Chang, Virginia Yen-ju. Impressions of Asian Art in Australians’ Eyes: The Development of Asian Art Exhibitions in Art Gallery of New South Wales. Research paper, Master of Arts, Museum Studies, University of Sydney, 1999
Chiu, Melissa; Clark, John; Hutchings, Peter; Lindsay, Frances, john young; the double ground
paintings, Sydney, Australian Art Promotions, 1995.
......................, ‘The blank in the page’, Eyeline, no.31, Spring 1996.
Clark, John, ‘Art and its ‘others’ - recent Australian-Asian visual exchanges’, Dever, Maryanne, ed.,
Australia and Asia: cultural transactions, Surrey, Curzon Press, 1996
Cho Lisa Mira, ‘The Swallowed Moon’, [Ahn Pil Yun] Art Monthly Australia , no.96, December
Coulter-Smith, Graham; Davidson, Christina; Forsyth, Graham, John Young: Silhouettes and
Polychromes, 1979-1992, Melbourne, Schwartz City, 1993.
Genocchio, Benjamin, ‘Between Mirrors: an interview with Lindy Lee’, Eyeline, 31, Spring 1996.
Gerstle, D., Milner, A., eds., Europe and the Orient, Canberra, The Humanities Research Centre of
Australian National University, 1994.
Gerstle, D., Milner, A., Recovering the Orient: Artists Scholars, Appropriations, Chur, Harwood
Academic Publishers, 1994.
Holder, Jo. ‘An East Timorese Exhibition in Australia’, ART AsiaPacific, no.14, 1997.
Hynes, Victoria. ‘Matter and Spirit: Akio Makigawa and Toshiaki Izumi.’ World Sculpture News 5:2 Spring 1999
Lowe, Pat, ‘Jimmy Pike in China’ [with Zhou Xiaoping], Art Monthly Australia, no.100, June 1997.
McClean, Ian, ‘White aborigines: colonial imperatives of Australiam Colonialism’, Third Text,
no.22, Spring 1993.
McCullough, Susan ‘Parallel Perspectives’,[Jimmy Pike & Zhou Xiaoping], Asian Art News, vol.7, no.4, July/August 1997.
O’Toole, Phil. ‘Paper Tigers: The Artwork of Hyun Mi Lee.’ TASSA Review, 7:3 1998
Pai, Maggie, 'Complex Cycles' [Guan Wei], Asian Art News, vol. 8, no.2, March/April 1998.
Roberts, Claire. ‘What goes around comes around: The Art of Guan Wei.’ Art AsiaPacific issue 21 1999
Shimizu Toshio ‘Systems End’, ART AsiaPacific, no.14, 1997.
Wright, Wiliam; Spark, Jo, eds., Systems End: Contemporary Art in Australia, Sydney, Sherman
Ang, I. & Stratton, J., ‘The Asian Turn’, World Art 1, 1995.
Australian Perceptions of Asia, issue of Australian Cultural History, no.9, 1990, edited by Walker, D., [I have not listed every article in this issue, but most are directly or indirectly relevant to understanding relationships between Australian and Asia Art].
Annear, Judy, ‘Juggler of Systems’,[Guan Wei], Asian Art News, vol.5, no.5, Sep/Oct 1995.
Bail, M., Ian Fairweather, Sydney, Bay Books, 1981.
Bromfield, David, ‘Point of Heaven’ [Akio Makigawa], Asia-Pacific Sculpture News, vol.1, no.2, Spring 1995.
Carroll, A., Out of Asia, [Exhibition and Catalogue] Melbourne, Heide Gallery, 1990. [artists exhibited: Micky Allan, Tony Clark, Matthys Gerber, Pat Hoffie, Tim Johnson, Geoff Lowe, Fiona MacDonald, Susan Norrie, Robert Owen, Gareth Sansom]
............., East and West: The Meeting of Asian and European Art [Exhibition and catalogue], Adelaide, Art Gallery of South Australia, 1985.
............., Art from Australia, [catalogue of touring exhibition to Bangkok, Jakarta, Manila, Kuala Lumpur, Singapore], Melbourne, Australian Exhibitions Touring Agency, 1990 [artists exhibited: Micky Allan, John Davis, Richard Dunn, Anne Ferran, Fiona Hall, Imants Tillers, Caroline Williams, John Young].
