Curriculum Vitae Matthew r shaftel July 27, 2014 General Information



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Curriculum Vitae
Matthew R Shaftel
July 27, 2014

General Information
University address: College of Music
Housewright Music Building N0202
Florida State University
Tallahassee, Florida 32306-1180
Phone: 850-345-0755

E-mail address: mshaftel@fsu.edu


Web site: http://liberalstudies.fsu.edu

Professional Preparation
2000 Ph.D., Yale University. Major: Music Theory. Supervisor: Allen Forte.
1997 M.Phil., Yale Univeristy. Major: Music Theory. Supervisor: Allen Forte.
1995 B.A., Yale University. Major: Music and Education. Certified Teacher, State of Connecticut.

Nondegree Education and Training
2001–2004 Yale University Private Voice Study.
2000 Aspen Opera Theater Center.
1999 Tanglewood Music Center.

Professional Experience
2013–present Associate Dean for University Liberal Studies, Undergraduate Studies, Florida State University.
2007–present Associate Professor, Music Theory, Florida State University.
2001–present Director of Music, Music, Good Shepherd Catholic Parish.
2005–2010 Faculty for Osher Lifelong Learning Center, Ctr for Prof Dev & Public Svc, Florida State University. Taught several continuing-education courses for FSU's Osher Lifelong Learning Center.
2001–2007 Assistant Professor, College of Music, Florida State University.
1998–2001 Adjunct Faculty, Musicology, Southern Connecticut State University. Taught Music History Survey and Music Appreciation.
1997–2001 Assistant Music Director, music, St. Margaret's Catholic Church in Madison, Connecticut. Conducting choirs, composing short liturgical works, cantoring.
1997–2001 Instructor of Music Theory, Music, Yale University. Taught introductory and advanced courses.
1995–2001 Performance Evaluator for Undergraduate Admissions, Yale University.
2000 Instructor, Yale University Music Technology Lab. Worked collaboratively to develop new curriculum for aural skills. Included computer-based exercises created for Practica Musica, and post-tonal exercises for MacGamut.
1994–1998 Instructor of Music Theory, History, Musicianship, and Technology, with secondary emphasis on World Music, Educational Center for the Arts.
1992–1997 Bursar Staff, Yale University Recordings Library. Researched and cataloged special collections.
1995 Student Teacher of Music, East Haven High School.
1994 Instructor of Psychology, Yale-New Haven Summer Institute.
1994 Teaching assistant in French, East Haven High School.
1992 Instructor of English, Physics and Math Institute/University of Novosibirsk, Russia.

Language Proficiency
French - fluent in speaking, reading, and writing.

German - advanced in speaking, reading, and writing.

Italian - rudimentary in speaking and writing; advanced in reading.

Russian - intermediate in speaking, reading, and writing.



Artist/Designer in Residence
2001–present Good Shepherd Catholic Parish, Tallahassee Florida.
2005–2012 Director of Asolo Song Festival and Institute for Song Interpretation in Italy.
2011 University of Miami.
2009 Randolph College and Longwood University.
2007 Longwood University.
2006 Agnes Scott College.
2006 University of Georgia.
2006 University of Texas at San Antonio.

Honors, Awards, and Prizes
Prudential Productivity Award, Florida State University, ODL Group (2014).

Distinguished Faculty Initiate, National Society of Collegiate Scholars (2014).

Honorary Faculty Initiate, Phi Kappa Phi National Honor Society (2014).

U.S. Professor of the Year Nominee, Carnegie Foundation for the Advancement of Teaching (2014).

Distinguished University Teacher, Florida State University (2013).

Grammy Music Educator Award Quarterfinalist, Grammy Foundation (2013).

Outstanding Aural-Skills Pedagogue Award, Journal of Music Theory Pedagogy (2013).

Society for Music Theory Publications Awards (2013).

Society for Music Theory Citation of Merit Award (2011).

Who's Who in American Education 2006-2012 (2006).

Who's Who in Fine Arts Education (2006).

Florida State University Teaching Award, Florida State University (2005).

Who's Who in America; 2005, 2007 (2005).

Excellence in Teaching 2004-2012, Florida State University Provost (2004).

Program for Instructional Excellence, 2004-2014 (2004).

"Up and Coming Scholar" at Florida State University Excellence in Research Recognition Dinner (2003).

Florida State University Web Star (2003).

Nominee for President's Continuing Education Award (2003).

Who's Who Among America's Teachers (2003).

Yale University Prize Teaching Fellowship (1998).

Honores in Musica, Yale University (1995).

Fellowship(s)
Mellon Dissertation Fellowship (1999–2000).

Mellon Research Fellowship (1998).

Franke Fellowship (1995–1997).

Current Membership in Professional Organizations
American Guild of Organists

College Music Society

Music Theory Southeast

Society for Music Theory



Teaching
Courses Taught
Cawthon Hall Music Colloquium (MUS1920)

London Study Abroad: Music Exploration (MUS1920)

Sight Singing and Ear Training II; Supervisor (MUT1242)

Atonal Analysis (MUT5628)

Sight Singing and Ear Training I; Supervisor (MUT1241)

Form and Style: Classic (MUT3541)

16th-Century Counterpoint (MUT4411)

Writing Skills: 16th Century Counterpoint (MUT5655)

Classic, Romantic, and 20th-Century Styles (MUT5587)

Doctoral Seminar: Musical Structure and Dramatic Subtext in Opera (MUT6937)

Honors Music Theory II (MUT1112)

Honors Music Theory for the Non-Music Major (MUT1011)

Writing About Music (Team Taught) (MUS5939)

Music Theory I (MUT1111)

Doctoral Seminar: Music-Text Relationships in Song and Opera (MUT6937)

18th-Century Counterpoint (MUT3421)

Introduction to Schenkerian Analysis (MUT5627)

New Course Development
London Study Abroad: Music Exploration (2014)

Doctoral Seminars: Created two doctoral seminars (2011)



Curriculum Development
Revised Sight-Singing/Ear-Training curriculum to Include Innovative Online Component (2008)

Management of Multiple Course Sections
Sight Singing and Ear Training II (MUT1242)

Sight Singing and Ear Training I (MUT1241)



Doctoral Committee Chair
Gades, A. P., graduate. (2013). William Bolcom's 'Songs of Innnocence and Experience'.

Decker, G. J., graduate. (2011). The Language of Baroque Opera: Topic, Structure, and Characterization in Handel's Royal Academy Operas. [Decker holds a tenure-track position at Bowling Green State University. Dissertation won National Opera Association award for best dissertation; 2013]

Atkinson, S. E., graduate. (2009). An Analytical Model for the Study of Multimedia Compositions: A Case Study in Minimalist Music. [Atkinson holds a tenure-track position at Texas Christian University]

Cardillo, K. F., graduate. (2008). A New Approach to Musical Meaning. [Holds a tenured position at Chattanooga State College]

Cheng, Y., graduate. (2008). A Typological Re-examination of Female Roles in Puccini's Operas. [Cheng is a tenured Associate Professor at Fort Valley State Unviersity]

Chattah, J., graduate. (2006). The Semiotics of Film Music. [Chattah holds a tenure-track position at University of Miami]

Jarvis, B. E., doctoral candidate. Musical and Filmic Narrative in the Burwell-Cohen Brothers Collaborations.

