Institut für anglistik und amerikanistik der universität wien



Download 61,72 Kb.
Date conversion11.12.2017
Size61,72 Kb.

INSTITUT FÜR ANGLISTIK UND AMERIKANISTIK
DER UNIVERSITÄT WIEN
A-1090 Wien Spitalgasse 2-4, Universitätscampus AAKH

Tel. 4277 42471 Telefax 4277-9424

E-Mail Margarete.Rubik@univie.ac.at

Univ.-Prof. Dr. Margarete Rubik






publications
books:
The Novels of Mrs. Oliphant. A Subversive View of Traditional Themes. New York: Peter Lang 1994
Early Women Dramatists. Women Playwrights in England 1550 - 1800. London: Macmillan 1998
Eighteenth-Century Women Playwrights. Vol. 1: Delarivier Manley and Eliza Haywood. Eds. Margarete Rubik and Eva Müller-Zettelmann. London: Pickering and Chatto, 2001.
Revisiting and Reinterpreting Aphra Behn. With an "Introduction: Revisiting and Reinterpreting Aphra." Eds Margarete Rubik, Jorge Figueroa-Dorrego und Bernard Dhuicq. Bilingua Editions, Paris: 2002.
(Dis)Continuities: Trends and Traditions in Contemporary Theatre and Drama in English. Eds. Margarete Rubik and Elke Mettinger-Schartmann. Contemporary Drama in English, Vol. 9. Trier:WTV 2002.
Theory Into Poetry. New Approaches to the Lyric. Ed. Eva Müller-Zettelmann and Margarete Rubik. Amsterdam: Rodopi, 2005.
A Breath of Fresh Eyre: Intertextual and Intermedial Reworkings of "Jane Eyre". Eds. Margarete Rubik and Elke Mettinger-Schartmann. Amsterdam: Rodopi 2007.
Stories of Empire. Narrative Strategies for the Legitimation of an Imperial World Order. Eds Christa Knellwolf und Margarete Rubik, Trier: wvt 2009.
Staging Interculturality. Eds Werner Huber, Margarete Rubik and Julia Novak. Trier: wvt 2010.
Rive Gauche. Paris as a Site of Avant-Garde Art and Cultural Exchange in the 1920s. Eds Elke Mettinger, Margarete Rubik and Jörg Türschmann. Amsterdam: Rodopi 2010.
'The Dramatic Work of Joe Orton. An Analysis of a Cultural Phenomenon of the Sixties and Its Relation to the Tradition of English Literature', Wien (1976). (Dissertation)

