Art of modern asia a bibliography

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, ‘An Emerging Dialogue’ [Absolut L.A. International Biennial], Asian Art

News, vol.7, no.5, September / October 1997.

…………………………………, ‘Poetry in Stone: Seiji Kunishima.’ World Sculpture News 2:4 Autumn 1996

…………………………………, ‘A Noguchi Legacy: Isamu Noguchi’s site specific sculpture.’ Asia-Pacific Sculpture News 1:4 Autumn 1995

…………………………………,‘The pacific and beyond’ [Los Angeles], Asian Art News, vol.6, no.2, Mar/Apr 1996.

…………………………………,’Korean-American Artists in California’, Asian Art News, vol. 6, no.3, May / June 1996

Chambers, Eddie. ‘“Cold Comfort”: Permindar Kaur.’ Third Text no.36 Autumn 1996

Cohen, Joan Lebold, ‘Notes from a studio’ [Higuchi Ikuyo], Asia-Pacific Sculpture News, vol.1, no.2, Spring 1995.

…………………………………,‘The traveler Rests’ [Pratibha Dakoji], Asian Art News, vol.5, no.5, Sep/Oct 1995.

…………………………………,‘A Studio Visit with Zhang Peili.’ [China/USA] Asia-Pacific Sculpture News 1:4 Autumn 1995

deSouza, Allan. ‘The Spoken Word: Theresa Hak Kyung Cha’s “Dictee”.’ Third Text no.24 Autumn 1993

Dimitrakaki, Angela. ‘Yoko Ono: Have You Seen The Horizon Lately?’ Third Text no.42 Spring 1998

Findlay, Ian, ‘An explorer of cultures’ [Frank Tam], Asian Art News, vol.6, no.6,

November/December 1996.

Friis-Hansen, Dana, ‘Full Blown: the expansive vision of miniaturist Shazia Sikander’, Art AsiaPacific,

no.16, 1997.

Fu-Chia-Wen Lien 'The Body as Metaphor for Feminist Expression', Asian Art News, 8:4, August 1998

Jaana, Reena, ‘Building Bridges [Hawaii], Asian Art News, vol.6, no.6, November/December 1996.

…………………………………,‘The freshest of visions’, [West Coast Asian American Artists], Asian Art News, vol.5, no.6, Nov/Dec 1995

…………………………………,‘Crossing Divides’, [Gary Lichtenstein, Yang Ying Feng], Asian Art News, vol.5, no.5, Sep/Oct 1995.

…………………………………, 'Dialogue Face to Face', Asian Art News 9:1 1999

…………………………………, 'The intuitive Eye', [Vietnamese-American Artists], Asian Art News 9:4 1999

…………………………………, 'Fashioning Trends', Asian Art News 9:4 1999

Jane Voorhees Zimmerli Art Museum, 1997. [Review: Roe Jae-ryung, Art AsiaPacific, no.17, 1998.]

Karetzky, Patricia. ‘Between Two Cultures: Chen Longbin.’ [Taiwan/USA] World Sculpture News 4:3 Summer 1998

Kee, Joan. ‘Balancing Act: Tention and tenacity in Asian American art.’ Art AsiaPacific issue 20 1998 [Ping Chong,

Kim Yu-yeon, ‘In the eye of the tiger, Korean artists in America’, Art AsiaPacific, vol.3, no.3, 1996

Gordon, Jeff, ‘Chaos Defined’, [Path Soong], Asian Art News, vol.5, no.5, Sep/Oct 1995.

Hess Lydia, ‘Masami Teraoka’, Art & Asia-Pacific, vol.3, no.1, 1966.

Hussfeld, Barbara, ‘Cultural Collisions’[ Bradford Edwards, Truong Tan], Asian Art News, vol.5, no.5, Sep/Oct 1995.

Machida, Margo, Asia/America: Identities in Contemporary Asian American Art, New York, The Asia Society, 1993.

…………………………………, Shifting Identities of Asian Women in America, Henry Street Settlement Abrons Arts Center, June 24-July 28, 1995

Magnan, Kathleen Finlay, ‘A View from within’ [Japanese American internee art], Asian Art News, vol.6, no.1, Jan/Feb 1996.