Robertson, G. E., doctoral candidate. Paganini and Intertext: An Exploration of Variation Sets by Brahms, Rachmaninoff, and Rochberg.

Wilkes, M., doctoral candidate. Schoenberg's Saxophone: "Von Heute auf Morgen".

Groskreutz, S. S., doctoral candidate. Performance and Analysis in 20th-Century Music. [Holds a position at Stetson University]

Peterson, J. R., doctoral candidate. Agency, Metaphor, and Linear Design. [Peterson holds a position at James Madison University]

Malone, S., doctoral student. Decentering Fugue: An Analogical Approach. [Malone held a tenure-track position at University of Central Missouri]

Toelcke, E., doctoral student. Schubert's Developmental Processes.

Doctoral Committee Member
Hehn, J. J., graduate. (2013).

Ofcarcik, J. J., graduate. (2013).

Smith, J. M., graduate. (2012).

Carson, A., graduate. (2011).

Peebles, C. A., graduate. (2011).

Hughes, B., graduate. (2011).

Easley, D. B., graduate. (2011).

Sarver, S., graduate. (2010).

Moore, J. E., graduate. (2009).

Adams, S. B., graduate. (2009).

Bertsche, D., graduate. (2009).

Endrinal, C., graduate. (2008).

Garris, N., graduate. (2008).

Tsutsumi, M., graduate. (2007).

Yano, Y., graduate. (2007).

Farrah, S., graduate. (2007). "Signifyin(g): A semiotic Analysis of Symphonic Works by William Grant Still, William Levi Dawson, and Florence B. Price,".

Pruett, L., graduate. (2007).

Sanchez-Behar, A., graduate. (2007).

Smith, E., graduate. (2005).

Meyer-Wendt, L., graduate. (2004).

Robles, E., graduate. (2002).

Loeffert, K. G., doctoral candidate.

Hansen, Z., doctoral student.

Richards, B., doctoral student.

Yang, A., doctoral student.

Doctoral Committee University Representative
Burel, J. M., graduate. (2014).

Jensenius, E. G., graduate. (2014).

Melissis, S., graduate. (2014).

Coker, K. H., graduate. (2013).

Kilgore, A. N., graduate. (2013).

Young, S. E., graduate. (2013).

Geib, M. T., graduate. (2013).

Kim, W., graduate. (2012).

Heffner, L. A., graduate. (2012).

Gallardo, G., graduate. (2011).

Morrison, A. R., graduate. (2011).

Benson, J. S., graduate. (2011).

Johnson, Z., graduate. (2011).

Funk, A. P., graduate. (2010).

Kiral, B. R., graduate. (2010).

Large, K. M., graduate. (2010).

Mota, G. P. D. O., graduate. (2010).

Neal, D. A., graduate. (2010).

Zabriskie, A., graduate. (2010).

Lee, Y. J., graduate. (2009).

Riskin, B., graduate. (2007).

Brooks, J. M., doctoral candidate.

Casamassina, T., doctoral candidate.

Master's Committee Chair
Jeter, L. R., graduate. (2013).

Hamm, C. L., graduate. (2010).

Steetle, K., graduate. (2007). The Structural Significance of Instrumentation in Wagner's Operas.

Clement, B., graduate. (2004). Little Dots: A Study of the Melodies of the Guitarist/Composer Frank Zappa.

Yiu, Shih-Chen, graduate. (2004). The Synthesis of Taiwanese and Western Musical Elements: A case study of the Zheng concerto—Dots, Lines, and Convergence by Chihchun Chi-Sun Lee.

Johnson, M., student. "Bach As Simeon: A Reinterpretation of 'Mit Fried und Freud' in 'Ich habe genung' (BWV 82).".



Master's Committee Member
Delk, K. D., graduate. (2014).

Villa, M. A., graduate. (2013).

Tucker, R. C., graduate. (2012).

Broder, M. A., graduate. (2012).

Lomax, M. A., graduate. (2012).

Nedelcu-Erickson, I., graduate. (2012).

Bushman, E., graduate. (2012).

Williams, E., graduate. (2012).

Bell, M. T., graduate. (2011).

Whiting, B. D., graduate. (2011).

Mitchell, J. E., graduate. (2010).

Kumagawa, N., graduate. (2010).

Curtis, F., graduate. (2009).

Horick, S., graduate. (2009).

Magellan, M., graduate. (2009).

Roe, T., graduate. (2009).

Yunek, J., graduate. (2009).

Gordon, C., graduate. (2008).

Atkinson, L., graduate. (2007).

Biddick, K., graduate. (2007).

Catania, M., graduate. (2007).

Johnston, S., graduate. (2007).

Atkinson, S., graduate. (2006).

Osborn, B., graduate. (2006).

Spilker, J., graduate. (2006).

Walker, A., graduate. (2005).

Lim, R., graduate. (2004).

Crake, J., graduate. (2003).

Richardson, T., graduate. (2003).

Copeland, J., graduate. (2002).

Keller, R., graduate. (2002).

Bachelor's Committee Chair
Delk, K., graduate. (2012). Narrative in Haydn's Monothematic Sonatas.

Easey, J., graduate. (2009). Music and Drama in Handel's "Saul".

Reeves, A., graduate. (2007). Understanding Reich's "Different Trains".

Bachelor's Committee Member
Teague, A., graduate. (2013).

Krock, B., graduate. (2012).



Supervision of Student Research Not Related to Thesis or Dissertation
Directed over 26 independent studies for credit (2007–14).
Mattingly, T. (May 2007–May 2008).
Directed over 25 independent studies for credit (2001–06).

Additional Teaching Not Reported Elsewhere
Shaftel, M. R. (2010). Song Through the Ages. Osher Lifelong Learning Center.
Shaftel, M. R. (2008). The Genres of Western Music. Osher Lifelong Learning Center.
Shaftel, M. R. (2005). An Introduction to Opera. Osher Lifelong Learning Center.
Shaftel, M. R. (2005–2010). Director of a summer festival and institute jointly sponsored by the city of Asolo, the Consortium for International Study (with 37 member universities), CIMBA Italia, and the University of Iowa. The program brings professional and student pianists, singers, and music scholars together to explore issues of collaboration, analytical performance, and performative analysis. The festival includes 12 concerts and master classes in such venues as the well-known Il Teatro Duse. Asolo Song Festival and Institute for Song Interpretation, Asolo, Italy.
Shaftel, M. R. (2005–2013). Taught summer music courses to non-music students from across the country at study-abroad campus in Paderno del Grappa, Italy. Average enrollment; 30-40 students. Consortium of Universities for International Study (Through University of Iowa).
Shaftel, M. R. (2002). Orchestra: The Instruments and Their Music. Osher Lifelong Learning Center.

