian Studies vol.10,1991.

............, Sato, T., Japan and Britain: An Aesthetic Dialogue 1850-1930, London, Barbixcan Art

Gallery, 1991.

Weisberg, G., et al, Japonisme: Japanese Influences on French Art 1854-1882, Cleveland, 1975

Wevver, L., Japanese Woodblock Prints: The Reciprocal Influence between East and West, Utah,

Brigham Young UP, 1979

Whitford, F., Japanese Prints and Western Painters, Studio Vista, 1977

Wichmann, S., Japonisme, Thames & Hudson, 1981

............, ed., Weltkulturen und moderne Kunst, Verlag Bruckmann, Munchen, 1972

Yamada, C., ed. Dialogue in Art, Japan and the West, Thames & Hudson, 1976

Yokoyama, Toshi, Japan in the Victorian Mind, Oxford, 1987
PHOTOGRAPHY

[Japanese-langauge listings below are some of those commonly available]

Asahigraph, ed. Japan:A Pictorial Interpretation, Tôkyô, Asahi Shimbun, 1932, 1934

Bennet, T.B., Early Japanese Images, Tokyo, Tuttle, 1996.

................, ‘Early photographic images of Japan’, The PhotoHistorian, no.112, June 1996.

................, Cortazzi, H., Japan: Caught in Time, Reading, Garnet Publishing, 1995.

................, ‘The Eartly Photographers Photographing Japan’, Japan Digest, Jan., Apr., July, Oct.,

1991.

Bürer, Catherine, ed., Kirei - Plakate aus Japan, Zürich, Edition Stemmle & Museum für Gestaltung

Zürich, 1993.

Edel, C. tr., Once upon a time: Visions of Old Japan from the photos of Beato and Stiullfried and

Fuji, H., Matsumoto, T., Kondo, Y., Photography in Contemporary Art, Tôkyô, National Museum

of Modern Art,1983

Gartlan, Luke, ‘Chronology of Baron Raimund von Stillfried und Ratenicz’, in his University of

Melbourne, BAS Honours Thesis 1997.

Goto & Matsumoto, Yomigaeru Bakumatsu, Tôkyô, Asahi Shimbun, 1987

King, E.J., ‘The Beginnings of Photography in Japan’, The British Journal of Photography, 24-10-

1979, 2-11-1979, 9-11-1979, 18-11-1979, 24-11-1979; ‘The Middle Years’, ibid, 8-8-1980, 15-8-

1980.

Negretti, P.A., ‘Henry Negretti - gentleman and photographic pieoneer’, The Photographic Collector,

vol.1, 1984

Osman, C., Clark,J., Fraser,J., ‘Chronology of Felice Beato' in Clark, J.,Japanese -British Exchanges

Osman, C., ‘New Light on the Beato Brothers’, The British Journal of Photography, 16-10-1987.

Osman,C., ‘The Later Years of Felice Beato’, The Photographic Journal,November, 1988

Ozawa, T., ‘The history of early photography in Japan’, History of Photography, vol.5, no.4, 1989.

Rosenberg,G., Willhelm Burger-Ein Welt- und Forschungsreisender mit der Kamera, 1844 bis 1920,

Wien/München, Edition Brandstätter, 1984.

Saito Takio, ‘Photography in Yokohama and W. Saunders’, The PhotoHistorian, no.86, 1989.

Seigert, P. et al, Felice Beato in Japan, Heidelberg, Edition Braus, 1991.

White, Stephen, ‘Felix Beato and the First Korean War, 1971’, The Photographic Collector, vol.3,

no.1, Spring 1983.

..................., ‘The Far East’, Image, vol.34, nos 1-2, 1991.

Worswick, C., Japan, Photographs, 1854-1905, New York, Alfred A.Knopf, 1979

................., ‘The disappearence of Uchida Kyuichi and the discovery of nineteenth century Asian

photography’, Image, vol.36, nos 1-2, 1993.

Yokohama Archives of History, ed., F. Beato Bakumatsu Nihon Shashinshû,Yokohama, Yokohama

Kaikô Shiryôkan, 1987.