Millichap, John, ‘Wanderer between cultures’, [Szeto Keung], Asian Art News, vol.6, no.2, Mar/Apr 1996

…………………………………, ‘Life Lines’, [Xin Fei], Asian Art News, vol.5, no.5, Sep/Oct 1995.

…………………………………, ‘An Infinite Variety: Chui Faising.’ World Sculpture News 3:2 Summer 1997

Wei, Lilly, ‘Time reading’, [Emily Cheung], Asian Art News, vol.6, no.2, Mar/Apr 1996

Yang, Alice, ‘Shifting identities of Asian Women in America’, Art & Asia-Pacific, vol.3, no.1, 1966.

.................., ‘The artist as chef - Rirkit Tiravanija’, Art & Asia Pacific, vol.3, no.2, 1996.

.................., ‘Chinoiserie’ [Ping Chong], Art & Asia Pacific, vol.3, no.2, 1996.

Binks, Hilary, ‘Passion for Life’ [Chu Teh-chun], Asian Art News, vol.7, no.6, November-December 1997.

Carver, Antonia, ‘Getting them between the eyes: an interview with Sunil Gupta’, Art AsiaPacific,

no.16, 1997.

Hubbard, Sue. ‘The Art of Saleem Arif.’ Third Text no.27 Summer 1994

Hylton, Richard. ‘Phaiphanit and Piper.’ Third Text no31 Summer 1995

Kapoor, Kamala ‘Art across oceans: The ‘Containers 96’ exhibition in Copenhagen’, ART

AsiaPacific, no.14, 1997

Karim, Ziaul, 'Process and memory' [Shahid Kabir in Spain], Asian Art News, vol. 8, no.2, March/April 1998

Millichap, John. ‘’A Feeling for Stone: Cynthia Sah.’ [Hong Kong/Italy] Asia-Pacific Sculpture News 2:1 Winter 1996

Nuridany, Michel. ‘Shadow Boxing at the Place Vendome: Ju Ming.’ [Taiwan/France] World Sculpture News 4:1 Winter 1998

Preece, Robert. ‘Chinese Art, Manchester Style.’ [Julie Fu, Yin Xuizhan] Asian Art News 8:6 November/December 1998

Terra, Jun. ‘David Medalla in London.’ [Phillipine/Europe] Third Text no.30 Spring 1995

Wear, Eric Otto, ‘ Uncertainties at the Sao Paolo Bienal’, Asian Art News, vol. 7, no. 2,

March/April 1997.

Ang Ieng, Stratton, John, ‘The Asian Turn’, Art & Text, no.50, January, 1995.

Bail, Murray et al, Fairweather, Sydney, Craftsman House, 1994.

Binks, Hilary. ‘The Universe Within.’ [Irene Chou (Zhou Luyun)] Asian Art News 8:6 Movember/December 1998

Broinowski, Alison, The Yellow Lady; Australian impressions of Asia, Melbourne, Oxford

University Press, 1992.

Chang, Virginia Yen-ju. Impressions of Asian Art in Australians’ Eyes: The Development of Asian Art Exhibitions in Art Gallery of New South Wales. Research paper, Master of Arts, Museum Studies, University of Sydney, 1999

Chiu, Melissa; Clark, John; Hutchings, Peter; Lindsay, Frances, john young; the double ground

paintings, Sydney, Australian Art Promotions, 1995.

......................, ‘The blank in the page’, Eyeline, no.31, Spring 1996.

Clark, John, ‘Art and its ‘others’ - recent Australian-Asian visual exchanges’, Dever, Maryanne, ed.,

Australia and Asia: cultural transactions, Surrey, Curzon Press, 1996

Cho Lisa Mira, ‘The Swallowed Moon’, [Ahn Pil Yun] Art Monthly Australia , no.96, December


Coulter-Smith, Graham; Davidson, Christina; Forsyth, Graham, John Young: Silhouettes and

Polychromes, 1979-1992, Melbourne, Schwartz City, 1993.