Research and Original Creative Work
Publications
Invited Journal Articles
Shaftel, M. (2013). A Music-Theoretical Matrix: Tribute to Allen Forte. Gamut, 6 (2), 330-331. Retrieved from http://trace.tennessee.edu/cgi/viewcontent.cgi?article=1096&context=gamut

Refereed Journal Articles
Shaftel, M. (2014). "Demographics, Analytics, and Trends: The Shifting Sands of an Online Engagement with Music Theory". MTO: A Journal of the Society for Music Theory, 20 (1), 1-7. Retrieved from http://www.mtosmt.org/issues/mto.14.20.1/mto.14.20.1.shaftel.php
Shaftel, M., & Fenton, K. (2013). "Reasons to learne to sing: Interview with Conductor Kevin Fenton". College Music Symposium, 53, 1-20. Retrieved from http://symposium.music.org/index.php?option=com_k2&view=item&id=9379:ireasons-to-learne-to-sing-i-interview-with-conductor-kevin-fenton&Itemid=130
Shaftel, M. R. (2011). "Webern's 'Heavenly Journey' and Schoenberg's Vagrant Chords". Gamut, 4:1, 318-348.
Shaftel, M., & Swanson, C. (2008). "The Problem with Beautiful Singing". College Music Symposium, 47, 53-71. Retrieved from http://www.jstor.org/discover/10.2307/40374504?uid=3739600&uid=2129&uid=2&uid=70&uid=4&uid=3739256&sid=21103992814191
Shaftel, M. (2007). "Singing a New Song: Foster and the New American Minstrelsy". Music and Politics, II, 1-27. Retrieved from http://www.music.ucsb.edu/projects/musicandpolitics/archive/2007-2/shaftel.pdf
Shaftel, M. (2006). "Isomorphic Puzzles, Variation Technique, and Dodecaphonic Comprehensibility in Schönberg's op. 30/2". Journal of the Arnold Schönberg Center, 7, 203-227.
Shaftel, M. (2003). Translating for GOD: Schonberg's Moses und Aron". Journal of the Arnold Schonberg Center, 5, 311-331.
Shaftel, M. (2000). "From Inspiration to Archive: Cole Porter's Night and Day". Journal of Music Theory, 43.2, 315-347.
Shaftel, M. R. (2000). "Webern, Schoenberg, and the 'Himmelfahrt' sketch". Mitteilungen der Paul Sacher Stiftung, Nr. 12, 27-31.

Invited Books
Brubacher, S., Shaftel, M. R., Laitz, S., Lopinski, J., & Galieva-Szokalay, J. (contract). Royal Conservatory of Music; 2016 Revised Music Theory Syllabus. Manuscript under contract for publication, Toronto, ON: Frederick Harris Music.

Refereed Books
Decker, G., & Shaftel, M. (submitted). The Sound of Signs: New Essays on the Role of Semiotics in Opera Analysis. Manuscript submitted for publication.
Randel, D. L., Shaftel, M. R., & Weiss, S. (contract). A Cole Porter Companion. Manuscript under contract for publication, Champaign, IL: University of Illinois Press.
Shaftel, M. (2014). Anton von Webern Collection: Three Piano Works, Op. Posthumous; Critical Edition with Introductory Essay. New York, NY: Carl Fischer Press. Retrieved from http://www.amazon.com/Three-Piano-Works-Op-Posthumous/dp/0825894395/ref=sr_1_7?s=books&ie=UTF8&qid=1405817809&sr=1-7
Shaftel, M. R., & Jones, E. A. (2013). Aural Skills in Context. New York, NY: Oxford University Press. Retrieved from http://global.oup.com/us/companion.websites/9780199943821/
Shaftel, M. R. (2004). Anton Webern Collection: Early Songs 1899-1904. New York: Carl Fischer Publishing.

Edited Books
Cheng, Ya-Hui., & Shaftel, M. (Eds.). (2009). Puccini's Women: Structuring the Role of the Feminine in Puccini's Operas. Saarbrucken, Germany: VDM Verlag.

Invited Book Chapters
Shaftel, M. (in press). A Consideration of Drama, Lyrics, and Musical Structure in a Porter Film: Broadway Melody of 1940. In Randel, D., Shaftel, M., & Weiss, S. (Eds.), A Cole Porter Companion (325 pages). Champaign, IL: University of Illinois Press.
Shaftel, M. (2009). "Sonata Form, Dramatic Subtext, and Musical Irony in the Trio from Le Nozze di Figaro". In Gordon Sly (Ed.), Keys to the Drama: Nine Perspectives on Sonata Forms (pp. 27-52). London: Ashgate Press.
Shaftel, M. R. (2009). "Puzzling Comprehensibility: Arnold Schoenberg's String Quartets". In Jones, E. (Ed.), Intimate Voices: Aspects of Construction and Character in the Twentieth-Century String Quartet. Rochester: University of Rochester Press.

Refereed Encyclopedia Entries
Shaftel, M. R. (2013). "Cole Porter". In New Grove Encyclopedia of American Music, 2nd Edition (p. 1-8). London, UK: Oxford University Press.

Refereed Proceedings
Shaftel, M. R. (2009). "Performing Ives's Hymn-tune Quotations: A Semiotic Model for Performance". In American Semiotic Society, 33d Annual Meeting, Houston (pp. 825-837). Toronto: Legas Press. Retrieved from http://www.secure.pdcnet.org/cpsem/content/cpsem_2008_0825_0837
Shaftel, M. (2008). "Form, Sign, and Singing: Integrating Sign Systems in an Interdisciplinary approach to Opera". In American Semiotics Society, 32nd Annual Meeting; new Orleans (pp. 170-183). Toronto: Legas Press. Retrieved from http://www.secure.pdcnet.org/cpsem/content/cpsem_2007_0170_0183

Invited Newsletter Articles
Shaftel, M. (2011, September). "Building Bridges". College Music Society Newsletter, 2011 (2), 11-15.
Shaftel, M. (2011). Twelve Letters from the Editor. MTO: A Journal of the Society for Music Theory (2008-2011), 14/4 through 17/4, 1-16. Retrieved from http://www.mtosmt.org
Shaftel, M. (2010, September). "Why Should Living Composers and Scholars Engage in Dialogue?". College Music Society Newsletter, 2010 (2), 23.
Shaftel, M. (2009, September). "The Role of Individual Disciplines in the CMS". College Music Society Newsletter, 2009 (2), 15.

Nonrefereed Books
Shaftel, M. R., & Jones, E. (2012). A Critical Approach to Sight Singing and Musical Style, Volume 1, 3rd Edition. Hayden McNeil.
Shaftel, M. R., & Jones, E. (2012). A Critical Approach to Sight Singing and Musical Style, Volume 2, 3rd Edition. Hayden McNeil.
Shaftel, M. R., & Jones, E. (2010). A Critical Approach to Sight Singing and Musical Style, 2nd Edition. Hayden McNeil.
Shaftel, M. R., & Jones, E. (2009). A Critical Approach to Sight Singing and Musical Style. Hayden McNeil.

