Publications for Peter Wilson 2015



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Publications for Peter Wilson

Publications for Peter Wilson

2015

Takeuchi, K., Wilson, P. (2015). Dionysos and Theatre in Sphettos. Logeion: A Journal of Ancient Theatre, 4, 40-69.

Csapo, E., Wilson, P. (2015). Drama Outside Athens in the Fifth and Fourth Centuries BC. Trends in Classics, 7(2), 316-395. [More Information]

Wilson, P. (2015). The Festival of Dionysos in Ikarion: A New Study of IG I3 254. Hesperia, 84(1), 97-147. [More Information]



2014

Csapo, E., Wilson, P. (2014). Dramatic Festivals. In Hanna M. Roisman (Eds.), The Encyclopedia of Greek Tragedy, (pp. 292-299). Chichester, UK: Wiley-Blackwell Publishing.

Wilson, P., Csapo, E. (2014). Economic History of the Greek Theater. In Hanna M. Roisman (Eds.), The Encyclopedia of Greek Tragedy, (pp. 307-314). Chichester, UK: Wiley-Blackwell Publishing.

Csapo, E., Green, J., Wilson, P., Rupprecht Goette, H. (2014). Greek Theatre in the Fourth Century B.C. Berlin: Walter de Gruyter.

Csapo, E., Wilson, P. (2014). Origins and History of Greek Tragedy. In Hanna M. Roisman (Eds.), The Encyclopedia of Greek Tragedy, (pp. 926-937). Chichester, UK: Wiley-Blackwell Publishing.

Wilson, P., Csapo, E. (2014). Records. In Hanna M. Roisman (Eds.), The Encyclopedia of Greek Tragedy, (pp. 1141-1142). Chichester, UK: Wiley-Blackwell Publishing.

Csapo, E., Wilson, P. (2014). The Finance and Organisation of the Athenian Theatre in the Time of Eubulus and Lycurgus. In Eric Csapo, Hans Rupprecht Goette, J. Richard Green, Peter Wilson (Eds.), Greek Theatre in the Fourth Century B.C, (pp. 393-424). Berlin: Walter de Gruyter.

2013

Kowalzig, B., Wilson, P. (2013). Dithyramb in Context. Oxford: Oxford University Press.

Kowalzig, B., Wilson, P. (2013). Introduction: The World of Dithyramb. In Barbara Kowalzig, Peter Wilson (Eds.), Dithyramb in Context, (pp. 1-27). Oxford: Oxford University Press.

Green, J., Wilson, P. (2013). Song, Torch, Pyrrhic: Naming the Winner. Antike Kunst, 56, 56-61.

Wilson, P. (2013). The Decree of Teleas from the Theatre of Thorikos, Revisited. Zeitschrift fur Papyrologie und Epigraphik, 184, 159-164.

2012

Wilson, P., Csapo, E. (2012). From Choregia to Agonothesia: Evidence for the Administration and Finance of the Athenian Theatre in the Late Fourth Century BC. In D Rosenbloom and J Davidson (Eds.), Greek Drama IV: Texts, Contexts, Performance, (pp. 300-321). Oxford, United Kingdom: Aris and Phillips.



2011

Wilson, P. (2011). Dionysos in Hagnous. Zeitschrift fur Papyrologie und Epigraphik, 177, 79-89.

Wilson, P. (2011). The glue of democracy? Tragedy, structure, and finance. In David Carter (Eds.), Why Athens; A Reappraisal of Tragic Politics, (pp. 19-43). New York, US: Oxford University Press.

2010

Wilson, P. (2010). How did the Athenian demes fund their theatre? In Brigitte Le Guen (Eds.), Largent dans les concours du monde grec, (pp. 37-82). Saint-Denis: Presses Universitaires de Vincennes.

Csapo, E., Wilson, P. (2010). Le passage de la chorégie à l'agonothésie à Athènes à la fin du IVe siècle. In Brigitte Le Guen (Eds.), Largent dans les concours du monde grec, (pp. 83-105). Saint-Denis: Presses Universitaires de Vincennes.

Wilson, P. (2010). The Man and the Music (and the Choregos?). In Oliver Taplin and Rosie Wyles (Eds.), The Pronomos Vase and its Context, (pp. 181-212). Oxford: Oxford University Press.



2009

Wilson, P., Hartwig, A. (2009). IG I3 102 and the tradition of proclaiming honours at the tragic agon of the Athenian City Dionysia. Zeitschrift fur Papyrologie und Epigraphik, 169, 17-27. [More Information]

Wilson, P. (2009). Thamyris the Thracian: the archetypical wandering poet? In R. Hunter and I. Hunter (Eds.), Wandering Poets in Ancient Greek Culture: Travel, Locality and Pan-Hellenism, (pp. 46-79). Cambridge: Cambridge University Press.