articles:
'Of Apes and Men: Themes and Narrative Patterns in Apeland.' Kwartalnik Neofilologiczny 27 (1980), 467-74.
'Black Humour in Modern English Literature.' Wiener Beiträge zur Englischen Philologie: A Yearbook of Studies in English Language and Literature (1981), 7-15.
'Bad World for Poor People: Social Criticism in The Secret Agent.' AAA 7 (1982), 13-22.
'A Mocking of Theatrical Conventions: The Fake Death Scenes in The White Devil and Rosencrantz and Guildenstern are Dead.' English Studies 63 (1982), 426-29.
'Mrs. Oliphant's Unconventional Heroines.' Wiener Beiträge zur englischen Philologie (1982/83), 13-29.
'The Triumph of the Gifted Woman: The Comic Manipulation of Cliché in Mrs. Oliphant's Miss Marjoribanks.' Proceedings of the Second April Conference of University Teachers of English, Crakow 1981 (Warzawa/Krakow 1984), 41-56.
'The Return of the Convict in Mrs. Oliphant's The Son of his Father.' Wiener Beiträge zur Englischen Philologie, Festschrift für S. Korninger, hg. von Otto Rauchbauer (1985/86), 201-16.
'Death-Bed Scenes in Victorian Fiction.' English Studies 67 (1986), 14-34.
'A Sisterhood of Women: Marsha Norman's Getting Out and The Laundromat.' Gramma 2 .(1994), 141 - 148.
'"My Own Experience is All the Other Way." The Subversion of Literary Clichés in Mrs. Oliphant's Novels.' Margaret Oliphant: Critical Essays on a Gentle Subversive, ed. D.J. Trela; Cranbury: Susquehanna Press 1995.
'Manipulative Literary Texts: Susan Glaspell's 'A Jury of Her Peers.' English Language Teaching News 29 (June 1996), 53 - 54.
'The Silencing of Women in Feminist British Drama.' Semantics of Silences in Linguistics and Literature. Eds Gudrun Grabher and Ulrike Jeßner. Heidelberg: Winter, 1996, 177 - 190.
'"My life, my soul, my all is fixed upon enjoyment": The Unabashed Expression of Female Desire in The Royal Mischief.'. The Erotic in Women's Poetry. Eds E. Douka-Kabitoglou and Litsa Trayiannoudi. Gramma 4 (1996), 165- 179.
'Female Desire in Restoration and Eighteenth Century Women's Plays.' New Developments in English and American Studies: Continuity and Change. Proceedings of the Seventh International Conference on English and American Literature and Language. Eds Teresa Bela and Zygmunt Mazur. Krakow: Jagellonian University Press, 1997, 115-125.
'Fringe or Mainstream? What is marketable?' Contemporary Drama in English 4 (1996), 15-24.
'National Identity, International Life-Styles and Cosmopolitan Culture in Margaret Atwood's 'Significant Moments in the Life of My Mother', 'Hurricane Hazel' and 'Unearthing Suite.'' Brno Studies in English 23 (1997), 145-150.
'Grappling to Come to Terms with the Theatre of the Past: Timberlake Wertenbaker's Our Country's Good and The Love of the Nightingale.' Daughters of Restlessness: Women's Literature at the End of the Millenium. Eds Sabine Coelsch-Foisner, Hanna Wallinger and Gerhild Reisner. Heidelberg: Winter, 1998, 165-174.
'Francis Boothby: Marcelia.' Renaissance Women Online (www.wwp.brown.edu), 1998.
"The Bacchae in Modern English Drama." Contemporary Drama in English 5 (1998), 59-67.
"Rewriting the Canon: Shakespeare's Othello and Djanet Sear's Harlem Duet." Tradition and Postmodernity: English and American Studies and the Challenge of the Future. Proceedings of the Eighth International Conference on English and American Literature and Language. Eds Teresa Bela and Sygmunt Mazur. Krakow: Jagellonian University Press, 1999, 545 - 552.
"Die Furcht der Kritiker vor der Revolution. Der englische Sensationsroman im Spiegel deutscher Rezensionen in den Blättern für literarische Unterhaltung und im Magazin für die Literatur des Auslandes". Beiträge zur Rezeption der britischen und irischen Literatur des 19. Jahrhunderts im deutschsprachigen Raum. Ed. Norbert Bachleitner. Amsterdam: Rodopi, 2000, 119 - 136.
"Estranging the Familiar. Familiarising the Strange: Self and Other in Oroonoko and The Widow Ranter." Aphra Behn (1640 - 1689). Identity. Alterity, Ambiguity. Eds Mary Ann O'Donnell, Bernard Dhuiqu and Guyonne Leduc. Paris: Éditions L'Harmattan, 2000, 33 - 41.
Rubik, Margarete and Henry Widdowson. "The Stylistic Intersection. On an Integrated Course in Language and Literature." AAA 25:1 (2000) 5 - 28.
"Beckett, the Visual Artist: The Samuel Beckett/Bruce Nauman Exhibition." The Beckett Circle 23:1 (Fall 2000), 3-4.
"Saying the Unspeakable: Realism and Metaphor in the Depiction of Torture in Modern Drama." What Revels are in Hand? Assessments of Contemporary Drama in English in Honour of Wolfgang Lippke. Eds Bernhard Reitz and Heiko Stahl. Trier: WVT, 2001, 121 - 138.
"Der Edle Wilde als guter Christ: Abolitionismus, Rassendeterminismus und Zivilisationskritik in Uncle Tom's Cabin." Der Alteritätsdiskurs des Edlen Wilden. Exotismus, Anthropologie und Zivilisationkritik am Beispiel eines europäischen Topos. Eds Monika Fludernik, Peter Haslinger und Stefan Kaufmann. Würzburg: Ergon, 2002.
„Delarivier Manley“ Metzler Lexikon englischsprachiger Autorinnen und Autoren. Eds Eberhard Kreutzer und Ansgar Nünning. Stuttgart/Weimar: Metzler: 2002.
“Spaniards, Dutchmen, Moors, Jews and Turks” Revisiting and Reinterpreting Aphra Behn. Ed. Margarete Rubik, Jorge Figueroa-Dorrego und Bernard Dhuicq. Bilingua Editions, Paris: 2002, 9 – 18.
"'Charming as fancy cou'd create': Aphra Behn's poetry as performance." Aphra Behn. Transgression, Tradition, Innovation. Ed. Mary Ann O'Donnell and Bernard Dhuicq. Bilingua GA Editions: Entrevaux 2005, 57 - 67.
"In Deep Waters. Or: What is the Difference between Drowning in Poetry and Prose" Theorising the Lyric. Eds Margarete Rubik and Eva Müller-Zettelmann. Amsterdam: Rodopi 2005, 189 - 205.
"Navigating through Fantasy Worlds: Cognition and the Intricacies of Reader Response in Jasper Fforde's The Eyre Affair." Cognition and Literary Interpretation. Ed. H. Veivo et al. Helsinki: University Press, 2005.