Nonrefereed Newsletter Articles
Shaftel, M. (2014, August). Publications Committee. Society for Music Theory, 37 (2), 4. Retrieved from http://societymusictheory.org/files/SMT_NL_V36_1_high_res.pdf
Shaftel, M. (2013, February). Music Theory Southeast (2013). Society for Music Theory, 36 (1), 21. Retrieved from http://societymusictheory.org/files/SMT_NL_V36_1_high_res.pdf
Shaftel, M. (2012, August). Music Theory Southeast (2012). Society for Music Theory, 35 (2), 19-20. Retrieved from http://societymusictheory.org/sites/default/files/SMT_NL_V35_2.pdf

Presentations
Invited Papers at Conferences
Shaftel, M. (accepted). Professional Development: Negotiating the New Position. Paper to be presented at the meeting of Society for Music Theory, Milwaukee, WI. (International)

Refereed Papers at Conferences
Shaftel, M. (accepted). "Unity and Discontinuity in the Second-Act Finale of Le Nozze di Figaro". Paper to be presented at the meeting of Society for Music Theory, Milwaukee, WI. (International)
Shaftel, M. (presented 2013, November). "Assessment, Rubrics, and Music Theory (Oh my!)". Paper presented at the meeting of College Music Society, Cambridge, MA. (National)
Shaftel, M. (presented 2013, November). "Demographics, Analytics, and Trends: The Shifting Sands of an Online Engagement with Music Theory". Paper presented at the meeting of Society for Music Theory, Charlotte, NC. (International)
Shaftel, M. (presented 2012, November). "Music Theory in the New Millenium: Goals, Curriculum, Assessment". Paper presented at Annual Meeting, College Music Society, San Diego. (National)
Shaftel, M. (presented 2011, October). "Building Bridges to Living Opera". Paper presented at Annual Meeting, College Music Society, Richmond. (National)
Shaftel, M. (presented 2011, October). "Issues in Music Theory Today: Assessment and the new Pedagogy". Paper presented at Annual meeting, College Music Society, Richmond. (National)
Shaftel, M. (presented 2011, March). "A Year of Collaborative Performance: Ravel's Chansons Medecasses". Paper presented at annual meeting, Music Teachers' National Association, Milwaukee. (National)
Shaftel, M. (presented 2010, September). "A Year of Collaborative Performance: Ravel's Chansons Medecasses". Paper presented at Annual meeting, College Music Society, Minneapolis. (National)
Shaftel, M. (presented 2010, September). "Building Bridges to Living Composers: Interdisciplinary Analysis as Prelude". Paper presented at Annual meeting, College Music Society, Minneapolis. (National)
Shaftel, M. (presented 2010, September). "The Anatomy of a Composition: An Interview with Kevin Fenton". Paper presented at Annual meeting, College Music Society, Minneapolis. (National)
Shaftel, M. R. (presented 2010, September). "Kennst du die Länder? The Literal and the Fantastic Lands in Settings of Mignon's Lied". Paper presented at the meeting of College Music Society, Minneapolis. (National)
Shaftel, M. (presented 2009, November). "Building Bridges from the Living Past to the Living Present". Paper presented at the meeting of College Music Society, Portland. (National)
Shaftel, M. (presented 2009, January). "Communication between Musicians and Clergy". Paper presented at the meeting of Tallahassee Church Music Conference, Tallahassee. (Regional)
Shaftel, M. (presented 2008, October). "Performing Ives's Hymn-tune Quotations: A Semiotic Model for Performance". Paper presented at 33rd Annual meeting, American Semiotics Society, Houston. (National)
Shaftel, M. R. (presented 2008, September). "Preparing the Erlkings for Performance". Paper presented at the meeting of College Music Society, Atlanta. (National)
Shaftel, M. R. (presented 2007, October). "Form, Sign, and Singing: Integrating Sign Systems in an Interdisciplinary approach to Opera". Paper presented at 32nd Annual meeting, American Semiotics Society, New Orleans. (National)
Shaftel, M. R. (presented 2006, November). "Semiotics, Pragmatics, and Iconology: An Interdisciplinary Model for the Investigation of Opera". Paper presented at Joint meeting, Society for Music Theory and American Musicological Society, Los Angeles. (International)
Shaftel, M. (presented 2006, September). "Singing Through the Filter of Memory: Ives' Hymn Quotations". Paper presented at Joint meeting, College Music Society with Society of Composers, San Antonio. (National)
Shaftel, M. R. (presented 2005, November). "The Problem with Beautiful Singing". Paper presented at International meeting, College Music Society, Québec, Canada. (International)
Shaftel, M. R. (presented 2005, July). "Running 'La Chasse-Galerie' through 'Mon Pays:' Introducing Québécois Culture and History Through Music". Paper presented at International joint meeting, The American Association of Teachers of French, Association canadienne des professeurs d'immersion, Association des professeurs de français des universités et collèges canadiens, Assoc, Québec, Canada. (International)
Shaftel, M. R. (presented 2005, March). "Type, Token, and Figaro: An Interdisciplinary Approach to Musical Structure and Dramatic Narrative in Opera". Paper presented at the meeting of Music Theory Southeast, Miami. (Regional)
Shaftel, M. R. (presented 2004, November). "Der Fischer und Das Weib: Ten Years of Redefining the 'Other'". Paper presented at Joint meeting, Society for Music Theory and American Musicological Society, Seattle. (International)
Shaftel, M. R. (presented 2004, November). "Shaking the Foundations: Pluralism and Feminism in Music Theory". Paper presented at Joint meeting, Society for Music Theory and American Musicological Society, Seattle. (International)
Shaftel, M. R. (presented 2004, November). "Undiscovered Webern: Five Early Songs". Paper presented at National meeting, College Music Society, San Francisco. (National)
Shaftel, M. R. (presented 2003, February). "Undiscovered Webern: Five Early Songs". Paper presented at the meeting of Florida State Theory Forum, Tallahassee. (Local)
Shaftel, M. R. (presented 2002, October). "Revising Blackface: Stephen Foster's Plantation Melodies". Paper presented at National meeting, Society for Music Theory, Columbus, Ohio. (International)
Shaftel, M. R. (presented 2002, March). "Poor Uncle Ned, Old Black Joe, and the Changing View of Blackface". Paper presented at the meeting of Florida State Theory Forum, Tallahassee. (National)
Shaftel, M. (presented 2002, February). "Singing a New Song: Foster and the New American Minstrelsy". Paper presented at International Dohnányi Festival and Conference, Music Theory Southeast, Southern Chapter of the American Musicological Society, & Southeast Chapter of the Society for Ethnomusicology, Tallahassee. (International)
Shaftel, M. R. (presented 2000, November). "Homage to Wolf: Webern's Avenarius Lieder". Paper presented at International meeting, Society for Music Theory, Toronto, Canada. (International)
Shaftel, M. R. (presented 2000). "Anton Webern and Nineteenth Century Art Song". Paper presented at the meeting of Connecticut State-Research Day, New Haven. (State)
Shaftel, M. R. (presented 1999, November). "Webern's Dehmel Lieder and Schoenberg's 'Vagrant Chords.'". Paper presented at the meeting of Society for Music Theory, Atlanta. (International)
Shaftel, M. R. (presented 1999, March). "Schoenberg's 'Vagrant Chords' and Webern's Dehmel Lieder". Paper presented at New England Conference of Music Theorists, New England Conference of Music Theorists, Cambridge, Massachusetts. (Regional)