Genocchio, Benjamin, ‘Between Mirrors: an interview with Lindy Lee’, Eyeline, 31, Spring 1996.

Gerstle, D., Milner, A., eds., Europe and the Orient, Canberra, The Humanities Research Centre of

Australian National University, 1994.

Gerstle, D., Milner, A., Recovering the Orient: Artists Scholars, Appropriations, Chur, Harwood

Academic Publishers, 1994.

Holder, Jo. ‘An East Timorese Exhibition in Australia’, ART AsiaPacific, no.14, 1997.

Hynes, Victoria. ‘Matter and Spirit: Akio Makigawa and Toshiaki Izumi.’ World Sculpture News 5:2 Spring 1999

Lowe, Pat, ‘Jimmy Pike in China’ [with Zhou Xiaoping], Art Monthly Australia, no.100, June 1997.

McClean, Ian, ‘White aborigines: colonial imperatives of Australiam Colonialism’, Third Text,

no.22, Spring 1993.

McCullough, Susan ‘Parallel Perspectives’,[Jimmy Pike & Zhou Xiaoping], Asian Art News, vol.7, no.4, July/August 1997.

O’Toole, Phil. ‘Paper Tigers: The Artwork of Hyun Mi Lee.’ TASSA Review, 7:3 1998

Pai, Maggie, 'Complex Cycles' [Guan Wei], Asian Art News, vol. 8, no.2, March/April 1998.

Roberts, Claire. ‘What goes around comes around: The Art of Guan Wei.’ Art AsiaPacific issue 21 1999

Shimizu Toshio ‘Systems End’, ART AsiaPacific, no.14, 1997.

Wright, Wiliam; Spark, Jo, eds., Systems End: Contemporary Art in Australia, Sydney, Sherman

Galleries, 1996 [to Osaka, Hakone, Seoul, Gaoxiong; reports: The Weekend Australian, 20-21

April, 1996;]

‘A private collection - Rene Rivkin’, The Australian Antique Collector,38th Edition, July-December 1989.

Abbott-Smith, N., Ian Fairweather: Profile of a painter, Brisbane, University of Queensland Press, 1978.

Ang, I. & Stratton, J., ‘The Asian Turn’, World Art 1, 1995.

Australian Perceptions of Asia, issue of Australian Cultural History, no.9, 1990, edited by Walker, D., [I have not listed every article in this issue, but most are directly or indirectly relevant to understanding relationships between Australian and Asia Art].

Annear, Judy, ‘Juggler of Systems’,[Guan Wei], Asian Art News, vol.5, no.5, Sep/Oct 1995.

Bail, M., Ian Fairweather, Sydney, Bay Books, 1981.

Bromfield, David, ‘Point of Heaven’ [Akio Makigawa], Asia-Pacific Sculpture News, vol.1, no.2, Spring 1995.

Carroll, A., Out of Asia, [Exhibition and Catalogue] Melbourne, Heide Gallery, 1990. [artists exhibited: Micky Allan, Tony Clark, Matthys Gerber, Pat Hoffie, Tim Johnson, Geoff Lowe, Fiona MacDonald, Susan Norrie, Robert Owen, Gareth Sansom]

............., East and West: The Meeting of Asian and European Art [Exhibition and catalogue], Adelaide, Art Gallery of South Australia, 1985.

............., Art from Australia, [catalogue of touring exhibition to Bangkok, Jakarta, Manila, Kuala Lumpur, Singapore], Melbourne, Australian Exhibitions Touring Agency, 1990 [artists exhibited: Micky Allan, John Davis, Richard Dunn, Anne Ferran, Fiona Hall, Imants Tillers, Caroline Williams, John Young].

............, ‘Parallels: Nationalism in Filipino, Indonesian, and Australian Art’, Art & Asia Pacific, no.1, supplement to Art & Australia, March 1993.

............, ‘To a friendly nation, far away’, Art Monthly Australia, no.88, April 1996.