"Provocative and Unforgettable: Peter Carey’s short fiction – a cognitive approach." The Cognitive Turn. Papers in Cognitive Literary Studies. Ed. Michael Toolan and Jean Jacques Weber. EJES 9, No. 2 (2005): 169 – 184.

"Dead Man Talking: The Unusual Communicative Situation in Two English Poems." ПРОБЛЕМИ ЗІСТАBНОЇ СEMAHTИKИ. BИПYCK 7 (Kiev 2005), 402 – 407.


"Imagining the impossible: fantastic body transformations in Peter Carey's short fiction." Languge and Identity. English and American Studies in the Age of Globalization. Proceedings of the April Conference Krakow 2005. Ed. S. Mazur and Teresa Bela. Vol. 1: Literature. Krakow: Jagellonian University Press, 2005, 486 – 499.
"Frames and Framings in Jasper Fforde's The Eyre Affair.” Framing Borders into Literature and Other Media. Ed. W. Wolf and Walter Bernhart. Studies in Intermediality, Vol. 1. Amsterdam: Rodopi 2006.
"From Rugby to Hogwarts: English school novels and the changing ideals of education." Constructions of Childhood in English Juvenile Fiction. Ed Christiane Bimberg and Thomas Kullmann. Aachen: Shaker 2006, 18 – 34.
"Everything You Always Wanted to Know About Politics But Were Afraid to Ask: Contemporary Political Drama and its Claim to Authenticity." History and Drama. Essays in Honor of Bernhard Reitz. Ed. Sigrid Rieuwerts. Trier: WVT, 2006. 254 - 274.
Review of Fabulating Beauty: Perspectives on the Fiction of Peter Carey. Ed. Andreas Gaile. JASAL (Journal of the Association for the Study of Australian Literature) 5 (2006), online http://www.nla.gov.au/openpublish/index.php/jasal/index
"Aphra Behn, die erste professionelle englische Schriftstellerin: Ein Leben und Werk

zwischen Progressivität und Reaktion, Feminismus und Konvention". Auf dem Weg in die Moderne. Radikales Denken, Aufklärung und Konservativismus. Gedenkband für Michael Weinzierl.. Eds Brigitta Bader-Zaar, Margarete Grandtner und Edith Saurer. Wiener Schriften zur Geschichte der Neuzeit. Wien: StudienVerlag, 2007, 89 – 100.