Refereed Papers at Symposia
Shaftel, M. R. (presented 2004, June). "Isomorphic Puzzles, Variation Technique, and Dodecaphonic Comprehensibility in Schönberg's op. 30/2". In International Arnold Schoenberg Symposium. Symposium conducted at the meeting of International Arnold Schoenberg Symposium, Vienna, Austria. (International)
Shaftel, M. (presented 2003, October). "A Wolf Memorial: Anton Webern's Early Songs". In Hugo Wolf Centennial Symposium. Symposium conducted at the meeting of FSU, Tallahassee. (Regional)
Shaftel, M. R. (presented 2002, June). "Translating for GOD: Schoenberg's Moses und Aron". In International Arnold Schoenberg Symposium. Symposium conducted at the meeting of International Arnold Schoenberg Symposium, Vienna, Austria. (International)

Invited Keynote and Plenary Presentations at Conferences
Shaftel, M. R. (presented 2011, October). "Music, Technology, and Byron's Bridge: 'A Palace and a Prison on each Hand'". Keynote presentation at the meeting of College Music Society/ATMI, Richmond, VA. (National)
Shaftel, M. R. (presented 2011, April). "Unity and Discontinuity: Revisiting the Act II Finale of Figaro". Keynote presentation at New England Conference of Music Theorists, New England Conference of Music Theorists, Brandeis University. (Regional)

Invited Keynote and Plenary Presentations at Symposia
Shaftel, M. (accepted). "The Seven R's of Teaching". Keynote presentation in Program for Instructional Excellence Conference. Symposium to be conducted at the meeting of FSU. (Local)

Invited Presentations at Conferences
Shaftel, M. R. (presented 2013, February). "Keyboard Harmony in the 21st Century". Presentation at Revising the Music Theory Standards, Royal Conservatory of Music, Toronto. (International)
Shaftel, M. R. (presented 2013). "A Reconsideration of the National Music Theory Curriculum,". Presentation at Revising the Music Theory Standards, Royal Conservatory of Music, Toronto. (International)
Shaftel, M. R. (presented 2012, November). "Academia et Familia". Presentation at Joint meeting, Society for Music Theory and American Musicological Society, New Orleans. (International)
Shaftel, M. R. (presented 2010, September). "Dialogues and Forums". Presentation at Annual meeting, College Music Society, Minneapolis. (National)
Shaftel, M. R. (presented 2009, November). "Dialogues and Forums". Presentation at Annual meeting, College Music Society, Portland. (National)
Shaftel, M. R. (presented 2009, November). "Forum for Music Theory". Presentation at Annual meeting, College Music Society, Portland. (National)

Invited Workshops
Shaftel, M. (2013, July). "Engaging the Ear: Aural Skills in Context". Workshop delivered at Royal Conservatory of Music, Toronto, Canada. (International)
Shaftel, M. (2013, February). "A Reconsideration of the National Music Theory Curriculum," and "Keyboard Harmony in the 21st Century". Workshop delivered at Royal Conservatory of Music, Toronto, Canada. (International)
Rogers, N., Hoag, M., & Shaftel, M. (2012, November). Professional Development: CV Review. Workshop delivered at Society for Music Theory, New Orleans, LA. (International)

Invited Lectures and Readings of Original Work
Shaftel, M. (2014, September). "Unity and Disunity in Opera". Delivered at Eastman Conservatory, Rochester, NY. (National)
Shaftel, M. (2014, April). "Keynote Address: The Stinky Cheese Philosophy". Delivered at Phi Kappa Phi Honor Society Induction Ceremony. (Local)
Shaftel, M. (2014, April). "Why Being a Professor is Better Than 'You want Fries with That?'". Delivered at FSU Freshmen Interest Groups. (Local)
Shaftel, M. (2013, October). "Film Music as Language: Darth Vader Meets Mickey Mouse". Delivered at FSU Parent's Weekend, FSU. (Local)
Shaftel, M. (2013, September). "The Seven R's of Teaching". Delivered at Music Theory Society of FSU. (Local)
Shaftel, M. (2013, August). "Teaching and the New Faculty Member". Delivered at FSU: New Faculty Orientation. (Local)
Shaftel, M. R. (2013, February). "Music Theory class for Parents". Delivered at Music Parents Weekend, FSU. (Local)
Shaftel, M. (2012, November). "Anton Webern and Micro-Romanticism". Delivered at Longwood University, Farmville, VA. (National)
Shaftel, M. (2012, March). "Writing a Teaching Philosophy". Delivered at Music Theory Society of FSU. (Local)
Shaftel, M. R. (2011, September). "Film Music as Language: Darth Vader Meets Mickey Mouse". Delivered at University Honor's Colloquium, FSU. (Local)
Shaftel, M. R. (2011, September). "Negative Teaching Habits and how to Cope with Them". Delivered at Music Theory Society of FSU, FSU. (Local)
Shaftel, M. R. (2010, August). "How to Succeed in Music Without Really Trying". Delivered at Cawthon Colloquium, FSU. (Local)
Shaftel, M. R. (2009, February). "Music Theoretical Models of Interpretation". Delivered at University of Iowa, Iowa City. (National)
Shaftel, M. R. (2007, September). "Engaging All Learners with Cooperative Learning Techniques". Delivered at Program for Instructional Excellence, FSU. (Local)
Shaftel, M. R. (2007, January). "Teaching and Technology: Engaging Students with PRS Transmitters". Delivered at Program for Instructional Excellence, FSU. (Local)
Shaftel, M. R. (2006, December). "Organizing a Music Festival Abroad". Delivered at FSU Arts Administration Program, FSU. (Local)
Shaftel, M. R. (2006, March). "On the Performance vs. Interpretation Paradigm". Delivered at FSU Music Theory Society, Tallahassee. (Local)
Shaftel, M. R. (2006, February). "Harmony and Counterpoint in the Lenten Repertoire". Delivered at Pensacola-Tallahassee Diocese, Good Shepherd Parish, Tallahassee. (State)
Shaftel, M. R. (2006, January). "Music, Ministry, and Career: Employment in the Religious Institution". Delivered at Cawthon Hall Colloquium, FSU. (Local)
Shaftel, M. R. (2005, October). "A Northern Italian Approach To Opera". Delivered at Consortium for International Studies, Paderno del Grappa, Italy. (International)
Shaftel, M. R. (2005, April). "Critical Methods and the 'new' Music Theory". Delivered at Contemporary Music Theory course, FSU. (Local)
Shaftel, M. R. (2005, March). "The Old/New Model for Music Employment: Reenter the Religious Institution". Delivered at Cawthon Hall Colloquium, FSU. (Local)
Shaftel, M. R. (2005, February). "Music Theory in Catholic Worship". Delivered at Pensacola-Tallahassee Diocese, Good Shepherd Parish, Tallahassee. (State)
Shaftel, M. R. (2004, March). "Issues of Breathing and Tension: Communal and Solo Singing". Delivered at Pensacola-Tallahassee Diocese, Good Shepherd Parish, Tallahassee. (State)
Shaftel, M. R. (2004, March). "Recent Analytical Approaches". Delivered at Music Theory Southeast with the South Central Society for Music Theory, Atlanta. (Regional)
Shaftel, M. R. (2003, October). "Teaching in the 21st Century: Technology Inside and Outside the College Classroom". Delivered at Florida College Music Educators Association, Orlando. (State)
Shaftel, M. R. (2003, August). "How to be a New Faculty Member in 30 Easy Minutes". Delivered at Florida State University New Faculty Orientation, FSU. (Local)
Shaftel, M. R. (2003, April). "Sonata-form principles at work in the trio from Mozart's Marriage of Figaro". Delivered at Guest Lecture on Form and Analysis, FSU. (Local)
Shaftel, M. R. (2003, April). "Vocal Maintenance and Building Communion Repertoire". Delivered at Pensacola-Tallahassee Diocese, Good Shepherd Parish, Tallahassee. (State)
Shaftel, M. R. (2003, March). "Musicians and Hats: Working for Religious Institutions". Delivered at Cawthon Hall Colloquium, FSU. (Local)
Shaftel, M. R. (2003, February). "Recent Theoretical Approaches". Delivered at Music Theory Southeast, Davidson College. (Regional)
Shaftel, M. R. (2002, November). "US Adaptation of the Institutio Generalis Missalis Romani: Ramifications for the Music Ministry". Delivered at Good Shepherd Catholic Parish, Tallahassee. (Local)
Shaftel, M. R. (2002, October). "Music Theory from Freshman to Forty: Everything you ever wanted to. Delivered at Freshmen Experience, FSU. (Local)
Shaftel, M. R. (2002, August). "Computer-Assisted Aural Skills Acquisition". Delivered at College of Music Faculty Meeting, FSU. (Local)
Shaftel, M. R. (2002, August). "Music in Catholic Liturgy and Cantor Certification". Delivered at Pensacola-Tallahassee Diocese, Good Shepherd Parish, Tallahassee. (State)
Shaftel, M. R. (2002, May). "The Role of the Cantor in Catholic Liturgy". Delivered at Pensacola-Tallahassee Diocese, Good Shepherd Parish, Tallahassee. (State)
Shaftel, M. R. (2001, October). "Preparing for the Job Search and Interview Process: A Practical Guide". Delivered at Florida State University Music Theory Society, FSU. (Local)