Clark, J., Australian Art and Asia -Then and Now’ Occasional Paper No.19, Research Institute for Asia and the Pacific, University of Sydney, July 1992.

.........., ‘Fragments of origin; Asian women artists' group at the Blaxland Gallery’, Asian Art News, July/August 1994.

Collins, D., Asian Art and Australia: 1830s-1930s, M.A. Thesis, Canberra, Australian National University, awarded May 1992.

.........., ‘Asian Art in Australia’, Art & Australia, vol.30, no.3, Autumn 1993.

Eagle, M., ‘The Mikado Syndrome: was there an Orient in Asia for the Australian "Impressionist" Painters ?’, Australian Journal of Art, Vol.VI, 1987.

Elias, A. ‘Through a glass darkly' [interview with Lindy Lee], Art & Asia Pacific, vol.1, no.2, 1994.

Edge to Edge: Australian Contemporary Art to Japan, Tokyo, Japanese Museums and the Australian Bicentennial Authority, 1998 [ artists exhibited: Julie Brown-Rrap, Richard Dunn, Bill Henson, Lindy Lee, John Nixon, Mike Parr, Jacky Redgate, Imants Tillers, Peter Tyndall, Ken Unsworth, Jenny Watson].

Ennis, H., ‘Hedda Morrison’, Art Monthly Australia, 50, June 1992.

Ewington, Julie, ‘Jaqueline Fraser’s poetics of space’, Art & Asia Pacific, vol.3, no.2, 1996.

........................, Murphy, Berenice, Localities of Desire: Contemporary Art in an International World, Sydney, Museum of Contemporary Art, 1995

Friend, D., Donald Friend in Bali, Sydney, Collins, 1972.

Friis-Hansen, D., ‘Locating the Australian Imaginary' [Review of ‘Inner-Land' exhibition in Tokyo], Art & Asia Pacific, vol.1, no.3, 1994.

Gallbally, A. & Plant, M., co-editors, Studies in Australian Art,Melbourne, Department of Fine Arts, University of Melbourne, 1978.

Galbally, A., ‘Australian Artists Abroad: 1880-1914’, in Galbally & Plant, 1978, above.

Gallbally, A., ‘Aestheticism in Australia’, in Bradley, A. and Smith, T., eds., Australian Art and Architecture: Essays presented to Bernard Smith, Melbourne, Oxford University Press, 1980.

Hamilton, A., ‘Dreaming the Lotus: Aesthetic dialogue with ‘Asia'?,in Caroll, 1990.

..........., ‘Fear and Desire: Aborigines, Asians and the National Imaginary’, in Australian Perceptions of Asia above.

..........., ‘Trading Image; Art at the ‘Asia' Junction’, Art & Australia, vol.30, no.3, Autumn 1993.

Hoffie, P., ‘The reluctant tourist; a mythical narrative on nationalism’, Art Monthly Australia, 59, May 1993.

Howard, I., ‘Dialogues of differences’[Australia/Vietnam], Asian Art News, vol.5, no.2, March-April 1995.

Kidd, Courteny,’Yvonne Boag in South Korea’, Art Monthly Australia, no.88, April 1996

Lane, T., ‘A burlesque of a burlesque: Aestheticism and the aesthetic interior of Victoria’, Historic Environment, vol.3, no.3, 1984.

McAlera, D., ‘Hiram To: Performing Attitudes’, World Art, 1, 1995.

McQueen, H., The Black Swan of Trespass, Sydney, Alternative Publishing Cooperative Ltd., 1979.

Menzies, J., The Asian Interface, Australian Artists and the Far East, [Exhibition and check-list], Sydney, Art Gallery of New South Wales, 1983.

Morrison, H., A Photographer in Old Peking, Singapore, Oxford University Press 1985.

.........., Travels of a Photographer in China, 1987.

North,I., ed., The Art of Margaret Preston [Exhibition and catalogue],Adelaide, The Art Gallery Board of South Australia, 1980.

Parr, Mike, ‘Daybreak, Manila Performance’, Art Monthly Australia, no.81 July 1995.