“Invasions into Literary Texts, Re-Plotting and Fictional Migration in Jasper Fforde’s The Eyre Affair.”A Breath of Fresh Eyre. Intertextual and Intermedial Reworkings of "Jane Eyre". Eds. Margarete Rubik and Elke Mettinger-Schartmann. Amsterdam: Rodopi 2007, 167 – 179.
"Aphra Behn, the Ethnologist." Aphra Behn In/ And Our Time. Proceedings of the Aphra Behn Europe Symposium Naples, 7 – 9 July 2005. Eds Annamaria Lamarra and Bernard Dhuicq. Paris: Éditions d’En Face, 2008, 36-47.
“Feeling by Proxy: Descriptions of Pain and Desire in Literary Texts.” Anglistentag 2007 Münster. Proceedings. Ed Klaus Stierstorfer. Trier: wvt, 2008, 255 – 267.
„Adventurer, Western Observer and Female Scientist: The Conflicting Interests of Ida Pfeiffer's Travelogues." Stories of Empire. Narrative Strategies for the Legitimation of an Imperial World Order. Eds Christa Knellworlf und Margarete Rubik. Trier: wvt 2009, 137 - 155.
[gemeinsam mit Ewald Mengel] "Cultural Transfer, Translation and Reception of Anglophone Drama on Viennese Stages in the 20th Century: The Example of Who's Afraid of Virginia Woolf"Adaptations. Performing across Media and Genres (Contemporary Drama in English vol. 16). Eds Monika Pitrzak-Franger and Eckart Voigts-Virchow. Trier: wvt, 2009, 253-270.
“Centlivre, Susanna.“ Kindlers Literatur Lexikon. Hg. von Heinz Ludwig Arnold. 3. Auflage, Stuttgart : Metzler, 2009.
“Manley, Delarivier.“ Kindlers Literatur Lexikon. Hg. von Heinz Ludwig Arnold. 3. Auflage, Stuttgart : Metzler, 2009.
“The Busie Body.“ Kindlers Literatur Lexikon. Hg. von Heinz Ludwig Arnold. 3. Auflage, Stuttgart : Metzler, 2009.
“A Bold Stroke for a Wife.“ Kindlers Literatur Lexikon. Hg. von Heinz Ludwig Arnold. 3. Auflage, Stuttgart : Metzler, 2009.
“The New Atlantis.“ Kindlers Literatur Lexikon. Hg. von Heinz Ludwig Arnold. 3. Auflage, Stuttgart : Metzler, 2009.
„Die Rezeption amerikanischer Dramen der klassischen Moderne.“ Weltbühne Wien - World Stage Vienna, Bd. 2: Die Rezeption anglophoner Dramen auf Wiener Bühnen des 20. Jahrhunderts. Eds. Ewald Mengel, Ludwig Schnauder and Rudolf Weiss. Trier: wvt 2010, 221 – 257.
„Jean Rhys's Vision of the Left Bank.” Rive Gauche. Paris as a Site of Avant-Garde Art and Cultural Exchange in the 1920s. Eds Elke Mettinger, Margarete Rubik and Jörg Türschmann. Amsterdam: Rodopi 2010, 61 – 78.
„Documentary Drama: David Hare.“ Das englische Drama der Gegenwart. Kategorien - Entwicklungen – Modellinterpretationen. Ed. Merle Tönnies. Trier: wvt: 2010, 65 – 80.
“Hyperbole and Understatement in the Depiction of Emotions.” Ambiguity and the Search for Meaning: English and American Studies at the Beginning of the 21st Century. Eds. Monika Coghen, Zygmund Mazur and Beata Piatek. Krakow: Jagiellonian University Press 2010, 361 – 375.


The database is protected by copyright ©sckool.org 2016
send message

    Main page