Master Classes
Shaftel, M., Swanson, C., & Hardin, T. (2009, May). Vocal Performance Master Class. Master class delivered at Asolo Song Festival and Institute, Paderno del Grappa, Italy. (International)
Shaftel, M. (2009, February). "Resisting Passive Performance". Master class delivered at University of Iowa, Iowa City. (National)
Shaftel, M., Swanson, C., & Hardin, T. (2008, September). Vocal Performance Master class. Master class delivered at Emory University. (National)
Shaftel, M., Swanson, C., & Chua, E. (2008, May). Vocal Performance Master Class. Master class delivered at Asolo Song Festival and Institute, Paderno del Grappa, Italy. (International)
Shaftel, M., Swanson, C., & Hardin, T. (2007, May). Vocal Performance Master Class. Master class delivered at Asolo Song Festival and Institute, Paderno del Grappa, Italy. (International)
Shaftel, M., & Swanson, C. (2007, January). Vocal Master Class. Master class delivered at Radford College. (National)
Shaftel, M., Swanson, C., & Hardin, T. (2006, May). Vocal Performance Master Class. Master class delivered at Asolo Song Festival and Institute, Paderno del Grappa, Italy. (International)

Performances
Invited Performances
Shaftel, M., Hardin, T., & Swanson, C. (Soloist). (2009, June). Schumann's Spanisches Liederspiel [Vocal Recital]. Sala della Ragione, Asolo, Italy: Asolo.
Shaftel, M., Swanson, C., & Hardin, T. (Soloist). (2008, May). American Art Song and Musical Theater [Recital]. Il Teatro del Instituto Filipin, Paderno del Grappa, Italy: Asolo Song Festival and Institute for Song Interpretation.
Shaftel, M., Swanson, C., & Yap Chua, E. (Soloist). (2007, November). Musical Borrowing in Ives Lecture Recital. Wimberly Recital Hall: Randolph College, Lynchburg, VA.
Shaftel, M., Swanson, C., & Hardin, T. (Basilio in scene from Marriage of Figaro; Rocco in scene from Fidelio). (2007, June). Opera Scenes. Loggia della Cattedrale in Asolo, Italy: Asolo Song Festival and Institute for Song Interpretation.
Shaftel, M., Swanson, C., & Hardin, T. (Soloist). (2007, June). Recital of American and British songs. Teatro Accademico, Castelfranco, Italy: Asolo Song Festival and Institute for Song Interpretation.
Shaftel, M., Swanson, C., & Yap Chua, E. (Soloist). (2007, February). American and English Song Lecture Recital. Molinar Recital Hall: Longwood University, Farmville, VA.
Shaftel, M., Swanson, C., & Hardin, T. (Soloist). (2006, June). German songs and Brahms's Liebeslieder Waltzes. Teatro Duse, Asolo, Italy: Asolo Song Festival and Institute for Song Interpretation.
Shaftel, M., Swanson, C., & Hardin, T. (Soloist). (2006, June). Recital of English and Italian Songs. Teatro Duse, Asolo, Italy: Asolo Song Festival and Institute for Song Interpretation.
Shaftel, M., Swanson, C., & Hardin, T. (Soloist). (2004, November). Recital of works from Webern Edition by Shaftel. [Origination of the work by Shaftel Edition]. University of the Pacific, Stockton, CA.
Shaftel, M. (Soloist). (2002, March). Concert. Quebec, Canada: Petits Chanteur de Charlesbourg.
Shaftel, M. (Soloist and Member of Octet). (1995). Vocal Jazz. Cunard Cruise Lines.

Juried Performances
Shaftel, M., Swanson, C., Hardin, T., & Jones, E. (Soloist). (2006, September). American and English Song Recital. University of San Antonio, Texas: College Music Society / University of San Antonio.
Shaftel, M., Swanson, C., & Hardin, T. (Solo Song and Ensemble). (2005). Recital of works by Schubert [Vocal]. Quebec, Canada: Concert Series of La Chapelle du Bon-Pasteur/College Music Society.
Shaftel, M. (Various). (1996). Operas and Scenes. Aspen Opera Theater Center Summer Festival.
Shaftel, M. (Various). (1994). Operas Scenes and Song Recitals. Tanglewood Summer Festival.