Zannier, I. Felici e Antonio Beato, Milano, Editophoto, 1978.
MEIJI ART AND INTERACTION WITH THE ‘WEST’

Clark, John, ‘Artist and the State: The Image of China in Japanese Painting, 1890s - 1940s’, in Elise

Tipton, ed., Society and the State in Interwar Japan, London, Routledge, 1997.

Clark, John, ‘Modernities, Histories; The Japanese Case’, in Harry Belleter, ed., Face à l’Histoire ,

Paris, Centre Georges Pompidou, 1996.

Aoki Shigeru and the late Victorian Art, Tôkyô, Tôkyô Shimbun, 1983

Baekeland, F., Imperial Japan:The Art of the Meiji Era, Cornell, Herbert F. Johnson Museum of Art,

1980

Beretta, Lia, ‘ Edoardo Chiossone’, Transactions of the Asiatic Society of Japan, fourth series, volume

Clark,J., Japanese-British Exchanges in Art, 1850s-1930s, London, privately published, 1989 [includes

biographical data on many Meiji artists]

Conant, E.P., ‘Principles and Pragmatism: The Yatoi in the Field of Art’, in Beauchamp, E.R. & Iriye,

eds., Foreign Employees in Nineteenth Century Japan, Boulder & London, Westview Press, 1990.

Conroy H., et al, Japan in Transition: Thought and Action in the Meiji Era, Farleigh Dickson University

Press, 1984

Development of Western Realism in Japan, I, Tôkyô, National Museum of Modern Art, 1985

Fontanesi, Ragusa e l'arte giapponese nel primo periodo Meiji, Tôkyô, National Museum of Modern Art, 1977

Guiterrez,F., ‘Artistic trends of the Meiji Period’, in Skrypczak, E. Japan's Modern Century, Tôkyô,

Tuttle, 1968

Guth, C.,M.,E., ‘Japan 1868-1945: art, architecture, and national identity’, Art Journal, vol.55, no.3,

Fall 1996.

Haga, T., ‘The Formation of Realism in Meiji Painting: The Career of Takahashi Yûichi’, in Shively, D.,

Harada, M., Meiji Western Painting, Tôkyô, Weatherhill, 1974

Inaga, Shigemi, ‘Théodore Duret et Japon’, Revue de l ’Art, no.79, 1988.

......................., ‘La réinterpretation de la perspective linéaire au Japon (1740-1830) et son retour en

France (1860-1910)’, Actes de la Recherche en sciences sociales, no.49, septembre 1983.

.................., ‘L’orientalisme en peinture: representation de l’autre et ses limites’, in Hignonnet,

Margaret R., Jones, Sumie, eds. Visions of the Other, Tokyo, Proceedings of the International

Comparative Literature Association, 1991.

.................., ‘De l’artisan à l’artiste au seuil de la modernité japonaise, ou l’implantation de la notion

des Beaux-Arts au Japan’, Sociologie de l’Art, no.8, 1995.

Khalili, Nasser, D. et al, Meiji no Takara: Treasures of Imperial Japan,[I: Selected Essays; II: Metalwork; III:Enamels; IV: Lacquer; V: Ceramics] London, The Kibo Foundation, 1995.

Kawakita,M., ‘Western Influence on Japanese Painting and Sculpture' inYamada, C., ed. Dialogue in

Kornicki, P.F., ‘Public display and changing values: early Meiji exhibitions and their precursors’,

Bijutsu Gakkai, 1992, [largely in Japanese but with essays on Kunisada (Timothy Clark), Kyoto

Painting (Ellen Conant), Japonisme (Christine Shimizu), and Art Criticism (Thomas Rimer) in English:

Fisher East Asian: 6047]

1988

Uyeno, N., Japanese Arts and Crafts in the Meiji Era, Tôkyô, Tôyô Bunko, 1958

Brooks, Van Wyck, Fenollosa and His Circle, New York, Dutton, 1962

Chisholm, L.W., Fenollosa: the Far East and American Culture, New Haven, Yale University Press, 1962.