Ross, Helen, ‘Arx 4 Torque, - the last session of the first day’, Art Monthly Australia, no.79, May 1995

Sansom, G. [interview] ‘Responding to India’, Art Monthly Australia, 41, June 1991.

Gareth Sansom, [catalogue for 7th Indian Triennale], Melbourne, Australian Exhibitions Touring Agency, 1991.

Thai-Australian Cultural Space [Joan Grounds, Noelene Lucas, Montien Boonma, Vichoke Mukdamanee, Kamol Phaosavasdi], Sydney, Art Gallery of New South Wales, 1994.

Tôkyô Connection, Australian Artists Studio in Tôkyô}, Melbourne, Australian Exhibitions Touring Agency, 1990 [artists in residence in Tôkyô 1987-1990: Liz Coats, 1987; Diane Mantzaris, 1987; Noelene Lucas, 1987; Janet Laurence, 1988; Geof Kleem, 1988; Mark Hindraker, 1988; Geoffrey Weary, 1988; Jennifer McCamley, 1989; Clinton Garofano, 1989; Andrew Petrusevics, 1989; Paul Thirkell, 1989; Bette Mifsud, 1990].

Transcultural Painting [Tony Clark, Lindy Lee, Linda Marrinon, John Young] Melbourne, Asialink 1994. [to Guangzhou, Hong Kong, Taiwan].

Travellers, Journeys, Tourists, issue of Australian Cultural History, no.10, 1991, edited by Horne, J. & Walker, D.

Walker, D., and Ingleson, J., ‘The Impact of Asia’, in Meaney, N., ed., Under New Heavens: Cultural Transmission and the Making of Australia, Melbourne, Heinemann Educational Australia, 1989

Wang, Chia Chi Jason, ‘A Veil in Between'[on Transcultural painting Exhibition in Taiwan], Art & Asia Pacific, vol.1, no.4, 1994.

White, R., Inventing Australia: Images and Identity 1688-1980, Sydney, 1981.

White, R., ‘Sun, sand, and syphilis: Australian soldiers and the Orient, Egypt 1914’, in Australian Perceptions of Asia, 1990.

White, Sheona, ‘Roads Cross, Rover Thomas’, Art & Asia Pacific, vol.1, no.4, 1994.

Wright, W., Kanazawa T., Systems End: Contemporary Art in Australia, Sydney, Sherman Galleries, 1996.

Yang, W., ‘I ask myself, am I Chinese?’, Art & Asia Pacific, vol.1, no.2, 1994.


Anderson, P., ‘Modernity and revolution’, New Left Review, no.152, July/August 1985

Baumann, Z., Legislators and Interpreters, Ithaca, Cornell University Press, 1987

Bürger, P., Theory of the Avant-Garde, Minneapolis, University of Minnesota Press, 1984

Eagleton, T., ‘Capitalism, Modernism, and Postmodernism’, New Left Review, no.152, July/August 1985

Foster, H.,ed., Postmodern Culture, London & NSW, Pluto Press, 1985[papers by Habermas, Frampton, Owens, Krauss, Said, Jameson etc]

........, Recodings, Seattle, Bay Press,1985

Harvey, D., The Condition of Postmodernity, Oxford, Basil Blackwell, 1989

Huyssen, A., ‘The search for tradition:Avant-garde and Postmodernism in the 1970s’, New German Critique, no.22, Winter 1981

........, ‘Mapping the Postmodern’, New German Critique, no.33, Fall 1984

Jameson, F., ‘The Politics of Theory:Ideological Positions in the Postmodernism debate’, New German Critique, no.33, Fall 1984

........, ‘Postmodernism or the cultural logic of late capitalism’,New Left Review, no.146, July/August 1984

........, ‘Marxism and Postmodernism’, New Left Review, no.176, July/August 1989

........, Postmodernism, 1992, Durham, Duke University Press, 1992.

Jencks, C., What is Post-Modernism?, New York, Academy Editions, 1986.

Lyotard, J-F., The Post-Modern Condition, Minneapolis, University of Minnesota Press, 1984.