Non-Juried Performances
Shaftel, M., & Buchler, M. (Soloist). (2008, November). Lecture performance. Baltimore: Society for Music Theory Annual Meeting.
Shaftel, M. R. (Coordinator). (2006, December). Our Lady of Guadalupe Festivals. [Artistic direction by Matthew Shaftel]. Tallahassee: Catholic Diocese of Pensacola-Tallahassee.
Shaftel, M. R. (Conductor and Coordinator). (2004, April). Exalted, an Easter Oratorio [Oratorio]. [Origination of the work by Gregg Sewell]. [Artistic direction by Matthew Shaftel]. Tallahassee: Catholic Diocese of Pensacola-Tallahassee.
Shaftel, M. R. (Conductor). (2003, February). German Mass. [Origination of the work by Franz Schubert]. [Artistic direction by Matthew Shaftel]. Tallahassee: Catholic Diocese of Pensacola-Tallahassee.
Shaftel, M. R. (Conductor). (1995). Three short operas with orchestra. [Artistic direction by Matthew Shaftel]. New Haven, CT: Yale University Undergraduate Opera Company.

Digital Projects
Invited Digital Projects
Burke, H., Shaftel, M., & Stokes, G. (Guest Speaker). (2013). Issues in Education: Guest on FSU President's talk show [TV Show]. Channel WFSU. Retrieved from http://president.fsu.edu/President-s-TV-Program-Issues-in-Education/2013-Programs
Shaftel, M., Kallestad, L., & Yoho, S. (2012). "Interview with Matthew Shaftel" [Online interview]. Retrieved from http://blog.smartmusic.com/post/2012/01/06/SmartMusic-Sight-Reading-and-Aural-Skills.aspx

Refereed Digital Projects
Shaftel, M., & Shaftel, P. (Co-creator). (2005–2014). Learn About Québec Music Project [on-line resource]. American Association of Teachers of French. Retrieved from http//: www.learnaboutquebec.com

Contracts and Grants
Contracts and Grants Funded
Scherber, R., & Shaftel, M. (Aug 2013–Jul 2014). Tallahassee Youth Orchestras; Mark O'Connor as Guest Artist. Funded by Tallahassee/Leon County Council on Culture & Arts. Total award $14,000.
Bakan, M., Welsh, L., Shaftel, M., & Scherber, R. (Aug 2012–Jul 2013). Artism NEA Grant. Funded by National Endowment for the Arts. Total award $15,000.
Pope, D., & Shaftel, M. (Aug 2012–Jul 2013). Tallahassee Youth Orchestras; Barrage as Guest Artist. Funded by Tallahassee/Leon County Council on Culture & Arts. Total award $24,074.
Scherber, R., & Shaftel, M. (Aug 2012–Jul 2013). Tallahassee Youth Orchestras Educational Outreach. Funded by Florida Division of Cultural Affairs. Total award $2,500.
Pope, D., & Shaftel, M. (Aug 2011–Jul 2012). Tallahassee Youth Orchestras; Tallahassee Symphony Collaboration. Funded by Tallahassee/Leon County Council on Culture & Arts. Total award $21,626.
Shaftel, M., & Clendinning, J. (Oct 2010–Oct 2010). Allen Forte Collection of Monographs and Treatises. Funded by Faculty Research Library Materials Grant. Total award $8,200.
Shaftel, M. (May 2010–Aug 2010). COFRS Cole Porter's Life Through Music. Funded by FSU CRC. Total award $12,000.
Shaftel, M., & Swanson, C. (Jan 2007–Jan 2007). Musical Outreach. Funded by College Music Society Outreach Grant. Total award $500.
Shaftel, Matthew (PI). (May 2005–Aug 2005). COFRS_Behind the Musical Curtain: Dramatic Subtexts & Formal Structures in Opera. Funded by FSU CRC. Total award $8,000.
Shaftel, M. (May 2002–Aug 2002). Anton Webern's Early Songs. Funded by First Year Assistant Professor Grant. Total award $8,000.
Shaftel, M. (2002–2013). Faculty Travel Grants. Funded by FSU Provost. Total award $5,500.
Shaftel, M. (2002–2006). Faculty Development Grants. Funded by FSU Provost. Total award $16,000.
Shaftel, M., & Jones, E. (2002–2002). Instructional Development Award. Funded by FSU CRC. Total award $14,000.

Contracts and Grants Pending
Bishop, C., Shaftel, M., & Jimenez, A. (Jul 2014). Tallahassee Youth Orchestras: Year of Collaboration. Submitted to Tallahassee/Leon County Council on Culture & Arts.

Reviews of My Research and Original Creative Work by Other Authors
Reviews Appearing in Journals
Kozak, M. (2012). Review of Evan Jones, ed., Intimate Voices: The Twentieth Century String Quartet (Rochester University Press, 2009). MTO: A Journal of the Society for Music Theory, 18 (2), 1-4. Retrieved from http://www.mtosmt.org/issues/mto.12.18.2/mto.12.18.2.kozak.pdf
Morgan, R. (2011). Review of Evan Jones, ed., Intimate Voices: The Twentieth Century String Quartet (Rochester University Press, 2009). Music and Letters, 92 (2), 319-324. Retrieved from http://www.muse.jhu.edu/login?auth=0&type=summary&url=/journals/music_and_letters/v092/92.2.morgan.html
Proksch, B. (2011). Review of Keys to the Drama: Nine Perspectives on Sonata Forms by Gordon Sly. Fontes Artis Misicae, 58 (2), 200-201. Retrieved from http://www.jstor.org/stable/23512923
Russ, M. (2011). Review of Evan Jones, ed., Intimate Voices: The Twentieth Century String Quartet (Rochester University Press, 2009). Journal of the Society for Musicology in Ireland, 6, 101-112. Retrieved from http://www.music.ucc.ie/jsmi/
Carman, J. (2005). Review of The Anton Webern Collection. Early Vocal Music 1899-1909. Edited by Matthew R. Shaftel. Carl Fischer, 2004. Journal Of Singing, 62 (2), 227-234.