............, ‘Parallels: Nationalism in Filipino, Indonesian, and Australian Art’, Art & Asia Pacific, no.1, supplement to Art & Australia, March 1993.
............, ‘To a friendly nation, far away’, Art Monthly Australia, no.88, April 1996.
Clark, J., Australian Art and Asia -Then and Now’ Occasional Paper No.19, Research Institute for Asia and the Pacific, University of Sydney, July 1992.
.........., ‘Fragments of origin; Asian women artists' group at the Blaxland Gallery’, Asian Art News, July/August 1994.
Collins, D., Asian Art and Australia: 1830s-1930s, M.A. Thesis, Canberra, Australian National University, awarded May 1992.
.........., ‘Asian Art in Australia’, Art & Australia, vol.30, no.3, Autumn 1993.
Eagle, M., ‘The Mikado Syndrome: was there an Orient in Asia for the Australian "Impressionist" Painters ?’, Australian Journal of Art, Vol.VI, 1987.
Elias, A. ‘Through a glass darkly' [interview with Lindy Lee], Art & Asia Pacific, vol.1, no.2, 1994.
Edge to Edge: Australian Contemporary Art to Japan, Tokyo, Japanese Museums and the Australian Bicentennial Authority, 1998 [ artists exhibited: Julie Brown-Rrap, Richard Dunn, Bill Henson, Lindy Lee, John Nixon, Mike Parr, Jacky Redgate, Imants Tillers, Peter Tyndall, Ken Unsworth, Jenny Watson].
Ennis, H., ‘Hedda Morrison’, Art Monthly Australia, 50, June 1992.
Ewington, Julie, ‘Jaqueline Fraser’s poetics of space’, Art & Asia Pacific, vol.3, no.2, 1996.
........................, Murphy, Berenice, Localities of Desire: Contemporary Art in an International World, Sydney, Museum of Contemporary Art, 1995
Friend, D., Donald Friend in Bali, Sydney, Collins, 1972.
Friis-Hansen, D., ‘Locating the Australian Imaginary' [Review of ‘Inner-Land' exhibition in Tokyo], Art & Asia Pacific, vol.1, no.3, 1994.
Gallbally, A. & Plant, M., co-editors, Studies in Australian Art,Melbourne, Department of Fine Arts, University of Melbourne, 1978.
Galbally, A., ‘Australian Artists Abroad: 1880-1914’, in Galbally & Plant, 1978, above.
Gallbally, A., ‘Aestheticism in Australia’, in Bradley, A. and Smith, T., eds., Australian Art and Architecture: Essays presented to Bernard Smith, Melbourne, Oxford University Press, 1980.
Hamilton, A., ‘Dreaming the Lotus: Aesthetic dialogue with ‘Asia'?,in Caroll, 1990.
..........., ‘Fear and Desire: Aborigines, Asians and the National Imaginary’, in Australian Perceptions of Asia above.
..........., ‘Trading Image; Art at the ‘Asia' Junction’, Art & Australia, vol.30, no.3, Autumn 1993.
Hoffie, P., ‘The reluctant tourist; a mythical narrative on nationalism’, Art Monthly Australia, 59, May 1993.
Howard, I., ‘Dialogues of differences’[Australia/Vietnam], Asian Art News, vol.5, no.2, March-April 1995.
Kidd, Courteny,’Yvonne Boag in South Korea’, Art Monthly Australia, no.88, April 1996
Lane, T., ‘A burlesque of a burlesque: Aestheticism and the aesthetic interior of Victoria’, Historic Environment, vol.3, no.3, 1984.
McAlera, D., ‘Hiram To: Performing Attitudes’, World Art, 1, 1995.
McQueen, H., The Black Swan of Trespass, Sydney, Alternative Publishing Cooperative Ltd., 1979.
Menzies, J., The Asian Interface, Australian Artists and the Far East, [Exhibition and check-list], Sydney, Art Gallery of New South Wales, 1983.
Morrison, H., A Photographer in Old Peking, Singapore, Oxford University Press 1985.
.........., Travels of a Photographer in China, 1987.
North,I., ed., The Art of Margaret Preston [Exhibition and catalogue],Adelaide, The Art Gallery Board of South Australia, 1980.