Wilson, P., Csapo, E. (2009). The End of the Khoregia in Athens: A Forgotten Document. In M.C. Martinelli (Eds.), La Musa dimenticata: aspetti dell esperienza musicale greca in et ellenistica, (pp. 47-74). Pisa, Italy: edizioini della Normale.

Csapo, E., Wilson, P. (2009). Timotheus the New Musician. In Felix Budelmann (Eds.), The Cambridge Companion to Greek Lyric, (pp. 277-294). Cambridge: Cambridge University Press.

Wilson, P. (2009). Tragic honours and democracy: Neglected evidence for the politics of the athenian dionysia. The Classical Quarterly, 59(1), 8-29. [More Information]



2008

Wilson, P. (2008). Costing the Dionysia. In Martin Revermann and Peter Wilson (Eds.), Performance, Iconography, Reception: Studies in Honour of Oliver Taplin, (pp. 88-127). Oxford, NY, USA: Oxford University Press.

Reevermann, M., Wilson, P. (2008). Performance, Iconography, Reception: Studies in Honour of Oliver Taplin. Oxford, NY, USA: Oxford University Press.

Wilson, P. (2008). Thamyris of Thrace and the Muses of Messenia. Mediterranean Archaeology, 19/20, 207-212.



2007

Wilson, P. (2007). Choruses for sale in Thorikos?: a speculative note on SEG 34, 107. Zeitschrift fur Papyrologie und Epigraphik, 161, 125-132.

Wilson, P. (2007). Introduction. In Peter Wilson (Eds.), The Greek Theatre and Festivals: Documentary Studies, (pp. 1-17). Oxford: Oxford University Press.

Wilson, P. (2007). Nikê's Cosmetics: Dramatic Victory, the End of Comedy, and Beyond. In Chris Kraus, Simon Goldhill, Helene P. Foley, and Jas Elsner (Eds.), Visualizing the Tragic: Drama, Myth and Ritual in Greek Art and Literature, (pp. 257-287). Oxford: Oxford University Press.

Wilson, P. (2007). Performance in the 'Pythion': The Athenian Thargelia. In Peter Wilson (Eds.), The Greek Theatre and Festivals: Documentary Studies, (pp. 150-182). Oxford: Oxford University Press.

Wilson, P. (2007). Pronomos and Potamon: Two Pipers and Two Epigrams. Journal of Hellenic Studies, 127, 141-149. [More Information]

Wilson, P. (2007). Sicilian Choruses. In Peter Wilson (Eds.), The Greek Theatre and Festivals: Documentary Studies, (pp. 351-377). Oxford: Oxford University Press.

Wilson, P. (2007). The Greek Theatre and Festivals: Documentary Studies. Oxford: Oxford University Press.



2006

Wilson, P. (2006). Diken in the Oresteia of Aeschylus. In John Davidson, Frances Muecke & Peter Wilson (Eds.), Greek Drama III: Essays in Honour of Kevin Lee, (pp. 187-201). London: Institute of Classical Studies, School of Advanced Study, University of London.

Davidson, J., Muecke, F., Wilson, P. (2006). Greek Drama III: Essays in Honour of Kevin Lee. London: Institute of Classical Studies, School of Advanced Study, University of London.

2005

Wilson, P. (2005). Music. In J. Gregory (Eds.), A Companion to Greek Tragedy, (pp. 183-193). Oxford: Blackwell Publishers.



2004

Wilson, P. (2004). Ajax: Introduction. In R.C.Jebb. (Eds.), Sophocles: Ajax, (pp. 31-47). London: Bristol Classical Press.

Wilson, P. (2004). Athenian Strings. In Penelope Murray, Peter Wilson (Eds.), Music and the Muses: the Culture of Mousike in the Classical Athenian City, (pp. 269-306). United Kingdom: Oxford University Press.

Wilson, P. (2004). Music and the Muses: the Culture of Mousike in the Classical Athenian City. United Kingdom: Oxford University Press.



2003

Wilson, P. (2003). The Athenian Institution of the Khoregia: the Chorus, the City and the Stage. UK: Cambridge University Press.

Wilson, P. (2003). The politics of dance: Dithyrambic contest and social order in ancient Greece. In Phillips, Pritchard (Eds.), Sport and Festival in the Ancient Greek World, (pp. 163-196). Wales: Classical Press of Wales.

Wilson, P. (2003). The sound of cultural conflict: Kritias and the culture of Mousike in Athens. In C. Dougherty and L. Kurke (Eds.), The cultures within ancient Greek culture : contact, conflict, collaboration, (pp. 181-206). Cambridge, UK: Cambridge University Press.



2002

Wilson, P. (2002). The musicians among the actors. In Pat Easterling & Edith Hall (Eds.), Greek and Roman Actors: Aspects of an Ancient Profession, (pp. 39-68). Cambridge, UK: Cambridge University Press.




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