Sontag, Susan, ‘On Style’ &’Notes on “Camp”’, in Against Interpretation, New York, Farrar, Straus, Giroux, 1961, 1966.

Walker, J.A., Art in the age of mass media, London, Pluto Press, 1983.



Ahmad, A., ‘"Third World Literature" and the Nationalist Ideology’, Journal of Arts & Ideas, nos. 17/18, June 1989.

........ ‘Orientalism and After: Ambivalence and Cosmopolitanism in the work of Edward Said’, Economic and Political Weekly, 25.7.1992.

Albertazzi, L., ‘The Magicians convene in Paris’, Contemporanea, July/August 1989

Appadurai, Arjun, Modernity at Large, Minneapolis, University of Minnesota Press, 1996.

Appiah, K. ‘Is the post in post-modern the post in post-colonial?' Critical Inquiry, vol. 17, Winter 1991.

Araeen, R., ‘From Primitivism to Ethnic Arts’, Third Text, no.1, Autumn 1987

.......,ed.,The Other Story, London, South Bank Centre, 1989see also Special Issue of Third Text, 8/ Archer-Straw,P., ‘The Other Story’, Art Monthly[UK] 133, February 1990; Solanke, A., ‘From another world’, Art Monthly[UK] 132, December January, 1989-90

........, ‘How I discovered my Oriental Soul in the wilderness of the West’, Third Text, 18, Spring 1992.

Boehmer, Elleke, Colonial & Postcolonial Literature: Migramt Metaphors, New York, Oxford

University Press, 1995.

Bhabha, Homi K., The Location of Culture, New York, Routledge, 1994.

......................,ed., Nation and Narration, New York, Routledge, 1990.

Bugner, L. ed., The Image of the Black in Western Art, in progress 1989, Menil Foundation distributed by Harvard University Press.

1.Vercoutter, J., From the Pharoahs to the Fall of the Roman Empire2.From the Early Christian Era to the "Age of Discovery"

2.1.Devisse, J., Courtes, J.M., From the demonic threat to the incarnation of Sainthood

2.2.Devisse, J., Mollat, M., Africans in the Christian ordinance of the world, 14th to 16th centuries

3.Africa and Europe 16th to 18th centuries [in progress]4

.From the American Revolution to World War IDalton, Karen C.C.,associate editor

4.1.Honour, H., Slaves and Liberators

4.2 , Black Models and White Myths

Chakrabarty, D., ‘Postcoloniality and the Artifice of History: Who speaks for "Indian" pasts?’, Representations, 37, Winter 1992.

Chow, Rey, Writing Diasporas, Bloomington, Indiana University Press, 1992.

Clarke, David, The Influence of Oriental Thought on Postwar American Painting and Sculpture, New York, Garland Publishing, 1988.

Clifford, J., The Predicament of Culture: 20th century ethnography, literature and art, Cambridge, Mass., Harvard UP, 1988

Coombs, A.E.S., ‘"For God and For England":contributions to an image of Africa in the first decade of the twentieth century’,Art History, Vol.8, No.4 ,December 1985

............,Lloyd,J., ‘"Lost and Found" at the Museum of Mankind’,ArtHistory, vol.9, no.4, December 1986

............,Edwards,S., ‘Site Unseen: Photography in the Colonial Encounter. Images of Subconscious Eroticism’, Art History, vol.12, no.4, December 1989

Crary, Jonathan, ‘Critical Comment’, Art Forum, February 1994.

Buchloh, B.H.D., ‘The Whole Earth Show’,[interview with Jean-Hubert Martin], Art in America, May 1989

Chambers, E.,The Artpack a history of black artists in Britain, London,Minorities’ Arts Advisory Service, 1988

Chambers, Ian, ‘Exposure, abeyance and discolation’, Third Text, 31, Summer 1995.

Chambers, Iain. ‘Exposure, Abeyance and Dislocation: Some Comments on Benita Parry’s Discussion of Homi Bhabha’s “The Location of Culture”.’ Third Text no.31 Summer 1995

Cramer, Sue, C.,ed., Postmodernism: A consideration of the appropriation of aboriginal imagery , Brisbane, Institue of Modern Art, 1989.