Parr, Mike, ‘Daybreak, Manila Performance’, Art Monthly Australia, no.81 July 1995.
Ross, Helen, ‘Arx 4 Torque, - the last session of the first day’, Art Monthly Australia, no.79, May 1995
Sansom, G. [interview] ‘Responding to India’, Art Monthly Australia, 41, June 1991.
Gareth Sansom, [catalogue for 7th Indian Triennale], Melbourne, Australian Exhibitions Touring Agency, 1991.
Thai-Australian Cultural Space [Joan Grounds, Noelene Lucas, Montien Boonma, Vichoke Mukdamanee, Kamol Phaosavasdi], Sydney, Art Gallery of New South Wales, 1994.
Tôkyô Connection, Australian Artists Studio in Tôkyô}, Melbourne, Australian Exhibitions Touring Agency, 1990 [artists in residence in Tôkyô 1987-1990: Liz Coats, 1987; Diane Mantzaris, 1987; Noelene Lucas, 1987; Janet Laurence, 1988; Geof Kleem, 1988; Mark Hindraker, 1988; Geoffrey Weary, 1988; Jennifer McCamley, 1989; Clinton Garofano, 1989; Andrew Petrusevics, 1989; Paul Thirkell, 1989; Bette Mifsud, 1990].
Transcultural Painting [Tony Clark, Lindy Lee, Linda Marrinon, John Young] Melbourne, Asialink 1994. [to Guangzhou, Hong Kong, Taiwan].
Travellers, Journeys, Tourists, issue of Australian Cultural History, no.10, 1991, edited by Horne, J. & Walker, D.
Walker, D., and Ingleson, J., ‘The Impact of Asia’, in Meaney, N., ed., Under New Heavens: Cultural Transmission and the Making of Australia, Melbourne, Heinemann Educational Australia, 1989
Wang, Chia Chi Jason, ‘A Veil in Between'[on Transcultural painting Exhibition in Taiwan], Art & Asia Pacific, vol.1, no.4, 1994.
White, R., Inventing Australia: Images and Identity 1688-1980, Sydney, 1981.
White, R., ‘Sun, sand, and syphilis: Australian soldiers and the Orient, Egypt 1914’, in Australian Perceptions of Asia, 1990.
White, Sheona, ‘Roads Cross, Rover Thomas’, Art & Asia Pacific, vol.1, no.4, 1994.
Wright, W., Kanazawa T., Systems End: Contemporary Art in Australia, Sydney, Sherman Galleries, 1996.
Yang, W., ‘I ask myself, am I Chinese?’, Art & Asia Pacific, vol.1, no.2, 1994.
30. RELATED GENERAL THEORIES OF MODERN ART AND POST-MODERNISM
Anderson, P., ‘Modernity and revolution’, New Left Review, no.152, July/August 1985
Baumann, Z., Legislators and Interpreters, Ithaca, Cornell University Press, 1987
Bürger, P., Theory of the Avant-Garde, Minneapolis, University of Minnesota Press, 1984
Eagleton, T., ‘Capitalism, Modernism, and Postmodernism’, New Left Review, no.152, July/August 1985
Foster, H.,ed., Postmodern Culture, London & NSW, Pluto Press, 1985[papers by Habermas, Frampton, Owens, Krauss, Said, Jameson etc]
........, Recodings, Seattle, Bay Press,1985
Harvey, D., The Condition of Postmodernity, Oxford, Basil Blackwell, 1989
Huyssen, A., ‘The search for tradition:Avant-garde and Postmodernism in the 1970s’, New German Critique, no.22, Winter 1981
........, ‘Mapping the Postmodern’, New German Critique, no.33, Fall 1984
Jameson, F., ‘The Politics of Theory:Ideological Positions in the Postmodernism debate’, New German Critique, no.33, Fall 1984
........, ‘Postmodernism or the cultural logic of late capitalism’,New Left Review, no.146, July/August 1984
........, ‘Marxism and Postmodernism’, New Left Review, no.176, July/August 1989
........, Postmodernism, 1992, Durham, Duke University Press, 1992.
Jencks, C., What is Post-Modernism?, New York, Academy Editions, 1986.