Clark, J., ‘Modernism and Traditional Japanese-Style Painting’, Semiotica, vol.74-1/2, 1989, pp.43-60

Cohen, Warren I., East Asian Art and American Culture, New York, Columbia University Press, 1992.

Conant, Ellen, Nihonga: Transcending the Past, Japanese Style Painting 1868-1968, St.Louis, The St. Louis Art Museum, 1995.

Croissant, Doris, ‘Fenollosas "Wahre Theorie der Kunst" und ihre Wirkung in der Meiji-Zeit (1869-1912)’, Saeculum, XXXVIII, Heft 1, 1987.

..............., ‘Das Geheimnis des Hibo Kannon’, Asiatische Studien, 2.1990.

Dower, J., Junkerman, J., ed., The Hiroshima Murals: Maruki Iri and Toshi, Tôkyô, Kôdansha,

1985.

Nakamura, T., Contemporary Japanese Style Painting, New York, Tudor, 1969

Notehelfer, Fred, ‘On idealism and realism in the thought of Okakura Tenshin’, Journal of Japanese

Studies, vol.16, no.2, Summer 1990.

Nute, Kevin, ‘Ernest Fenollosa and the Universal implications of Japanese art’, Japan Forum, vol.7,

no.1, April, 1995.

Nute, Kevin, ‘Frank Lloyd Wright and Okakura Tenshin; on the Social and Aesthetic “Ideals of the

East” ’, Chanoyu Quarterly, no.79, 1995.

Ogura Yuki, Tôkyô, Kôdansha, 1987.

Okakura, Kakuzo, Okakura Kakuzo,Collected English Writings, 3 volumes, Tokyo, Heibonsha,

1984.

.............., The Ideals of the East, London, John Murray, 1903

Wattles, M., ‘The 1909 Ryûtô and the aesthetics of affectivity’, Art Journal, vol.55, no.3, Fall 1996.

Yokoyama, Taikan, ‘The spirit of Japanese Art' [Address to visiting Hitler Jugend], Cultural Nippon,

vol.3, November 1938.

Clark, J., Japanese Nineteenth Century Copperplate Prints, London, British Museum, 1993.

Goodall-Christante, H; Brown, K.H. Shin-Hanga: New Prints in Modern Japan, Los Angeles: Los

Angeles County Museum, 1996.

Kawakita, M., Contemporary Japanese Prints, Tôkyô, Kôdansha, 1967.

Keene, D., Konishi, S., Impressions of the Front, Philadelphia Museum, 1983.

Kuwabara, Setsuko, Emil Orlik und Japan, Heidelberger Schriften zur Ostasienkunde, Frankfurt am

Main, Haag + Herchen, 1987.

Kuwayama,G., Contemporary Japanese Prints, Los Angeles County Museum of Art, 1972

Merritt, H., Modern Japanese Woodblock Prints, Honolulu, University of Hawaii Press, 1990.

................., Yamada H., Guide toModern Japanese Prints, Honolulu, University of Hawaii Press,

1992.

......................., Tôkyô, National Museum of Modern Art, 1985

Pekarkik, J.M., The World of The Meiji Print, New York, Weatherhill, 1986.

Smith, L.H.R., The Japanese Print since 1900, London, British Museum, 1983.

.................., Contemporary Japanese Prints, London, British Museum, 1985.

.................., Modern Japanese Prints, London, British Museum, 1994

.................., Japanese Prints during the Allied Occupation, London, British Museum, 1996.

Statler, O., Modern Japanese Prints, Tôkyô, Tuttle, 1959.

Stephens, Amy Reigle, editor, The New Wave: Twentieth-century Japanese Prints from the Robert O.

Muller Collection, London, Bamboo Publishing & Leiden, Hotei - Japanese Prints, 1993.

ART 1910S TO 1940S

Hirayama, M., ‘Ishii Hakutei and the future of Japanese Painting’, Art Journal, vol.55, no.3, Fall 1996.

Fisher East Asian 6013]

Barlow, Tani, (ed.) Formations of Colonial Modernity in East Asia, Durham, Duke University Press, 1997.