Dallas, C., ‘Conjuring Tricks’, Artscribe, September/October,1989

Daniel, N., The Arabs and Medaeval Europe, London and Beirut, Longman, 1975

.......,The Cultural Barrier, Edinburgh UP, 1975

.......,Islam and the West, the Making of an Image, 1962

Dirlik, Arif, The Postcolonial Aura, Boulder, Westview Press, 1997

Enwezor, Owiu; Zaya, Octsavio, “Moving In: eight contemporary African artists’, Flash Art, XXIX, 186, Jan/Feb 1996.

Fanon, F., The Wretched of the Earth, Harmondsworth, Penguin, 1965 [the chapter ‘On National Culture’]

Fisher, jean, ed., Global Visions: Towards a New Internationalism in the Visual Arts, London, Kala

Press, 1994.

Fisher, Jean. ‘Editorial: Some Thought on Contaminations.’ [hybridity and Syncretism] Third Text no.32 Autumn 1995

Fry, T., Willis, A-M., ‘Aboriginal Art:Symptom or Success?’, Art in America, July 1989.

...................., ‘Art as Ethnocide: The Case of Australia’, Third Text, no.5.

Gabriel, T.H., Third Cinema in the Third World, Ann Arbor, UMI Research Press, 1982

Gerstle, D., Milner, A., eds., Europe and the Orient, Canberra, The Humanities Research Centre of Australian National University, 1994.

Gibson, Ross, Postcolonialism and the narrative construction of Australia, Bloomington, Indiana

University Press, 1992

Gilroy, P., ‘Cruciality and the Frog’s Perspective’, Art and Text, 32,Autumn 1989.

............., “It ain’t where you’re from, it’s where you’re at.. the dialectics of diasporic identification’, Third Text, 13, Winter 1991.

Gunew, Sneja, Framing Marginality, Multicultural Literary Studies, Melbourne, Melbourne

University Press, 1994.

..................& Rizvi, Fazal, Culture, Difference, and the Arts, Sydney, Allen and Unwin, 1994.

Islam and the Medieval West, [catalog], Binghampton, State University of New York, 1975.

Hassan, Ihab. ‘Counterpoints: Nationalism, Colonialism, Multiculturalism etc., in Personal Perspective.’ [intellectual autobiography og Egyptian critic] Third Text no.41 Winter 1997/98

.............., ‘Queries for Postcolonial Studies.’ Third Text no.43 Summer 1998

Kapoor, Geeta. ‘Contemporary Cultural Practice: Some Polemical Categories.’ Third Text no.11 Summer 1990

.............., ‘Globalisation and Culture.’ Third Text no.39 Summer 1997

Kristeva, Julia, Nations without Nationalism, New York, Columbia University Press, 1993.

Lach, D.F., Asia in the Making of Europe, 3 vols., 1965, 1994.

Lawrence, Tim. ‘Edward Said, Late Style and the Aesthetic of Exile.’ Third Text no.38 Spring 1997

Linsley, R., ‘Wilfredo Lam:painter of negritude’, Art History, vol.11, no.4., December 1988

Mackerras, C., Western Images of China, Hong Kong, Oxford University Press, 1989

Martin, Jean-Hubert, ed..& curator, Les magiciens de la terre, Paris, Centre Georges Pompidou,


McEvilley, T., ‘Doctor Lawyer Indian Chief’, Artforum, November 1984

................, Fusion: West African Artists at the Venice Biennale, New York, Museum for African Art, 1993.

McEvilley, Thomas, Art & Otherness: Crisis in Cultural Identity, Kingston, Dcumentext,

McPherson & Company, 1992.

McNeill, D., ‘Tillers of the Soil’, Praxis, [ARX’87 issue]

The Meeting of Two Worlds. Cultural Exchange between East and West during the Period of the Crusades, Ann Arbor, University of Michigan Museum, 1981

Memmi, A., The Colonizer and The Colonized, Orion Press, New York, 1965.