Lyotard, J-F., The Post-Modern Condition, Minneapolis, University of Minnesota Press, 1984.
Sontag, Susan, ‘On Style’ &’Notes on “Camp”’, in Against Interpretation, New York, Farrar, Straus, Giroux, 1961, 1966.
Walker, J.A., Art in the age of mass media, London, Pluto Press, 1983.
Ahmad, A., ‘"Third World Literature" and the Nationalist Ideology’, Journal of Arts & Ideas, nos. 17/18, June 1989.
........ ‘Orientalism and After: Ambivalence and Cosmopolitanism in the work of Edward Said’, Economic and Political Weekly, 25.7.1992.
Albertazzi, L., ‘The Magicians convene in Paris’, Contemporanea, July/August 1989
Appadurai, Arjun, Modernity at Large, Minneapolis, University of Minnesota Press, 1996.
Appiah, K. ‘Is the post in post-modern the post in post-colonial?' Critical Inquiry, vol. 17, Winter 1991.
Araeen, R., ‘From Primitivism to Ethnic Arts’, Third Text, no.1, Autumn 1987
.......,ed.,The Other Story, London, South Bank Centre, 1989see also Special Issue of Third Text, 8/9.reviews: Archer-Straw,P., ‘The Other Story’, Art Monthly[UK] 133, February 1990; Solanke, A., ‘From another world’, Art Monthly[UK] 132, December January, 1989-90
........, ‘How I discovered my Oriental Soul in the wilderness of the West’, Third Text, 18, Spring 1992.
Boehmer, Elleke, Colonial & Postcolonial Literature: Migramt Metaphors, New York, Oxford
University Press, 1995.
Bhabha, Homi K., The Location of Culture, New York, Routledge, 1994.
......................,ed., Nation and Narration, New York, Routledge, 1990.
Bugner, L. ed., The Image of the Black in Western Art, in progress 1989, Menil Foundation distributed by Harvard University Press.
1.Vercoutter, J., From the Pharoahs to the Fall of the Roman Empire2.From the Early Christian Era to the "Age of Discovery"
2.1.Devisse, J., Courtes, J.M., From the demonic threat to the incarnation of Sainthood
2.2.Devisse, J., Mollat, M., Africans in the Christian ordinance of the world, 14th to 16th centuries
3.Africa and Europe 16th to 18th centuries [in progress]4
.From the American Revolution to World War IDalton, Karen C.C.,associate editor
4.1.Honour, H., Slaves and Liberators
4.2 , Black Models and White Myths
Chakrabarty, D., ‘Postcoloniality and the Artifice of History: Who speaks for "Indian" pasts?’, Representations, 37, Winter 1992.
Chow, Rey, Writing Diasporas, Bloomington, Indiana University Press, 1992.
Clarke, David, The Influence of Oriental Thought on Postwar American Painting and Sculpture, New York, Garland Publishing, 1988.
Clifford, J., The Predicament of Culture: 20th century ethnography, literature and art, Cambridge, Mass., Harvard UP, 1988
Coombs, A.E.S., ‘"For God and For England":contributions to an image of Africa in the first decade of the twentieth century’,Art History, Vol.8, No.4 ,December 1985
............,Lloyd,J., ‘"Lost and Found" at the Museum of Mankind’,ArtHistory, vol.9, no.4, December 1986
............,Edwards,S., ‘Site Unseen: Photography in the Colonial Encounter. Images of Subconscious Eroticism’, Art History, vol.12, no.4, December 1989
Crary, Jonathan, ‘Critical Comment’, Art Forum, February 1994.
Buchloh, B.H.D., ‘The Whole Earth Show’,[interview with Jean-Hubert Martin], Art in America, May 1989
Chambers, E.,The Artpack a history of black artists in Britain, London,Minorities’ Arts Advisory Service, 1988
Chambers, Ian, ‘Exposure, abeyance and discolation’, Third Text, 31, Summer 1995.
Chambers, Iain. ‘Exposure, Abeyance and Dislocation: Some Comments on Benita Parry’s Discussion of Homi Bhabha’s “The Location of Culture”.’ Third Text no.31 Summer 1995
Cramer, Sue, C.,ed., Postmodernism: A consideration of the appropriation of aboriginal imagery , Brisbane, Institue of Modern Art, 1989.