Reviews Appearing in Magazines or Newsletters
Everett, W. (2013, August). Publications Committee Report. Society for Music Theory Newsletter, 36 (2), 8-9. Retrieved from http://societymusictheory.org/files/SMTNL_8_13.pdf
Cramer, A. (2013, February). Professional Development Committee Report. Socity for Music Theory Newsletter, 36 (1), 10. Retrieved from http://societymusictheory.org/files/SMT_NL_V36_1_high_res.pdf
Eng, C. (2013, February). Work and Family Interest Group Report. Socity for Music Theory Newsletter, 36 (1), 28. Retrieved from http://societymusictheory.org/files/SMT_NL_V36_1_high_res.pdf
Malin, Y. (2012, August). MTO: A Journal of the Society for Music Theory Report. Society for Music Theory Newsletter, 35 (2), 8. Retrieved from http://societymusictheory.org/sites/default/files/SMT_NL_V35_2.pdf
Everett, W. (2012, February). Publications Committee Report. Society for Music Theory Newsletter, 35 (2), 7. Retrieved from http://societymusictheory.org/sites/default/files/_SMT_NL_V35_1.pdf
Hall, P. (2011, August). Committee on the Status of Women Report. Society for Music Theory Newsletter, 34 (2), 10-11. Retrieved from http://societymusictheory.org/files/SMT_NL_v34_2.pdf
Everett, W. (2011, February). Publications Committee Report. Society for Music Theory Newsletter, 34 (1), 7. Retrieved from http://societymusictheory.org/files/smt_n34_1.pdf
Headlam, D. (2010, February). Networking Committee Report. Society for Music Theory Newsletter, 33 (1), 5-6. Retrieved from http://societymusictheory.org/files/SMT.NL_.33.1.pdf
Harrison, D. (2009, February). Publications Committee Report. Society for Music Theory Newsletter, 32 (1), 3. Retrieved from http://societymusictheory.org/files/SMT.NL_.32.1.pdf

Reviews Appearing on a Web Site
Kallestad, L., & Yoho, S. (2012). "Interview with Matthew Shaftel". blog.smartmusic.com. Retrieved from http://blog.smartmusic.com/post/2012/01/06/SmartMusic-Sight-Reading-and-Aural-Skills.aspx

Service
Florida State University
FSU University Service
Co-Chair, Academic Enhancement Grants (2014–present).
Member, Demand Analysis Group (Enrollment) (2014–present).
member, Grad Success Website Oversight Committee (2014–present).
Member, Quality Enhancement Plan Advisory Board (2014–present).
Member, Council of Associate and Assistant Deans (2013–present).
Member, Enrollment Management Committee (2013–present).
Founding Chair, E-Series Board (2013–present).
Member, Graduate Success Initiative Task Force (2013–present).
Ex-officio, Honors Program Policy Committee (2013–present).
Founding Chair, Liberal Studies Board (2013–present).
Associate Dean, Undergraduate Deans Council (2013–present).
Chair, Liberal Studies Coordinating Committee (2012–present).
Ex-officio, Undergraduate Policy Committee (2012–present).
Co-Chair, Search Committee: Director of University Honors Program (2014).
Member, Search Committee: Manager of University Bookstore (2014).
Member, Search Committee: QEP Director (2014).
Member, Presidential Scholars Committee (2013–2014).
Member, Quality Enhancement Plan Committee (2013–2014).
Chair, Liberal Studies Revision Task Force (2012–2013).
Chair, University Teaching and Advising Awards Committee (2011–2012).
Member, Liberal Studies Coordinating Committee (2008–2012).
Adjudicator, Committee on Faculty Research Support Grants (2007–2011).

FSU College Service
Advisor, Ballroom Dance Club (2012–present).
Advisor, All-Night Yahtzee (2008–present).
Transfer Advisor, Transfer Credit Evaluator for all Transferring Undergraduates (2006–present).
Member, Music Technology Supervisory Committee (2003–present).
Member, Faculty Search Committees (2002–2012).
Organizer, Organized van travel and hotels for graduate-student attendance at regional conference (2002–2010).
Member, Opera Advisory Committee (2003–2008).
Academic Advisor, Advisor for all M. M. in Music Theory Students (2001–2006).
Member, Music Technology Search Committee (2004).
Co-worker, Redesigned brochure for music theory graduate program with Evan Jones (2003).
Coach, Music Theory basketball team, Diminished Five (2002–2003).
Member, Music Technology Committee (2001–2002).

FSU Institute or Center Service
Faculty Director, Cawthon Hall Music Living Learning Center (2010–present).
Member, Music Theory Forum Program Committee (2002–2005).
Director, Cawthon Hall Technology Lab (2001–2004).

The Profession
Editor for Refereed Journals
Component Editor, College Music Symposium (2012–2014).
Editor in Chief, MTO: A Journal of the Society for Music Theory (2008–2011).

Guest Reviewer for Refereed Journals
Journal of the American Musicological Society (2013–14).
Music Theory Spectrum (2012–14).
Oxford University Press (2013).
Routledge Press (2013).
Routledge Press (2013).
Journal of Music Theory (1997–98).

Reviewer for Textbooks
Reading Music A Guide to Language, Notation, and Traditions (2007).
Tonal Harmony by Stefan Kostka and Dorothy Payne (2006).
Elements of Music by Joseph Straus (2003).

Juror for a Performance
Asolo Prize. Asolo, Italy: Asolo Prize (2005–2009).
Music Scholarship Adjudication. Florida Arts Council (2007).
National Composition Prize. National Association of College Wind and Percussion Instructors (2005).

Chair of a Symposium
Shaftel, M. R. (Chair). (2005). Asolo Song Festival and Institute for Song Interpretation. Symposium conducted at the meeting of Asolo Song Festival and Institute for Song Interpretation, Asolo, Italy.

Service to Professional Associations
Chair of Publications Committee, Society for Music Theory (2013–present).
Member of Subventions Committee, Society for Music Theory (2013–present).
Member of Publications Committee and Music Theory Advisory Committee, College Music Society (2011–present).
Member of Networking Committee, Society for Music Theory (2008–present).
President, Music Theory Southeast (2002–2014).
Member of Publications Committee, Society for Music Theory (2008–2011).
Nationally Elected Board member, College Music Society (2007–2011).
Exam consultant, College Board (2008).
Conference Chair, College Music Society (2008).
Member Program Committee for International Conference in Baltimore, Society for Music Theory (2007).
Conference Chair, College Music Society (2005).
Conference Chair, The American Association of Teachers of French, Association canadienne des professeurs d'immersion, Association des professeurs de français des universités et collèges canadiens (2005).
Member, Committee on the Status of Women, Society for Music Theory (2002–2005).

Service to Other Universities
Tenure File Review: YaHui Cheng, Fort Valley State University (2013).
Tenure File Review: Deborah Burton, Boston University (2012).
Tenure File Review: Melissa Hoag, Oakland University (2012).
Tenure File Review: Yonatan Malin, University of Colorado at Boulder (2012).
Tenure File Review: Christine Linial, University of Texas at San Antonio (2012).
External File Review: Yayoi Uno Everett, Emory University (2011).
Tenure File Review: Yonatan Malin, Wesleyan University (2011).
Tenure File Review: Rachel Malinov, George Mason University (2009).
Tenure File Review: Stephen Brown, Northern Arizona University (2009).

The Community
Advisory Board Member, Infinite Potentials, Julian Toha (2011–present).
President, Tallahassee Youth Orchestras (2008–present).
Acted on several committees in addition to music-director duties, Chair of Music Ministry Committee 2001-present; Liturgy Committee 2002-present; Worship Committee 2001-present, Good Shepherd Catholic Church (2001–present).


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