Michaud, Yves ‘Doctor Explorer Chief Curator.’ Third Text no.6 Spring 1989

................, ‘Editorial.’ [introduction to translated essays Magiciens de la Terre] Third Text no.6 Spring 1989

Murphy, B., ‘‘Provincialism Refigured' or Culture Disfigured?’, Art Monthly [Australia], no.15, October 1988 [reply to Smith,T., below]

Navarro, Desiderio, Guest editor, ‘Postmodernism: Center and Periphery’, South Atlantic Quarterly,

vol.92, no.3, Summer 1993.

Ngugi wa Thiong'o, Decolonising the Mind, London, James Carrey, 1986

O'Hanlon, R., ‘Recovering the subject Subaltern Studies and Histories of Resistance in Colonial South Asia’, Modern Asian Studies, 22, 1,1988.

Papastergiadia, Nikos. ‘Disputes at the Boundaries of “New Internationalism”.’ Third Text no.25 Winter 1993-94

..............., ‘Editorial.’ [art and immigration] Third Text no.15 Summer 1991

Parry, Benita, ‘Signs of our times: a discussion of Homi Bhaba’s The location of culture’, Third Text 28/29, August Winter 1994.

Parry, Benita, ‘Problems in Current theories of Colonial Discourse’, Oxford Literary Review, vol.9,

pt.1+2, 1987.

Parry, Benita, ‘Signs of our times: Discussion of Homi Bhabha’s The Location of Culture’, Third

Text, nos 28-29, Autumn-Winter 1994.

Parry, J.H., Trade and Dominion, New York, Praeger, 1971.

Pines, J., Willemen, P., Questions of Third Cinema, London, BFI Publishing, 1989.

Poppi, Cesare,’ From the Suburbs to the Global Village; afterhthoughts on Magiciens de la terre’,

Third Text, 14, Spring 1991.

Purdon, Judy, ‘Mapping Difference’, Third Text, 32, Autumn, 1995.

Richard, N., ‘Latin America: Cultures of Repetition or Cultures of Difference’, in Private Symbol: Social Metaphor, Sydney, Fifth Biennale, 1984.

.........., ‘Postmodernism and Periphery’, Third Text, no.2 Winter, 1987/88

Richard, Nelly, ‘Latin Amercia: Cultures of repetition or Cultures of Difference’, catalog of the 1984

Biennale of Sydney.

Ricoeur, P., ‘Universal Civilizations and National Cultures’,in History and Truth, Evanston, Northwestern University Press, 1984

Rubin, William, ed.. & curator, “Primitivism” in Twentieth Century Art, New York, The Museum of

Modern Art, 1984.

Said, E., Orientalism, [1978], Harmondsworth, Penguin, 1985.

........, Culture and Imperialism, New York, Alfred A.Knopf London, Chatto & Windus, 1993

Sarup, Madan, ‘Home and Indentity’, in Robertson, George; Tickner, Lisa et al ed., Traveller’s

Tales: Narratives of Home and Displacment, New York, Routledge, 1994

Smith, T., ‘The Provincialism Problem’, Art Forum, 1974, reprinted in Taylor, P. ed., Anything Goes: Australian Art 1970-1980, S outh Yarra, Art & Text, 1984.

........‘Provincialism Refigured’, Art Monthly [Australia], no.13, August 1988 [and the reply to Murphy, no.15, in no.16, 1988].

........‘Second person/first peoples: writing about post-colonial art’, Art Monthly Australia, 64, October 1993.

Thomas, Nicholas, ‘Cold Fusion’, American Anthropologist, vol. 98, no.1, 1996.

West, C., ‘Black Culture and Postmodernism’, in Kruger,B., Marianai,P. eds, Remaking History, Seattle, Bay Press/Dia Art Foundation, 1989

Wollen, Peter, ‘The Cosmopolitan Ideal in the Arts’, in Robertson, George; Tickner, Lisa et al ed.,

Traveller’s Tales: Narratives of Home and Displacment, New York, Routledge, 1994.

Young, Robert, White Mythologies: Writing History and the West, New York, Routledge, 1990


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