Bolas, G., Rimer, J., Takashina,S., McCallum, D., Paris in Japan, St.Louis, Washington University,

1987.

Bonnefoy,J., Vatte,G., Takashina,S., Japon des Avant Gardes, Paris, Éditions du Centre Pompidou,

Clark, J., ‘Surrealism in Japan’, in Ades, D., Lloyd, M., ed., Surrealism: Revolution by Night,

Canberra, National Gallery of Australia, 1993.

........., ‘Artistic Subjectvitiy in the Taisho and Early Showa Avant Garde' in Munro, A. Scream Against

........., 'Asian Modernisms' Humanities Research 2: 1999

Foster, S. L. (ed.) Choreographing History, Bloomington, Indiana University Press, 1995.

Hommage à Léonard Foujita, Tôkyô, Asahi Shimbun, 1968.

Garon, Sheldon, Molding Japanese Minds: The State in Everyday Life, Princeton, Princeton University Press, 1997

Goodall, D.B. et al, Yasuo Kuniyoshi, University of Texas at Austin, 1975

Hatcher, Erica, Murayama Kaita (1896-1919): a study of his life, artworks and poetry, BA

Honours thesis, School of Asian Studies, University of Sydney, 1995.

Hynes, Victoria. ‘Tradition Through Modernity.’ [review of Mobo/Moga] Asian Art News 8:6 November/December 1998

Inaga, Shigemi, ‘De l’artisan à l’artiste au seuil de la modernite japonaise, ou l’implanatation de la notion

de Beaux-Arts au Japon’, Sociologie de l’Art, no.8, 1995.

Lamme J-C et M., ‘Le futurisme russe et l'art d'avant-garde japonais’, Cahiers du monde russe et

soviétique, vol.25, no.4, Oct.-Dec. 1984.

Linhartová, V., Dada et Surréalisme au Japon, Paris, Publications Orientalistes de France, 1987.

Low, Morris, 'Japan, modernity and the Tokyo Olympics.' Humanities Research 2: 1999

Okada, Shimoda and Tsutaka:3 Pioneers of Abstract Painting in 20th Century Japan, Washington,

Phillips Collection, 1979.

Omuka, T., ‘David Burliuk and the Japanese Avant-Garde’, Canadian-American Slavic Studies,V,

vol.20, nos 1-2 Spring-Summer 1986.

................., ‘Vavara Bubnova’, in Rimer J.Thomas, A Hidden Fire: Russian and Japanese Cultural

Encounters, 1868-1926, Palo Alto, Stanford University Press, 1995.

The Reorganization of the Imperial Academy of Fine Arts in 1935, Western-Style painting of the Era in

Japan, Korea and Taiwan, Tokyo Metropolitan Teien Museum, 1992 [plates list and short essays in

English: Fisher East Asian 6013].

Robertson, Jennifer, Takarazuka, Berkeley, University of California Press, 1998.

Rhapsody in Paris; Yasushi Tanaka and his contemporaries, Saitama, Museum of Modern Art, 1988.

Sandler, M. H., ‘Matsumoto Shunsuke’s reply to the state’, Art Journal, vol.55, no.3, Fall 1996.

Selz. J., Foujita, J., Naefels, Bonfini Press, 1981

Shigeno Kae. ‘Mobo Moga Modernity in Japanese Art 1910-1935.’ [review article] Art AsiaPacific issue 21 1999

Taku, H.,et al, Paris vu par les Artistes Japonais, Paris, Musée Carnavalet, 1986.

Vlasos, Stephen, (ed.) Mirror of Modernity: Invented Traditions of Modern Japan, Berkeley, University of California Press, 1998.

Weisenfeld, G., ‘Mavo’s conscious constructivism: art, individualism, and daily life in interwar Japan’,

Art Journal, vol.55, no.3, Fall 1996.

Winter-Tamaki, B., ‘Embodiment/Disembodiment: Japanese Painting during the Fiteen-Year War’,

Wolf, Tom Yasuo Kuniyoshi’s Women, San Francisco, Pomegranate Art Books, 1993.